- A Lesson in Violence – Jordan Harper - 7/10
- The Silverblood Promise – James Logan 9/10
- Exiles – Jane Harper 9/10
- Palace of Shadows – Ray Celestine 6/10
- The Wager – David Grann 8/10
- Grimdark Magazine Issue #40 – 6/10
- Grimdark Magazine Issue #41 – 6/10
- The Trials of Empire – Richard Swan – 7/10
- George Harrison - Philip Norman – 8/10
- Go to War: Football on the Brink in the 80s – Jon Spurling – 8/10
- Chasing the Light - Oliver Stone – 8/10

This is a well written account of film director Oliver Stone’s early life plus his achievements in the film world. Surprisingly, it stops at
Platoon, which was nearly 40 years ago, but of course the major struggles to get to that point are the highlight of any book such as this.
I liked the detail on how his mum and dad met – he was a WWII veteran in France and she a French girl who fell for him, and this background accounts for Oliver Stone’s frequent trips back to France in his formative years.
I knew beforehand that he was a Vietnam veteran but was surprised to learn that before his military service he did a stint of teaching in a school in Saigon. After volunteering for combat duty in Vietnam, he was wounded several times, and as you can imagine, his vivid recollections of what he saw on his tour of duty make for grim reading. It’s fascinating to read that the Sergeant Barnes (Tom Berenger) and Sergeant Elias (Willem Dafoe) characters in
Platoon are based on real sergeants that he served with.
Incredibly, Stone wrote what would eventually become
Platoon in the late 60s. Fascinating fact: he sent a copy to Jim Morrison of The Doors in the hope that Morrison would play the part that Charlie Sheen ultimately played. A copy of the script was found in Morrison’s possession when he died in Paris in 1971. Stone also wrote an early version of the script for
Born on the Fourth July, based on Ron Kovic’s memoir, which he would eventually direct in 1989.
He covers his early successes, including winning the screenplay Oscar for
Midnight Express and his work on the
Scarface script, and there’s a detailed account of the making of his films
Salvador and
Platoon. The book culminates in his double triumph, winning the Best Film and Best Director Oscars for
Platoon in 1987.
Oliver Stone’s writing style is excellent; anybody who has read Bruce Springsteen’s autobiography will recognise a similar delivery that is a cut above your average voice. The less savoury parts of the book, including the constant cocaine use, are a bit of a drag, but overall, it’s an engaging read.