Rock Evolution – The History of Rock & Roll - 1984 - (page 198)

1980
The year began with me still discovering punk from 77 / 78 as well as unknowingly drifting into electric pop too.
With Generation X ending 1979 in pieces, I was looking for a band and then I found a band......
My friend Loz (a Blue naturally) had been championing Siouxsie & The Banshees, who themselves had gone through a messy split in 1979 when Kenny Morris and John McKay left during a tour of Scotland, with Robert Smith from the support band The Cure playing a double set each night to finish the tour off.
The Banshees returned with Budgie from The Slits on drums and John McGeogh from Magazine on guitar. Now at this point I have to admit (and only being 17 is my excuse) I never knew that band members swapped bands! I knew footballers changed clubs and signed for a new club, but it never occurred to me that band members would do the same thing!
The Banshees released the singles Happy House and Christine from the album Kaleidoscope and I jumped in with both feet first. The beginning of a love affair with the Banshees / Creatures / Siouxsie solo that remains today. The album had moved away from the fast and loud first two albums, a slower, more thoughtful album that remains a favourite of mine to this day - but not my favourite.... that's 1981!

Other highlights of the year, my first gig!---------- Stiff Little Fingers at the Coventry Locarno (a venue immortilised in The Specials Friday Night / Saturday Morning.) SLF's single 'At The Edge' had just come out and I had bought it.
I went to other gigs but not sure of the year. UK Subs at The General Wolfe for sure as it was promoting the single "Teenage" (7 inch pink vinyl) There was Pere Ubu and The Au Pairs at Coventry Poly but could have been 80 or 81.

Billy Idol & Tony James came back with the brilliant "Dancing With Myself" under the Gen X moniker but their ship had sailed and it failed to dent the top 50 despite me buying it on both 7 and 12 inch vinyl......

However, electronic pop was coming to the surface in 1980 that for me would explode further in 81.
Visage with their single "Fade To Gray". Looking back my intro into this genre was obvious. I left school and the careers advisor thought retail was my chosen career based on it being my dad's career.... I fucking hated it. I ended up working in a Ford Main Dealer garage in the parts department surrounded by blokes who fucking loved cars. I fucking hated every aspect about cars. Even now, I love driving cars, but absolutely no interest in knowing anything about them or getting my hands dirty. I stuck it out for four years. Every fucking day subjected to Radio Fucking One. Four years of Chicago / REO Wankwagon / Foreigner / Journey / Survivor / Styxx / Air Supply and other shite American soft rock (and yes, Air Supply are Aussies). The job was bad enough, but Radio 1 made it even worse...... Simon Bates and his Our Fucking Tune, Steve Fucking Wright and his "Get The Geese Off", it was half funny the first time but every fucking day?

And then out of nowhere, they would play something that stopped me in my tracks and I thought "this is different" and Visage was one such track. Someone a few pages back mentioned The Korgis "Everyone's Got to Learn Sometime" and that was another electronic song - nowhere near punk / post punk / new wave that I loved as it was just not soft fucking rock that Radio 1 were playing.

David Bowie and me had a strange affair. Not physically.... of course. I much prefered Bolan, but my eldest brother had bought me Hunky Dory for my birthday (maybe 14th in 1977) and I loved it but didn't go beyond it. My brother passed away in 1980. Never been ill in his life, goes to bed one night a month after his 21st birthday and has a brain hemorrhage. Three days later he's on a life support machine and after his kidneys and eyes are donated, it was switched off........... The weird thing is, my brother influenced me greatly musically, I said this in the 1979 year, I listened to what he was playing though the bedroom wall. Bowie / Bolan / Slade / early punk. But then he got into Springsteen / Hall & Oats / Tom Petty / Nils Lofgren. No idea how or where he was even hearing this stuff. But a few months after he died, I heard a song on the radio. Must have been Radio 1 as there was no other station around. But this song came on and immediately I liked it. Never heard it before. But I said to myself "This sounds like Bruce Springsteen". I swear to you all reading this I had never heard a Springsteen song before. And the song finished and the DJ said "that was Bruce Springsteen and his new single 'Hungry heart'" To this day I can't explain that..... but it happened 100%. A turning point in my life in so many ways..... My brother had the NME delivered every Thursday when he was alive, I'd scan it but without any conviction. My parents continued to have it delivered after he had died because to cancel it, was like cancelling their son..... I now picked it up and read it religiously from front page to back page.......

