Black&White&BlueMoon Town
Well-Known Member
Take Me Back To Eden - Sleep Token
This album will affectionately be known as Take Me Back To 1967 for me, as every time I tried to focus and listen, I found myself switching over to the Rock Evolution playlist just to soothe the soul, but I digress.
Listening to any band with genre tags of progressive metal, alternative metal, djent, pop, and R&B was not going to go down well, especially with the first ones listed being the predominant thing I'm hearing. That was never going to really work for me here.
I guess when it comes down to it, I suppose I prefer my actual "Whisper To A Scream" from The Icicle Works and not Sleep Token. Because every time I heard the whisper... the upcoming screams and crunching metal portions were not far behind, much to my disdain to where the song once was.
This release was a mixed bag from the critics, and observations that it contained too many songs that "stretch on longer than [they] need to" and the record tending to "drag along with bread-and-butter formulas" is what I was thinking too. I'd be challenged to outright name songs I liked or didn't like because I think in some of them, they checked all 5 boxes in the genres they were aiming to hit.
The ones that connected with me the most was the opener "Chokehold", "Are You Really OK?" (which reminded me musically of Zep's "The Rain Song" in spots), and "Euclid".
The vocals really were a bit forced and got annoying on DYWTYLM, IYKWIM. I think the problem is that the non metal parts really didn't move musically and were mostly formulaic, and just an ambient type of background.
I don't think this would be a band I'd be seeking out to see live, but I'm glad to hear they're better in a venue than here. I probably won't be listening to this on St. Simons Island in a few months, but I do appreciate hearing this, especially on the few songs that did hit. It's a 4/10 for me, with an appreciation also for their anonymity, which in some cases can be a good thing.
This album will affectionately be known as Take Me Back To 1967 for me, as every time I tried to focus and listen, I found myself switching over to the Rock Evolution playlist just to soothe the soul, but I digress.
Listening to any band with genre tags of progressive metal, alternative metal, djent, pop, and R&B was not going to go down well, especially with the first ones listed being the predominant thing I'm hearing. That was never going to really work for me here.
I guess when it comes down to it, I suppose I prefer my actual "Whisper To A Scream" from The Icicle Works and not Sleep Token. Because every time I heard the whisper... the upcoming screams and crunching metal portions were not far behind, much to my disdain to where the song once was.
This release was a mixed bag from the critics, and observations that it contained too many songs that "stretch on longer than [they] need to" and the record tending to "drag along with bread-and-butter formulas" is what I was thinking too. I'd be challenged to outright name songs I liked or didn't like because I think in some of them, they checked all 5 boxes in the genres they were aiming to hit.
The ones that connected with me the most was the opener "Chokehold", "Are You Really OK?" (which reminded me musically of Zep's "The Rain Song" in spots), and "Euclid".
The vocals really were a bit forced and got annoying on DYWTYLM, IYKWIM. I think the problem is that the non metal parts really didn't move musically and were mostly formulaic, and just an ambient type of background.
I don't think this would be a band I'd be seeking out to see live, but I'm glad to hear they're better in a venue than here. I probably won't be listening to this on St. Simons Island in a few months, but I do appreciate hearing this, especially on the few songs that did hit. It's a 4/10 for me, with an appreciation also for their anonymity, which in some cases can be a good thing.
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