The Album Review Club - Week #191 (page 1286) - Harlequin Dream - Boy & Bear

Another listen today and I started to wonder whether the term "jangle pop" was perhaps a little dismissive?
I suppose they have to try and attach some genre to it but wasn't sure that with the content it was apt.
Maybe a case of Paul being truly collaborative in this instance and allowing Stan to bring the tunes, whereas, later on the perfectionist came to the fore and he controlled the overall sound.
 
Just to be clear, the "no gimmicks" was a compliment - i.e. the band are just playing music without inserting drum machines or record scratches or whatever. A lot of people like this kind of bouncy indie jangly stuff - e.g. Mad Eyed Screamer - but it's never a type of music that has appealed to me.

I think what people like about it, as you say a young band learning their craft and the instrumental naivety, is what puts me off. When I listen to a band, I like to hear all of that effort that goes into constructing the parts for the guitar, keyboards etc. It's a subject that I keep coming back to so it says more about me than the album under review.
Deletes Rob for the 2nd time over the last 2 pages lol
 
Album reviews?

How quaint.

Must be for the over 30's only then huh? The Gen z's and Alpha have the attention span of an inbred dog.
 
Was never a fan of the house Martin's. The beautiful south at least had a bit of melody to them.

Paul Heaton doesn't have the voice for a full album.
 
Paul Heaton doesn't have the voice for a full album.
How very dare you , coming in here and questioning the voice of a national treasure!!!!
Up there with Richard Thompson & Felicity Kendall
It's a rare thread where there's a lot of mutual respect and discussion, come and join.
....with the exception of when it comes to radiohead
 
I'm all in.

I use streaming these days to listen to music.
If the "Radio/Scrobbler" hits on something I like, I'll go looking for it's album and play it.

I thought I was in the minority of liking albums!

Well, in that case welcome aboard! sure Rob can fit you in the schedule list at some point.
 
Well, in that case welcome aboard! sure Rob can fit you in the schedule list at some point.
Oohhoo.
That's got me thinking what I would nominate if I were to have a chance.

Looking at the board, there are so many great albums missing. I'm surprised at the lack of classic NME/RS album stuff (no thriller?!).
No bad thing.

I'd be wondering if I'd nominate an album that was great for being an album (DSOTM for example), or, An album of greatness (Grace for example).

Great thread.
 
Oohhoo.
That's got me thinking what I would nominate if I were to have a chance.

Looking at the board, there are so many great albums missing. I'm surprised at the lack of classic NME/RS album stuff (no thriller?!).
No bad thing.

I'd be wondering if I'd nominate an album that was great for being an album (DSOTM for example), or, An album of greatness (Grace for example).

Great thread.

Have a read through the first few pages, to get a feel for it. No albums are discouraged. People generally tend to opt for less obvious over manistream-rated choices, that are meaningful to them. We have had some well known ones too, where they were meaningful to people. Really depends.

Then drop Rob a line, there is a list of the nomination order on page 1, he'll probably fit you in at the end of a round, if you see yourself taking part. In the meantime you can join in reviewing the nominations weekly till then, to get a feel for what's what.

We also do this clue thing, but more on that if you make it that far. Oh and you will need to determine and declare where you stand on Radiohead as well, at some point.

Edit. I'd say both the albums you mention would go down well here and at least one would engage a few in discussion. Doubt they'd be new to many though.
 
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I haven't tried it out, but I imagine this is a good album to drive to. It will fill a space, pass the time, lift the mood. Might even find yourself singing along to bits, and gently shoogling your shoulders. But it won't engage or distract you from what you should be doing safely.

It is probably one of those, if you liked it at the time you will still like it (the reviews pretty much say as much). I have a bunch of those, that I love, but I hand on heart admit if I heard them for the first time today, I wouldn't rate them as I do.

It is pleasant. It is catchy and fun. The bass is for me its best part, but all the components are good, and they come together well. It has that vague familiarity to it, without sounding overly generic. It is also really repetitive.

For those same reasons, it is also not particularly exciting, intriguing and hasn't really grabbed me. It is fine, can't find anything to complain about, can't find anything to shout about either. A down the middle 5.5, the 0.5 being symbolic, that I enjoyed it slighlty more than albums I have previously given 5s to. Glad I listened to it, another album missed out on ticked off.
 

I watched that before putting forward the selection. It was interesting to recognise a few places...as I had a couple of mates that ended up going to Hull Uni and so did spend a few weekends up there on the lash. One of them even ended up going out with Hugh briefly, although that was before his axeman phase.
Interesting to see Norman's interest in dance at such an early stage whilst just sticking to the bass and harmonies on this album.
 