Bowie releases Ashes To Ashes (with Visage's Steve Strange in the video) and again, wonderful Radio 1 has to play something fucking decent other than American soft shite rock.
Other belting 1980 songs to make my job in the garage more bearable.......
Echo Beach - Martha & The Muffins
Car Trouble - Adam & The Ants
Once In A Lifetime - Talking Heads
A Forest - The Cure

That was my 1980.
 
1980
The year began with me still discovering punk from 77 / 78 as well as unknowingly drifting into electric pop too.
With Generation X ending 1979 in pieces, I was looking for a band and then I found a band......
My friend Loz (a Blue naturally) had been championing Siouxsie & The Banshees, who themselves had gone through a messy split in 1979 when Kenny Morris and John McKay left during a tour of Scotland, with Robert Smith from the support band The Cure playing a double set each night to finish the tour off.
The Banshees returned with Budgie from The Slits on drums and John McGeogh from Magazine on guitar. Now at this point I have to admit (and only being 17 is my excuse) I never knew that band members swapped bands! I knew footballers changed clubs and signed for a new club, but it never occurred to me that band members would do the same thing!
The Banshees released the singles Happy House and Christine from the album Kaleidoscope and I jumped in with both feet first. The beginning of a love affair with the Banshees / Creatures / Siouxsie solo that remains today. The album had moved away from the fast and loud first two albums, a slower, more thoughtful album that remains a favourite of mine to this day - but not my favourite.... that's 1981!

Other highlights of the year, my first gig! Stiff Little Fingers at the Coventry Lacarno (a venue immortilised in The Specials Friday Night / Saturday Morning.) SLF's single 'At The Edge' had just come out and I had bought it.
I went to other gigs but not sure of the year. UK Subs at The General Wolfe for sure as it was promoting the single "Teenage" (7 inch pink vinyl) There was Pere Ubu and The Au Pairs at Coventry Poly but could have been 80 or 81.

Billy Idol & Tony James came back with the brilliant "Dancing With Myself" under the Gen X moniker but their ship had sailed and it failed to dent the top 50 despite me buying it on both 7 and 12 inch vinyl......

However, electronic pop was coming to the surface in 1980 that for me would explode further in 81.
Visage with their single "Fade To Gray". Looking back my intro into this genre was obvious. I left school and the careers advisor thought retail was my chosen career based on it being my dad's career.... I fucking hated it. I ended up working in a Ford Main Dealer garage in the parts department surrounded by blokes who fucking loved cars. I fucking hated every aspect about cars. Even now, I love driving cars, but absolutely no interest in knowing anything about them or getting my hands dirty. I stuck it out for four years. Every fucking day subjected to Radio Fucking One. Four years of Chicago / REO Wankwagon / Foreigner / Journey / Survivor / Styxx / Air Supply and other shite American soft rock (and yes, Air Supply are Aussies). The job was bad enough, but Radio 1 made it even worse...... Simon Bates and his Our Fucking Tune, Steve Fucking Wright and his "Get The Geese Off", it was half funny the first time but every fucking day?

And then out of nowhere, they would play something that stopped me in my tracks and I thought "this is different" and Visage was one such track. Someone a few pages back mentioned The Korgis "Everyone's Got to Learn Sometime" and that was another electronic *song - nowhere near punk / post punk / new wave that I loved as it was just not soft fucking rock that Radio 1 were playing.

David Bowie and me had a strange affair. Not physically.... of course. I much prefered Bolan, but my eldest brother had bought me Hunky Dory for my birthday (maybe 14th in 1977) and I loved it but didn't go beyond it. My brother passed away in 1980. Never been ill in his life, goes to bed one night a month after his 21st birthday and has a brain hemorrhage. Three days later he's on a life support machine and after his kidneys and eyes are donated, it was switched off........... The weird thing is, my brother influenced me greatly musically, I said this in the 1979 year, I listened to what he was playing though the bedroom wall. Bowie / Bolan / Slade / early punk. But then he got into Springsteen / Hall & Oats / Tom Petty / Nils Lofgren. No idea how or where he was even hearing this stuff. But a few months after he died, I heard a song on the radio. Must have been Radio 1 as there was no other station around. But this song came on and immediately I liked it. Never heard it before. But I said to myself "This sounds like Bruce Springsteen". I swear to you all reading this I had never heard a Springsteen song before. And the song finished and the DJ said "that was Bruce Springsteen and his new single 'Hungry heart'" To this day I can't explain* that..... but it happened 100%. A turning point in my life in so many ways..... My brother had the NME delivered every Thursday when he was alive, I'd scan it but without any conviction. My parents continued to have it delivered after he had died because to cancel it, was like cancelling their son..... I now picked it up and read it religiously from front page to back page.......

