The Album Review Club - Week #191 (page 1286) - Harlequin Dream - Boy & Bear

This is one of those oscillating albums. Meaning, it swings back and forth and it can feel very different depending on where you are when you catch it.

I liked it when it came out. Then I probably quite quickly moved on and for some reason, I forgot all about it. To the point, I didn't even explore any of their subsequent releases. Probably because that particular scene got oversatursted way too quickly, back then. And partly, because it is somewhat simplistic and feels always there within reach, but not enough to call out to you.

Had I rated it at my first one or two revisits, I would probably have gone somewhere between a 5 and a 6, after noting it was pleasant enough and a good reminder of an album of its time.

But now I seem to be at the peak of the wave of this album, so going to score it before it troughs again.

The simplicity, works really well (when it hits the mood/timing). For almost the same reason everyone puts Oasis on the pedastal they imo shouldn't even be able to see the top of. 'It is just a gang of pals wanting to make some music and have fun'. That's ultimately the feeling of it and when you're in your lad mood, it hits the spot. You can bob along to it, have the rhytm in the background, the foreground, and move on when you need to without being chained to it. You can imagine yourself and pals attempting your own band.

Beyond that, the bass is what absolutely carries it. And it is good, and enjoyable, and if you take the time to almost isolate it from the rest, it will intrigue a lot more.

Good consistency to it, not overly long either, the pace works. The singing is neither here nor there but doesn't rely on it.

In terms of simplicity vs complexity, it is certainly not Radiohead is it, it is almost the opposite. But sometimes a plain old fried egg on toast is just what you want, over some coddled egg benedict soufflé melange thingymabob, and this album gives you just that. A solid 7.
 
The scoring (1-10) and my score (2) is bothering me and will continue to do so.

After some research, it seems that a more natural scoring system may be:
  • Excellent (9-10)
  • Good (7-8)
  • Fair (5-6)
  • Poor (3-4)
  • Very poor (1-2)
Dividing those into 10 gives you the numbers I've added in ()

However, this a more technical scale (How good is it?). Rather than an opinion score ( I liked it).
Music is art, so technical scales don't really work.
Perhaps a modification of the above may be to the question in hand, so:

Q: What is your opinion of this album?
  • Excellent
  • Good
  • Fair
  • Poor
  • Very poor
An "Answer" works better than a "Score" ???
Semantics i know.

I gave "Is This It?" a 2. "Very poor" for the reasons listed previously.
Does this opinion fit my experience?
Yes, of sorts. But.....

Perhaps the above scale is missing a number:
  • No comment (0)
Perhaps i should have given it a zero (i 've read the rules here so this will have the OP twitching).
PErhaps i am of the mind that i shouldn't really give it a score at all because i couldn't get past some of it's (perceived by me) structural failings? Perhaps my internal biases are such that i am not fit to give it a score?

Some music i absolutely detest (American Gangsta Rap for instance). I can't listen to it. My sensibilities won't let me so rather than giving such an album (should it appear) a 1 which would be unjust, i should really say "No comment"".
0 is a vote after all. It shows effort (i listened to the damn thing) but couldn't overcome my prejudices.

Should my review of "Is This it?" have been a zero (null) score?
Hmm. Not sure about that. I really didn't like it.
I like the way your mind works. Having spent a whole career arguing the toss with HR about the implementation of 'bell curves' for performance reviews on my team, I now happily apply it to scoring these picks. It goes something like this. 20% of my scores should be 9 or 10 reflecting an album which I would consider one of the best I have ever listened to. 20% of scores would be 1 or 2 reflecting that an album is amongst the worst. the remaining 60% applied across remaining scores with a score of 5 reflecting neutrality. Given my average score is just over 6, I have obviously failed to keep to this regime but its very much to forefront when I score. To me a positive score is 6 and over.

I do think whatever you feel about an album you should score it. Even American Gangsta Rap.
 
If this is the start of a scoring coup d'etat I feel it only right that I reveal at least some of my scoring algorithm. I won't explain it all, it's much too complicated for you lot, but highlights include:

Deductions

Have they got annoying shit hair? - 1 pt
Did the nominator score AGDCFF at less than 3 pts? - 2 pt
Has the artist ever said nice things about Bon Jovi ? - 3 pt
Is the artist Bon Jovi? - no need to deduct points as we've already all fallen into the unending abyss

Additions

Banjo or kazoo ? + 1pts
Combined age of band < 500 years ? + 1 pt
Ginger + 1 pt
No gated reverb + 3 pts

There's other more frivolous components but that's the basics.
 
Great to visit this album again.
A forgotten gem of a recording.
The only album of theirs that i have listened to for some weird reason.
Not one track that i do not like but The modern age,Barely legal,Last Nite,New York City Cops and Take it or leave it the standout tracks from me.
Nice and simple songs that work for me Nothing startling in instrument playing but they all come together with the simple vocals for a lovely noise.
While i found the Housemartins samey and not for me this is samey in a lot of ways but i like it.
Like a few others i will investigate more of their stuff.. 8.
 
