The Album Review Club - Week #191 (page 1286) - Harlequin Dream - Boy & Bear

Though not quite the same thing, this reminds me of when someone much wiser than me gently admonished me with something to the effect of "If God is prepared to give you a break don't you think you should maybe be less hard on yourself too? Or do you think it’s for you to decide how much love you deserve, rather than Him?"

If the best art is a club that you have to be 'worthy' to get into then most of us are stood outside in the cold because our names are not on the list. But I don't think that's how it is or at least should be. Better to view it as a gift. Sure some artists may want to offer their gift with strings attached but the beauty is that once it's left their hands they don't get to make that call. If the recipient just wants to receive it gratefully and with grace then there needs to be no more to it.

If you're simply saying the album is fit but it knows it, then that's a slightly different point I would say.
Again I'm struggling to articulate a feeling I'm likely experiencing unfairly ;) in Over the Hill what exactly is happening? Is Martyn leaving and affair or leaving his wife to go on a drug fuelled bender? Martyn would find me totally vanilla and boring.
 
In that case then somebody's going to have to come up with an analysis of why Astral Weeks ended up with an average of 5.64 and this week's offering will likely score far higher.

I don't think there's much overlap at all. This one moves and grooves more in less time.

Should have scored far higher, however only takes a couple of Bimbo torpedoes to bring down the average score.
 
This is a true desert island disc for me and has been since i first heard it so many years ago. I can't imagine life without it. Perfection from the first note to the last. 10 out of 10

Many years ago I was in the car and I think it was Danny Baker who played a song and then said he loved it because normally even with songs he really liked there were generally moments, maybe just a single piece of intonation or the way a note ends, that he would change; but in this instance there was nothing.

It's quite a rare thing to find and to find that across an entire collection of songs is a wonderful gift to have.

I know you're not fussed about the guessing game but imo it's worthy of note that you'd already guessed this choice a few weeks back based on a throwaway comment by myself!
 
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Again I'm struggling to articulate a feeling I'm likely experiencing unfairly ;) in Over the Hill what exactly is happening? Is Martyn leaving and affair or leaving his wife to go on a drug fuelled bender? Martyn would find me totally vanilla and boring.

Why can't it be whichever you want it to be? The intention of the provider of the gift is not irrelevant but it's not definitive.

On that one I like to think he's personified his bad habits and is leaving them in disgrace for the warming embrasure of his family. Does it match 100% lyrically, probably not, does it make me a boring vanilla homebird type? Probably, but I don't care.

As Kate Bush might have said to Peter Gabriel, you worry too much :-)
 
Why can't it be whichever you want it to be? The intention of the provider of the gift is not irrelevant but it's not definitive.

On that one I like to think he's personified his bad habits and is leaving them in disgrace for the warming embrasure of his family. Does it match 100% lyrically, probably not, does it make me a boring vanilla homebird type? Probably, but I don't care.

As Kate Bush might have said to Peter Gabriel, you worry too much :-)
Nah he's a selfish muppet and not capable of balanced normal relationships. Those that love him do so at great harm to themselves. If he couldn't play guitar and sing nice he'd be homeless. It irks me that I admire him ;) it also irks me I've made tremendous judgements based on a couple of tracks but that's show business I guess ;) anyway I've waffled boringly enough about this - back to my big bag of crack
 
Isn’t Google amazing?

I knew I’d seen JM at the Birmingham Odeon in the late 70s (1st October 1978 to be precise); but my aging memory banks had completely erased his warm up performance at the Six of the Best gig at MK in 1982!

So, having seen him twice (well, planned once I suppose), I was hoping this album would reignite some grey matter. For some reason, mention of JM, has always brought Sweet Little Mystery and Big Muff to mind, apart from Solid Air this album is a complete blur!

That said, I’ve enjoyed going back to my hazy teen years. Musically, his guitar work is so good. It’s been a pleasure to revisit this, so I’ll give it nostalgic 7. It
Has however prompted me to explore more as I have with the Mr Cale nomination
 
Nah he's a selfish muppet and not capable of balanced normal relationships. Those that love him do so at great harm to themselves. If he couldn't play guitar and sing nice he'd be homeless. It irks me that I admire him ;) it also irks me I've made tremendous judgements based on a couple of tracks but that's show business I guess ;) anyway I've waffled boringly enough about this - back to my big bag of crack

Sorry I'd failed to twig we were mostly in the art vs the artist territory, though in my defence you do like to come at things obliquely :-)

We occasionally touch on that in the thread you moreso than others I think but we've never really had a big discussion about it. Maybe one for one of the season break weeks, albeit probably not the festive one!
 
As the person who nominated Astral Weeks I'm duty bound to comment on the comparisons being made here. Nowhere near chaps but there's no point me getting my hackles up and writing a review and score based on a visceral reaction. You all say it as you hear it and that's fair enough.

A similar experience to @threespires and others to this album but probably not as marked. I'd listened to it maybe five to ten years ago becuase a colleague of the time whose musical tastes did closely align to mine had raved about it and John Martyn generally. I don't know what I heard then or how I was hearing it or blah blah life and circumstances etc but I did dismiss it, or maybe didn't dismiss it but didn't partiuclarly embrace it.