Bowie releases Ashes To Ashes (with Visage's Steve Strange in the video) and again, wonderful Radio 1 has to play something fucking decent other than American soft shite rock.
Other belting 1980 songs to make my job in the garage more bearable.......
Echo Beach - Martha & The Muffins
Car Trouble - Adam & The Ants
Once In A Lifetime - Talking Heads
A Forest - The Cure

That was my 1980.
That's the kind of in-depth write-up we need on here, well done. Obviously, there's something wrong with your psychological make-up if you hate Survivor and Journey, but I can't fault your passion :)

"Echo Beach" by Martha and the Muffins is a great single. Didn't realise it was as early as 1980.

Really sorry to hear about your brother. That must have been tough for you and your family.
 
That's the kind of in-depth write-up we need on here, well done. Obviously, there's something wrong with your psychological make-up if you hate Survivor and Journey, but I can't fault your passion :)

"Echo Beach" by Martha and the Muffins is a great single. Didn't realise it was as early as 1980.

Really sorry to hear about your brother. That must have been tough for you and your family.
Thanks - it was a tough period for me.... and my family. My parents (both no longer alive) never got over it. Me and my other brother (I'm the youngest) kind of drifted apart. We (all of us, parents and brother) just never spoke about David..... all of us suffering in silence.... I indulged myself in City, music and alcohol to escape.....
 
Thanks - it was a tough period for me.... and my family. My parents (both no longer alive) never got over it. Me and my other brother (I'm the youngest) kind of drifted apart. We (all of us, parents and brother) just never spoke about David..... all suffering in silence.... I indulged myself in City, music and alcohol........

Can't imagine how hard it was for you all. Just reading about how you took over your brother's copy of the NME choked me up a bit tbh.

You mentioned some bands/songs in your post that I was hoping were going to be nominated at some point, so I'll add them into the playlist.
 
1980
The year began with me still discovering punk from 77 / 78 as well as unknowingly drifting into electric pop too.
With Generation X ending 1979 in pieces, I was looking for a band and then I found a band......
My friend Loz (a Blue naturally) had been championing Siouxsie & The Banshees, who themselves had gone through a messy split in 1979 when Kenny Morris and John McKay left during a tour of Scotland, with Robert Smith from the support band The Cure playing a double set each night to finish the tour off.
The Banshees returned with Budgie from The Slits on drums and John McGeogh from Magazine on guitar. Now at this point I have to admit (and only being 17 is my excuse) I never knew that band members swapped bands! I knew footballers changed clubs and signed for a new club, but it never occurred to me that band members would do the same thing!
The Banshees released the singles Happy House and Christine from the album Kaleidoscope and I jumped in with both feet first. The beginning of a love affair with the Banshees / Creatures / Siouxsie solo that remains today. The album had moved away from the fast and loud first two albums, a slower, more thoughtful album that remains a favourite of mine to this day - but not my favourite.... that's 1981!

Other highlights of the year, my first gig!---------- Stiff Little Fingers at the Coventry Locarno (a venue immortilised in The Specials Friday Night / Saturday Morning.) SLF's single 'At The Edge' had just come out and I had bought it.
I went to other gigs but not sure of the year. UK Subs at The General Wolfe for sure as it was promoting the single "Teenage" (7 inch pink vinyl) There was Pere Ubu and The Au Pairs at Coventry Poly but could have been 80 or 81.

Billy Idol & Tony James came back with the brilliant "Dancing With Myself" under the Gen X moniker but their ship had sailed and it failed to dent the top 50 despite me buying it on both 7 and 12 inch vinyl......

However, electronic pop was coming to the surface in 1980 that for me would explode further in 81.
Visage with their single "Fade To Gray". Looking back my intro into this genre was obvious. I left school and the careers advisor thought retail was my chosen career based on it being my dad's career.... I fucking hated it. I ended up working in a Ford Main Dealer garage in the parts department surrounded by blokes who fucking loved cars. I fucking hated every aspect about cars. Even now, I love driving cars, but absolutely no interest in knowing anything about them or getting my hands dirty. I stuck it out for four years. Every fucking day subjected to Radio Fucking One. Four years of Chicago / REO Wankwagon / Foreigner / Journey / Survivor / Styxx / Air Supply and other shite American soft rock (and yes, Air Supply are Aussies). The job was bad enough, but Radio 1 made it even worse...... Simon Bates and his Our Fucking Tune, Steve Fucking Wright and his "Get The Geese Off", it was half funny the first time but every fucking day?

