Bluemoon's Official Top 100 Albums

But hey... Some people are stuck in the past
Hmmm...
Out of the 100-10 so far, about 15 are still going (most sporadically).
There is no one who started since 2010.
I'd say everyone is stuck in the past with the top choices so far.

Mea Culpa : I'm going back past 2000 for my lot.
 
10. The Who - Who's Next 8/100

View attachment 2369

Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.

The Who recorded Who's Next with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles. The cover photo was shot by Ethan Russell; it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured group members standing by a concrete piling protruding from a slag heap, apparently having urinated against it.

Who's Next was an immediate success when it was released in August 1971. It has since been viewed by many critics as the Who's best record and one of the greatest albums of all time.

  1. Baba O’Riley
  2. Bargain
  3. Love Ain’t For Keeping
  4. My Wife
  5. The Song Is Over
  6. Getting In Tune
  7. Going Mobile
  8. Behind Blue Eyes
  9. Won’t Get Fooled Again

Bluehammer Fact: The cover artwork shows a photograph, taken at Easington Colliery, of the band apparently having just urinated on a large concrete piling protruding from a slag heap. The decision to shoot the picture came from Entwistle and Moon discussing Stanley Kubrick and the film 2001: A Space Odyssey. According to photographer Ethan Russell, only Townshend actually urinated against the piling, so rainwater was tipped from an empty film canister to achieve the desired effect. The sky in the background was added later to give the image what Russell called "this other worldly quality. The rear cover showed the band backstage at De Montfort Hall, Leicester, amongst a debris of furniture. In 2003, the television channel VH1 named Who's Next's cover one of the greatest album covers of all time.





I'd forgotten the Top10 were going to be one at a time. The tension will be unbearable.

Anyway I had this at #8 on my list. What an album, My Wife is the weakest track but it's not a bad song; the rest range from top songs to absolute classics, especially the albums book ends with their groundbreaking iconic sequencer like keyboard motifs.

Genuinely the work of a genius.

I always describe Behind Blue Eyes as the best power ballad ever.
 
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10. The Who - Who's Next 8/100

View attachment 2369

Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera written by the group's Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.

The Who recorded Who's Next with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles. The cover photo was shot by Ethan Russell; it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured group members standing by a concrete piling protruding from a slag heap, apparently having urinated against it.

Who's Next was an immediate success when it was released in August 1971. It has since been viewed by many critics as the Who's best record and one of the greatest albums of all time.

  1. Baba O’Riley
  2. Bargain
  3. Love Ain’t For Keeping
  4. My Wife
  5. The Song Is Over
  6. Getting In Tune
  7. Going Mobile
  8. Behind Blue Eyes
  9. Won’t Get Fooled Again

Bluehammer Fact: The cover artwork shows a photograph, taken at Easington Colliery, of the band apparently having just urinated on a large concrete piling protruding from a slag heap. The decision to shoot the picture came from Entwistle and Moon discussing Stanley Kubrick and the film 2001: A Space Odyssey. According to photographer Ethan Russell, only Townshend actually urinated against the piling, so rainwater was tipped from an empty film canister to achieve the desired effect. The sky in the background was added later to give the image what Russell called "this other worldly quality. The rear cover showed the band backstage at De Montfort Hall, Leicester, amongst a debris of furniture. In 2003, the television channel VH1 named Who's Next's cover one of the greatest album covers of all time.




Some gems on that album.
 
I'd forgotten the Top10 were going to be one at a time. The tension will be unbearable.

Anyway I had this at #8 on my list. What an album, My wife is the weakest rack but it's not a bad song; the rest range from top songs to absolute classics, especially the albums book ends with their groundbreaking iconic sequencer like keyboard motifs.

Genuinely the work of a genius.

I always describe Behind Blue Eyes as the best power ballad ever.

I’m sorry about your wife’s weak rack.:)
 

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