This time round I must admit it does seep in. Similar to Nick Drake who I scored poorly but on reflection would say was worming it's way to a better score given more time.

I've given this plenty of listens and found plenty to enjoy. The first three songs are very good, I don't mind the vocal tics on Solid Air, although they are the sort of thing that Van was probably maligned for.

I'd Rather Be the Devil does rather spoil the mood a bit and although Go Down Easy returns us to the earlier vibe it seems to be outisde his comfort range vocally and sags a bit.

Things pick up again after that, particularly with May You Never and The Man in The Station but The Easy Blues is a disappointing way to end the album. Or would be if the version I've been listening to didn't have an unnecessary reprise of Rather Be The Devil, albeit a live version.

So, plenty to like, enough I don't to justify my claim that this is no Astral Weeks. It hasn't made me want to listen to any more of his and I'm 50/50 on whether to keep it (well the download) or not. Stuck between a 6 and a 7 so 6.5 it is.
 
Sorry I'd failed to twig we were mostly in the art vs the artist territory, though in my defence you do like to come at things obliquely :-)

We occasionally touch on that in the thread you moreso than others I think but we've never really had a big discussion about it. Maybe one for one of the season break weeks, albeit probably not the festive one!
I was in the rambling territory rather than an exploration of art and artist. In this case though it's a bit of both. I think I was particularly triggered by his connection with Nick Drake so my understanding of this album is connected. Both seem like selfish guys and those that loved them seemed to be less like partners and more like carers. This combined with the slurred and dark layered approach of Solid Air implied to me that the album wasn't made for us but a much smaller cohort of them (probably Drake and a handful of other musicians). Finally a hit on a more coherent articulation.

Ironically the one truest emotion I'm feeling and I think I hinted at is jealousy. I'm here putting out my bins calling these guys out when i would trade all the people that love me for a touch of schizophrenia and a chance at being significant
 
Okay after several listens this is a strange album for me in that I find listening to the whole thing in one go hard work but some individual songs are gems. I like May You Never in particular, Solid Air is good too. The guitar work is mesmerising throughout but I don’t think I’ll give it much attention from now on so on the whole it’s a 6/10 from me.
,
 
As the person who nominated Astral Weeks I'm duty bound to comment on the comparisons being made here. Nowhere near chaps but there's no point me getting my hackles up and writing a review and score based on a visceral reaction. You all say it as you hear it and that's fair enough.

A similar experience to @threespires and others to this album but probably not as marked. I'd listened to it maybe five to ten years ago becuase a colleague of the time whose musical tastes did closely align to mine had raved about it and John Martyn generally. I don't know what I heard then or how I was hearing it or blah blah life and circumstances etc but I did dismiss it, or maybe didn't dismiss it but didn't partiuclarly embrace it.

This time round I must admit it does seep in. Similar to Nick Drake who I scored poorly but on reflection would say was worming it's way to a better score given more time.

I've given this plenty of listens and found plenty to enjoy. The first three songs are very good, I don't mind the vocal tics on Solid Air, although they are the sort of thing that Van was probably maligned for.

I'd Rather Be the Devil does rather spoil the mood a bit and although Go Down Easy returns us to the earlier vibe it seems to be outisde his comfort range vocally and sags a bit.

Things pick up again after that, particularly with May You Never and The Man in The Station but The Easy Blues is a disappointing way to end the album. Or would be if the version I've been listening to didn't have an unnecessary reprise of Rather Be The Devil, albeit a live version.

So, plenty to like, enough I don't to justify my claim that this is no Astral Weeks. It hasn't made me want to listen to any more of his and I'm 50/50 on whether to keep it (well the download) or not. Stuck between a 6 and a 7 so 6.5 it is.

As someone who gave Astral Weeks 9/10 I think the similarities are relatively superficial and I can see why @Coatigan would score this album higher and similarly why you might score it lower.

Astral Weeks meanders and is more even tempered, arguably more coherent. Solid Air is more angular and at times spikey, it's use of space and atmospherics creates a very different type of vibe I think to AW. They both have many virtues and some overlapping moments but as a whole they are quite different moods for me.

I think one of the things they both have in common is it's surprising they were written by people in their twenties; in VMs case still early twenties.
 
In that case then somebody's going to have to come up with an analysis of why Astral Weeks ended up with an average of 5.64 and this week's offering will likely score far higher.

I don't think there's much overlap at all. This one moves and grooves more in less time.
I think I scored Astral Weeks pretty high. There is a distinct jazz feel about both albums.
 
As the person who nominated Astral Weeks I'm duty bound to comment on the comparisons being made here. Nowhere near chaps but there's no point me getting my hackles up and writing a review and score based on a visceral reaction. You all say it as you hear it and that's fair enough.
Well, while I was sleeping I see that seconded comment took on a life of its own. ;-)

I'll clarify - there was one part of one song where I had that feeling, and given I was in and out of consciousness with the jolt of turbulence prompting me up to hear it, I forget the song itself at the moment, but I'll have it back on another listen later today.

