Ok. I’ve bitten. Wtf have Deacon Blue fans got to do with The Blue Nile? (Other than they both have Blue in their name).
Fuck all
Ok. I’ve bitten. Wtf have Deacon Blue fans got to do with The Blue Nile? (Other than they both have Blue in their name).
I nominated an album to Rob several months ago and was invited to review the following album a while ago but was too busy at the time so here goes...
The Stranglers released their debut album Rattus Norvegicus in April 1977. They formed around 1975 as The Guilford Stranglers starting out as a pub rock band but soon dropped Guildford prefix. They soon started getting a following that grew and saw them playing bigger venues.
Hugh Cornwell was the main singer/lead guitarist, JJ Burnell was singer/base player, Jet black(Brian Duffy) was the drummer/ band founder and Dave Greenfield was on Keyboard and his wizardry gave the band a distinct sound.
I got into the Stranglers in 1978 as a 14 year old at a mate's house and we'd play Rattus Norvegicus for hours after school. I really liked Cornwell's angst in his singing and Burnell's heavy base playing, but Dave Greenfield was the bands unsung hero on keyboards, he developed a unique style having been influenced by Ray Manzarek-The Doors, Rick Wakeman-Yes and Jon Lord of Deep Purple.
Rattus Norvegicus contained 2 singles - Get a Grip On Yourself
Released: 28 January 1977, and Peaches - released: 21 May 1977.
A1Sometimes4:50
A2Goodbye Toulouse3:12
A3London Lady2:25
A4Princess Of The Streets4:34
A5Hanging Around4:25
B1Peaches4:03
B2(Get A) Grip (On Yourself)
Tenor Saxophone – Eric Clark (3)
3:55
B3Ugly4:03
Down In The Sewer(7:30)
B4aFalling
B4bDown In The Sewer
B4cTrying To Get Out Again
B4dRats Rally
They also gave a free 7" single with the first 10000 albums
which contained the tracks - Peasant in the Big Shitty" (live)
and Choosey Susie on B side.
I don't think there's a duff track on the album and the keyboard crescendo of Down In The Sewer finishes off an excellent album, IMO of course and I therefore give it 9/10.
Have a listen and tell us what you think of it. Hope you enjoy and thanks for listening: )
Saw them live a couple of times, particularly liked the ‘Nice and Sleazy’ tour
with the stripper!
Thank youSo onto The Stranglers.
I have BMR to thank for the fact that I have several Stranglers cds. For a long time I only have a compilation but his persistent urging led me to invest in more of their catalogue.
I did in fact buy "Grip.." from this album as a single when it was originally released.
Rattus is naturally one of the albums I own and it is a good one.
I hadn't noticed before but I found shades of Blue Oyster Cult n the first and last tracks. The album is bookended by two of its best numbers.
Peaches of course was the hit single and it does bring back memories of Welsh beaches.
I'm not the biggest fan of the vocals but they are an integral part of the band's distinctive sound and a re perhaps what got them lumped in with the New Wave. The music although sometimes a little quirky is less so but there's plenty going on. JJB's bass is always interesting but the star is Dave Greenfield, whose influences are impeccable. I particularly like his interplay with Hugh Cornwell on "Hanging Around" and the mega solo in "Down in the Sewer".
My real score is 8/10.
Amazing what little nuggets of info this thread actually reveals. Had it on in car after collecting wife from work this morning. She just drops in, "Oh yes, I went to see the Stranglers". Thats us together for almost 30 years and I never knew that!
Had listened to the odd single of theirs previously but never a full album. despite often thinking that I should after hearing Stuart Pearce go on about them on TS
I can say it mate and I have. You clearly disagree but that’s what this thread is about. I will form an opinion on the stranglers without playing their entire back catalogue too if that’s ok.
I can say it mate and I have. You clearly disagree but that’s what this thread is about. I will form an opinion on the stranglers without playing their entire back catalogue too if that’s ok.
Its almost like that fabled time when OK Computer was reviewed and all sorts suddenly appeared on this thread!Help, I’m being chased by some Strangler fan boys for having the audacity of not liking them as much as they do.
Can someone give me a nod when it’s safe.
Didnt know Williams was but guessed as much about Floyd due to him using Peaches on his cooking showsRobin Williams and Keith Floyd were huge Stranglers fans
It’s an interesting idea though that might get some traction. Before you rate an album in future you have to listen to the artists entire back catalogue to ensure that you are worthy of a vote. Can’t wait for the next Frank Zappa review. (119 albums)Its almost like that fabled time when OK Computer was reviewed and all sorts suddenly appeared on this thread!
Didnt know Williams was but guessed as much about Floyd due to him using Peaches on his cooking shows
Which was made in January 2012. The Stranglers wrote Rattus in January 1977. In other words before they were ucking born.
I think there’s a few wading in here without appreciating the context of the thread or some of the comments. I knew what you meant.My comment was about Hats, but yea similar applies. The context was that the album still sounds current today.
I could never get on with the Doors.I would say it’s the other way round. The Doors were immense for their time and remain relevant but The Stranglers have made Rattus Norvegicus and a decade later made Dreamtime.
Robin Williams and Keith Floyd were huge Stranglers fans
Just make sure you stick around to give low scores to the others when it's not your turn. ;-)I think he's been the best keyboard player ever, even better than Rick Wakeman and that's saying something! But it's all about opinion.
Thanks to @RobMCFC for inviting me to nominate an album as this is excellent thread but not one I've kept up with. In future I'll review up and coming albums and I have a few more albums I'd like to nominate.
It is missing just a wee bit of testosterone for me. ;-)Whilst I am enjoying some of this weeks album, and being pleasantly surprised buy some of the sounds, it’s a very inconsistent album IMO with at least one track that shouldn’t have seen the light of day.
From their final studio album, for the record.I could never get on with the Doors.
I think it started with Riders On The Storm. The introduction is very sinister.
Yes, the original album contained 9 tracks.Think i'm correct in saying we are scoring the first 9 tracks only in the Spotify version.