The Strokes - Is This It

Was on my radar to nominate this myself so will of course score highly.
I was always a bigger fan of 'British Indie' to 'American Indie' - if that's such a thing, but this felt the most British American Indie sound to come out around that time and i think that's why it hit the spot so well in the UK - It's raw, catchy and authentic. bought back some good nostalgia.
Hardly a bad track and plenty of hits. Good pick!

9/10
 
If this is the start of a scoring coup d'etat I feel it only right that I reveal at least some of my scoring algorithm. I won't explain it all, it's much too complicated for you lot, but highlights include:

Deductions

Have they got annoying shit hair? - 1 pt
Did the nominator score AGDCFF at less than 3 pts? - 2 pt
Has the artist ever said nice things about Bon Jovi ? - 3 pt
Is the artist Bon Jovi? - no need to deduct points as we've already all fallen into the unending abyss

Additions

Banjo or kazoo ? + 1pts
Combined age of band < 500 years ? + 1 pt
Ginger + 1 pt
No gated reverb + 3 pts

There's other more frivolous components but that's the basics.
I like your regime far better than mine. I think I will adopt it with some tweaks.
 
If this is the start of a scoring coup d'etat I feel it only right that I reveal at least some of my scoring algorithm. I won't explain it all, it's much too complicated for you lot, but highlights include:

Deductions

Have they got annoying shit hair? - 1 pt
Did the nominator score AGDCFF at less than 3 pts? - 2 pt
Has the artist ever said nice things about Bon Jovi ? - 3 pt
Is the artist Bon Jovi? - no need to deduct points as we've already all fallen into the unending abyss

Additions

Banjo or kazoo ? + 1pts
Combined age of band < 500 years ? + 1 pt
Ginger + 1 pt
No gated reverb + 3 pts

There's other more frivolous components but that's the basics.

Music by notable gingers, now there's a fucking theme for the other thread!
 
Great to visit this album again.
A forgotten gem of a recording.
The only album of theirs that i have listened to for some weird reason.
Not one track that i do not like but The modern age,Barely legal,Last Nite,New York City Cops and Take it or leave it the standout tracks from me.
Nice and simple songs that work for me Nothing startling in instrument playing but they all come together with the simple vocals for a lovely noise.
While i found the Housemartins samey and not for me this is samey in a lot of ways but i like it.
Like a few others i will investigate more of their stuff.. 8.

There is a comparison to the housemartins, in the way it has that same vague comfort familiarity, without quite being able to put your finger on it,
and as such dismiss it as 'sounding like something else'.
 
So shout out to @FogBlueInSanFran for his excellent write up and to @mrbelfry for introducing me to the 16th note which I shall now quote on every occasion I can in attempt to look cool in front of my Kids.
The album I liked - its exactly what Foggy said it was, simple, stripped back, fast, no fat, no solos to speak of. Perfect for when you want to listen to 'that sort of thing' I do like the New York punk vibe - I'm a big fan of Patti Smith bit less of The Ramones and NYD's. They are certainly a lot more consistent than the Velvet Underground who's albums in my opinion veered from brilliant songs to unlistenable.
As mentioned, I didnt have an opinion on the album when it was released - i must have been exhausted battling the millenium bug for the last 2 years and insourcing part of the business that I had previously outsourced. Its hard to see from here why it was in any way groundbreaking - it must just have caught the zeitgeist.
All tracks were fun, none stood out over the others, I agree about the bass player.
So based on my bell curve analysis, I will give this a very good consistent performance and your annual bonus is 7/10
 
I can think of very few that I would give the time of day to. Tori Amos? Florence Welsh :-(, Ziggy Stardust - now he was quite good with a passable band. Whatever happened to him?
The two Biffy twins, the Proclaimers twins, Josh Homme probably the coolest that spring to mind. There is Radiohead too, but let's not go there.

We might need to define the acceptable colour chart first.
 
My scoring system is:

Does it Radiohead? +3
Does it feature an old sus rock singer? -10
Is it War of the Worlds? 8
Is the nominator someone I want to become best friends with? +3
Is the album hard to like so a positive score makes me appear smarter and allows me to feel superior? +4
Can I miss apply musical jargon such as 'pedal point' and '16th notes' to appear somewhat educated and hope no one corrects me? ×2
Is it War of the Worlds? 3
Is it a genre i don't understand? 6
 
The two Biffy twins, the Proclaimers twins, Josh Homme probably the coolest that spring to mind. There is Radiohead too, but let's not go there.

We might need to define the acceptable colour chart first.
As a Scot, I am allowed to say that the Proclaimers are as cool as Deacon Blue (eg. Not) despite the fact I love them both. Bonny Raitt is cool.

How do you describe shades of ginge?
 
The two Biffy twins, the Proclaimers twins, Josh Homme probably the coolest that spring to mind. There is Radiohead too, but let's not go there.

We might need to define the acceptable colour chart first.
The only colour which isn't acceptable is......

Grey.

Old people singing. Eurgh.
 

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