Following the success of her debut album, Kate Bush’s record company EMI were eager to get another out. She had composed many songs throughout her teens (she was at this time 19 years old) and the majority of the tracks used for Lionheart were compositions from before her debut. Recorded entirely at Super Bear Studios in Berre-les-Alpes on the French Riviera, this was to be her only album recorded outside the UK. Of the ten tracks, only “Symphony in Blue,” “Fullhouse,” and “Coffee Homeground” were newly composed songs, although the other songs had been reworked by Bush in preparation for the recording. The album was produced, like her first, by Andrew Powell, with Bush feeling that she was at this stage too inexperienced to produce it herself (she would go on to produce all her following albums). Many Kate Bush fans cite this as their favourite album. Its not mine although there are some good songs on it it does feel a little like they didn't make it onto TKI. She herself has said she wasn't altogether happy with it and that she had felt rushed into releasing it so quickly after her debut. Nonetheless it remains an important recording and some of the songs would feature in her debut Tour in 1979.
Lionheart was the first Kate Bush album to feature Del Palmer, who played bass and had previously been in the KT Bush Band. Palmer went on to play bass, or to engineer and record on every subsequent Kate Bush album up to and including 50 Words for Snow (2011). Del sadly died in January 2024 at the age of 71. He was a crucial musical influence for most of her career.
The last track I have chosen for 78 is Wow which gave Kate a good chance to show off more of her dance moves in the video. This is how the lady herself described the song:
‘Wow’ is a song about the music business, not just rock music but show business in general, including acting and theatre. People say that the music business is about ripoffs, the rat race, competition, strain, people trying to cut you down, and so on, and though that’s all there, there’s also the magic. It was sparked off when I sat down to try and write a Pink Floyd song, something spacey; Though I’m not surprised no-one has picked that up, it’s not really recognisable as that, in the same way as people haven’t noticed that ‘Kite’ is a Bob Marley song, and ‘Don’t Push Your Foot On The Heartbrake’ is a Patti Smith song. When I wrote it I didn’t envisage performing it – the performance when it happened was an interpretation of the words I’d already written. I first made up the visuals in a hotel room in New Zealand, when I had half an hour to make up a routine and prepare for a TV show. I sat down and listened to the song through once, and the whirling seemed to fit the music. Those who were at the last concert of the tour at Hammersmith must have noticed a frogman appear through the dry ice it was one of the crew’s many last night ‘pranks’ and was really amazing. I’d have liked to have had it in every show.
Wow - Kate Bush