NZBlue
Well-Known Member
For the 60s black artists it has reinforced with me just how much better the solo artists were than the manufactured groups. Sam Cooke, Marvin Gaye, Ben E King and even Dusty (who became a sort of honorary black when she started recording in Memphis), are all head and shoulders above bands like the Temptations, and the Supremes, the stand in a line and harmonize plastic soul / R&B manufactured pop.It's funny how this thread has made me realise that from the 60's decade, the vast majority of music I like from that era was released by black artists (incomparison to my love of exclusively white 80's and 90's post punk / indie music).
Dylan, The Monkees and a couple of white Phil Spectre all girl groups apart, it's all the Motown stuff and soul songs. And here my 2 cultures clash.....
80's white goth / post punk / rock whichever genre The Cult fit in v a Motown classic. You would think it would be impossible to like both but i do...... and despite Billy Duffy being a Blue and the bloke who got Johnny Marr and Morrissey together..... I'm voting for the penalty taker extraordinaire Diana Ross and The Supremes here.
One of the greatest opening riffs of the 80's I know..... but it just comes up short here......
By the time you add in people like Otis Redding and Aretha Franklin, then the Supremes, the Temptations and the 4 tops really don't get a look in as far as I'm concerned.
None of which relates to this match up, but frankly I think I'll give this one a miss