There was much more range in this album, but for one brief moment in a song, I had a flashback. Apparently I wasn't alone too.

I'm not trying to compare scores of the albums either, but I will say both are well crafted and have a tendency to allow one to get lost in the music, with this one being much more varied.
 
JOHN MARTYN SOLID AIR


I’m familiar with JMs work as I bought the album ‘Couldn’t Love You More’
which was a type of re-recorded best of ,back in 1992.It was at the time Phil Collins RIP was collaborating with just about anyone.The album is very overproduced but contains some great songs 4 of which appear on this album.
As others have said this has a similar vibe to the ND album but both the vocals and the music are much more varied.
It’s an excellent album from yet another troubled soul, I particularly like the fact how his voice changes to suit the song, the’ pub singer’ style of Solid Air just adds to it.

Favourite tracks ‘Over The Hill’ Man at The Station’ May You Never’ and ‘Don’t Want to Know.I wasn’t too keen on the cover track.
It’s not Astral Weeks but I get the comparison .

A great pick Spires and it was good to hear the original versions of those tracks which are far superior.


8/10
 
Must admit that I cannot get over hearing Vic Reeves on that first track and that perhaps spoils or colours my overall view of this. It being a case of me skipping that first track after the 2nd listen.

Minus those tracks I have to say I thoroughly enjoyed this selection. Whilst perhaps similar to Van the Man & Nick Drake, both OK, but neither of them really did anything for me, whereas I think it is the variety of styles in this that draws me into it and gives me more in return.
I even didn't mind the more country vibe I got from "Over The Hill" and from then on JM's diversity and quality shows through. Clearly some quality musicianship going on across all the tracks which, considering the variety of styles is even more impressive. Have we had any selection previously that has had such variety?

Skipping that first track I don't think there is one filler/skipper on here. The stand out for me though was "Dreams By The Sea".

Thanks to @threespires for further broadening my musical knowledge and a enjoyable 8 from the Derry jury
 
I was in the rambling territory rather than an exploration of art and artist. In this case though it's a bit of both. I think I was particularly triggered by his connection with Nick Drake so my understanding of this album is connected. Both seem like selfish guys and those that loved them seemed to be less like partners and more like carers. This combined with the slurred and dark layered approach of Solid Air implied to me that the album wasn't made for us but a much smaller cohort of them (probably Drake and a handful of other musicians). Finally a hit on a more coherent articulation.

Ironically the one truest emotion I'm feeling and I think I hinted at is jealousy. I'm here putting out my bins calling these guys out when i would trade all the people that love me for a touch of schizophrenia and a chance at being significant

OK, I finally understand now (I think). I suspect you're right about that but he can't stop me gate crashing and, whilst I wouldn't normally champion lack of self-awareness, if my lack of it in this case stops me from feeling unworthy then I'm alright with that. I'm also quite happy for parts of it to be unrelatable to my own more modest life.

Btw - with the obvious caveat that I don't know you from Adam, I rather doubt that last sentence :-) Also what time do they collect your bins that you can insouciantly put them out mid-morning? You'd never risk that round our way.
 
Ooh, now then. I'm not going to go through this song by song but suffice to say this was John Martyn's masterpiece and it doesn't get anywhere near as much credit as it deserves.

For me, this album takes me back to my first listening when my mate Dave's brother-in-law gave him a copy minus the cover.

Like Moondance when I first heard it, Solid Air seemed fantastically grown-up and sophisticated at the time. Probably because it was, with Martyn's heady blend of folk, jazz and blues with the title track being a tribute to his friend, Nick Drake. Martyn had certainly come a long way from his debut album, just three solo releases previously although he had also made a couple of albums with his wife, Beverley.

At that young age the only track that stood out was May You Never, not surprisingly. Neither Dave nor I listened to it again together which tells me it didn't really register at the time. I'd largely forgotten about it until years later when I rediscovered it by chance, although I might have given it another go earlier had that early, battered copy come with a cover that I could have referred to!

Nowadays, whenever I listen to Solid Air, it is usually a solo experience, tinged with personal nostalgia for another time. I tend listen to the whole album as Martyn intended but, on occasion, I'll listen to the extended version with alternative takes, outtakes and whatnot.

While May You Never remains the stand-out track, I also like its side two companion songs Go Down Easy, Dreams By The Sea and The Man In the Station. Like all the great albums, it's best played on a half-decent hi-fi at an indecent volume. I give it a Solid (Air) 8/10.

By way of a postscript, it is to my eternal befuddlement and no little shame that I never took the trouble to see John Martyn in concert. However I did see Nick Harper (Roy's son) performing May You Never at weekend on his current 58 Fordwych Rd tour in which he performs songs written by visitors to his childhood home (everyone from Bert Jansch to Paul Simon, David Bowie to Sandy Denny and more besides).
 
I never took the time or really had the inclination to try to get into John Martyn, and after the first couple of tracks I was thinking I made the right decision but as it went on the damn thing started to grow on me and by the time it finished, I’d ordered a cd of it (used so pretty cheap) as it feels like I should have it in my collection.

I’m not ready to score it very high as I only had chance for one listen but I’ll go with 7/10.
 

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