I was looking to go with a change of pace today and it crossed my mind to go for something cello based. After all, in basic form both instruments have four strings and music is typically written in the bass clef and in a string quartet in particular the cello serves a similar purpose to that of a bass in a band especially now we see bass players not just providing the bottom end but also counterpoint melodies. But there are differences too, not the least of which are tuning and though there is overlap in their range, cellos are an octave up. So, it felt like I was just trying to shoehorn a bit of Yo-Yo Ma in and I wouldn’t play fast and lose with the thread like that.
On that basis I’m going with the double bass, I’ve already got a sort of jazz piece in mind for another day and the problem is the double-bass in orchestras has historically been relegated to providing the bottom end harmonics and not much else. However, a bit like when bass players started to emerge from the shadows, there are now a few double bassists coming front and centre one of whom is my nomination today. There isn’t a shedload of repertoire for them yet, though that is improving and there is a great champion from the 19th century to fall back on.
Giovanni Bottesini became known as ‘the Paganini of the Double Bass’ and was the earliest and greatest advocate of it as a solo instrument. His most well-known piece is his Gran Duo Concertante but I’m going for his Elegy No 1 in D, it’s shorter and no less beautiful. It’s played by a young Korean woman called Mikyung Sung who is at the forefront of making the double-bass a solo instrument. She’s quite slight and it’s remarkable to see her manipulate this great big instrument and coax these beautiful tones out of it from sonorous whale song like depth to beautiful to trills at both ends of the neck. She makes it look quite effortless, but I’m told it’s stunningly difficult. I nearly binned her off because in one of her videos she’s performing a beautiful Henry Eccles sonata but in a bleeding Spurs baseball cap, I suppose that is the Son effect in Korea. It’s a shame her name isn’t Kim as women called Kim who play bass are generally pretty cool. Anyway…
Mikyung Sung – Bottesini: Elegy No 1 in D Major