Poetry Corner

I must go down to the sea again,
The lonely sea and the sky
I left my shoes and socks there
I do hope there dry
 
DEAD MAN'S HATE

They hanged John Farrel in the dawn amid the marketplace
At dusk came Adam Brand to him and spat upon his face.
'Ho neighbors all,' spake Adam Brand, 'see ye John Farrel's fate!
'Tis proven here a hempen noose is stronger than man's hate!

For heard ye not John Farrel's vow to be avenged upon me
Come life or death? See how he hangs high on the gallows tree!
Yet never a word the people spoke, in fear and wild surprise-
For the grisly corpse raised up its head and stared with sightless eyes

And with strange motions, slow and stiff, pointed at Adam Brand
And clambered down the gibbet tree, the noose within its hand.
With gaping mouth stood Adam Brand like a statue carved of stone
Till the dead man laid a clammy hand hard on his shoulder bone.

Then Adam shrieked like a soul in hell; the red blood left his face
And he reeled away in a drunken run through the screaming market place
And close behind, the dead man came with a face like a mummy's mask
And the dead joints cracked and the stiff legs creaked with their unwonted task.

Men fled before the flying twain or shrank with bated breath,
And they saw on the face of Adam Brand the seal set there by death.
He reeled on buckling legs that failed, yet on and on he fled
So through the shuddering market-place, the dying fled the dead.

At the riverside fell Adam Brand with a scream that rent the skies
Across him fell John Farrel's corpse, nor ever the twain did rise.
There was no wound on Adam Brand but his brow was cold and damp,
For the fear of death had blown out his life as a witch blows out a lamp.

His lips were writhed in a horrid grin like a fiend's on Satan's coals,
And the men that looked on his face that day, his stare still haunts their souls.
Such was the fate of Adam Brand, a strange, unearthly fate
For stronger than death or hempen noose are the fires of a dead man's hate.

Robert Ervin Howard.
https://www.poemhunter.com/robert-ervin-howard/poems/
 
DEAD MAN'S HATE

They hanged John Farrel in the dawn amid the marketplace
At dusk came Adam Brand to him and spat upon his face.
'Ho neighbors all,' spake Adam Brand, 'see ye John Farrel's fate!
'Tis proven here a hempen noose is stronger than man's hate!

For heard ye not John Farrel's vow to be avenged upon me
Come life or death? See how he hangs high on the gallows tree!
Yet never a word the people spoke, in fear and wild surprise-
For the grisly corpse raised up its head and stared with sightless eyes

And with strange motions, slow and stiff, pointed at Adam Brand
And clambered down the gibbet tree, the noose within its hand.
With gaping mouth stood Adam Brand like a statue carved of stone
Till the dead man laid a clammy hand hard on his shoulder bone.

Then Adam shrieked like a soul in hell; the red blood left his face
And he reeled away in a drunken run through the screaming market place
And close behind, the dead man came with a face like a mummy's mask
And the dead joints cracked and the stiff legs creaked with their unwonted task.

Men fled before the flying twain or shrank with bated breath,
And they saw on the face of Adam Brand the seal set there by death.
He reeled on buckling legs that failed, yet on and on he fled
So through the shuddering market-place, the dying fled the dead.

At the riverside fell Adam Brand with a scream that rent the skies
Across him fell John Farrel's corpse, nor ever the twain did rise.
There was no wound on Adam Brand but his brow was cold and damp,
For the fear of death had blown out his life as a witch blows out a lamp.

His lips were writhed in a horrid grin like a fiend's on Satan's coals,
And the men that looked on his face that day, his stare still haunts their souls.
Such was the fate of Adam Brand, a strange, unearthly fate
For stronger than death or hempen noose are the fires of a dead man's hate.

Robert Ervin Howard.
Ah, now I know where your user name comes from!
 
Aubade
BY PHILIP LARKIN

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse
—The good not done, the love not given, time
Torn off unused—nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.

And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
 
Dulce et Decorum Est
Wilfred Owen - 1893-1918

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori
.
 

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