I watched that before putting forward the selection. It was interesting to recognise a few places...as I had a couple of mates that ended up going to Hull Uni and so did spend a few weekends up there on the lash. One of them even ended up going out with Hugh briefly, although that was before his axeman phase.
Interesting to see Norman's interest in dance at such an early stage whilst just sticking to the bass and harmonies on this album.
I played for Manchester Polytechnic away to Hull University at American Football in 86 or 87.

We got annihilated.
 
Oohhoo.
That's got me thinking what I would nominate if I were to have a chance.

Looking at the board, there are so many great albums missing. I'm surprised at the lack of classic NME/RS album stuff (no thriller?!).
No bad thing.

I'd be wondering if I'd nominate an album that was great for being an album (DSOTM for example), or, An album of greatness (Grace for example).

Great thread.
Pretty much as Coatigan outlined above - feel free to get stuck into reviewing/talking about the albums each week and I can add you to the list of reviewers.

What’s also great about this thread is that we have a great bunch of reviewers and over time, you find out a bit more about each others musical tastes/stories. Coming in as a newbie is great because nobody know anything about your musical tastes :)
 
Having only heard Happy Hour before I hadn’t appreciated how much PHs voice would grate on a whole album. As a few have commented it’s all a bit samey. Not particularly unpleasant just samey. I’ll give it a 5 - any references to The Smiths have been duly ignored!
 

Another good and needed lead in. Given I've listened to the album this week for the first time on YT, this was a good back-story...

London 0 Hull 4 - The Housemartins

Three things stood out to me on this album in my listens:
  • the sameness of most (but not all) of the songs on this and the fast-paced tempo that others have noted
  • Paul Heaton's vocals and overall range. On a few of the songs I really liked, it worked quite well. The band backing vocals I found were also especially strong and complimentary
  • the stellar bass playing of Norman Cook, and this prior to his later success as Fatboy Slim (I only know from his unfortunate Woodstock '99 halted performance from the documentary)
Hearing this British Indie Rock band from the mid-1980's, I was not surprised that I hadn't heard them on the radio at the time, even college radio back then, and I was listening heavily in 1985 when this album was released.

However, it hit me on track 1 that I remembered "Happy Hour" from the playlist review thread (Alcohol). At times on that track, Heaton's vocal humming after the lyrics reminded me just a bit of Morrissey (like on "Bigmouth Strikes Again"), but maybe that's just me.

"Get Up Off Our Knees" had the same fast tempo pace to it. I liked that song too. After hearing the lyrics "bankers will be bankers", knowing what I know about English football chants, I wasn't expecting "tankers" next, but surprises will sometimes happen.

Then comes the track that probably has me mostly giving the overall score to this. I know I've never heard this song, but just what a masterpiece "Flag Day" is. It really had it all, the leading vocals were amazing, the backing vocals were powerful, and the piano and harmonica really made it. Heaton's vocal range at the end was really something to hear. I've not tired of hearing that song one bit, and repeated listens with the lyric aid has me appreciating it even more.

By the time “Axious” started playing, it hit me who the Housemartins reminded me of musically – very early R.E.M., and “Moral Kiosk” off of 1982's Murmur to be specific. And to be clear, that’s not a bad thing, it’s just something I was trying to place musically, and given the similar timeframe, it finally clicked and made sense for an alternative band on their early sound/first album. Granted, the vocals are quite different, but again, there’s backing band harmonies to the pace of the music, and then I couldn’t shake it. Some of the next few tracks just reinforced it for me, especially “Think For A Minute”. The bass, pacing, and lyrics in “Sitting On A Fence” worked quite well too.

“Lean On Me” worked the best towards the end of the album as a changeup gospel-like track, with guest pianist Pete Wingfield showing he was more than up to compliment the vocals and carry that song. The last song on the YT feed was “Freedom”, whose beginning reminded me of the song I nominated in the 1964 playlist yesterday, “Everybody Needs Somebody to Love”. Uncanny, almost.

A shame I can’t listen to them on Spotify, but if I could, I’d probably try out their compilation Now That's What I Call Quite Good for more of theirs (and I like "Build" thanks to Out on blue 6 from another playlist). Kudos to @LGWIO for another good curveball of music I missed, and generally enjoyed, especially “Flag Day”. Based (mostly) on that song alone and a few of the early tracks I highlighted, this is a 7/10 for me from the quite-far-from-Derry-and-Hull Jury.
 

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