And then out of nowhere, they would play something that stopped me in my tracks and I thought "this is different" and Visage was one such track. Someone a few pages back mentioned The Korgis "Everyone's Got to Learn Sometime" and that was another electronic song - nowhere near punk / post punk / new wave that I loved as it was just not soft fucking rock that Radio 1 were playing.

David Bowie and me had a strange affair. Not physically.... of course. I much prefered Bolan, but my eldest brother had bought me Hunky Dory for my birthday (maybe 14th in 1977) and I loved it but didn't go beyond it. My brother passed away in 1980. Never been ill in his life, goes to bed one night a month after his 21st birthday and has a brain hemorrhage. Three days later he's on a life support machine and after his kidneys and eyes are donated, it was switched off........... The weird thing is, my brother influenced me greatly musically, I said this in the 1979 year, I listened to what he was playing though the bedroom wall. Bowie / Bolan / Slade / early punk. But then he got into Springsteen / Hall & Oats / Tom Petty / Nils Lofgren. No idea how or where he was even hearing this stuff. But a few months after he died, I heard a song on the radio. Must have been Radio 1 as there was no other station around. But this song came on and immediately I liked it. Never heard it before. But I said to myself "This sounds like Bruce Springsteen". I swear to you all reading this I had never heard a Springsteen song before. And the song finished and the DJ said "that was Bruce Springsteen and his new single 'Hungry heart'" To this day I can't explain that..... but it happened 100%. A turning point in my life in so many ways..... My brother had the NME delivered every Thursday when he was alive, I'd scan it but without any conviction. My parents continued to have it delivered after he had died because to cancel it, was like cancelling their son..... I now picked it up and read it religiously from front page to back page.......

Bowie releases Ashes To Ashes (with Visage's Steve Strange in the video) and again, wonderful Radio 1 has to play something fucking decent other than American soft shite rock.
Other belting 1980 songs to make my job in the garage more bearable.......
Echo Beach - Martha & The Muffins
Car Trouble - Adam & The Ants
Once In A Lifetime - Talking Heads
A Forest - The Cure

That was my 1980.
I was playing a Siouxise album from 1981, that I have only just acquired, on my way home from the match on Sunday; spoiler - they won’t get much of a mention in my 1981 so you can come prepared, if you aren’t already.

Sorry to hear about your brother. There’s never a good time to lose a loved one but that really sucks.
 
3 more for the list. And it's time for a couple of 12" records. I love an extended mix.

Fade To Grey 12" Long Version - Visage

Midge Ure's musical project started around the same time he flew Concorde to New York to play with Thin Lizzy learning the songs along the way. He then joined...

Sleepwalk - Ultravox

To replace John Foxx who left as he didn't like musical direction they were taking.

Underpass 12" - John Foxx

Metatronic version or the sinister mix.

The fact that you asked for a specific mix of Underpass shows a degree of respect for the song that me and my mates lacked - we liked the song but what we liked to do most at the shouted chorus was sing Underpants - we can't have been the only ones.
 
One for Bimbo, not my type of music but I’m now good mates with the keyboard player Layne Rico who became a private airline pilot and is always good for a few celebrity stories.

‘LAWN CHAIRS’ by Our Daughters Wedding.

Feel sure we had a little discussion about this/them on the Playlist thread before haven't we?

Very danceable.
 
The fact that you asked for a specific mix of Underpass shows a degree of respect for the song that me and my mates lacked - we liked the song but what we liked to do most at the shouted chorus was sing Underpants - we can't have been the only ones.
Don't over estimate me and my mates, because that's exactly what we did when we heard it at parties.
 
As it's change over day I'll stick a few more up. Include them if you wish but I thought they deserved a mention.

At the forefront of the New Romantic scene, mainly for the clothes they wore, are Spandau Ballet. Who knew you could have a band that had a singer who could actually...erm...sing.

To Cut A Long Story Short - Spandau Ballet

An actor by trade, this next song helped throw her into the limelight as a singer.

Will You - Hazel O'Connor

Who would have thought that a song about a UFO landing by a smooth soul band would reach the heady heights of the charts?

No Doubt About It - Hot Chocolate

And lastly, a Northern Irish band that had two hits in 1980, both as good as each other, but I'm going to pick the one I think has the better writing.

Wednesday Week - The Undertones
 
Great lyrics and guitar; what more could you want? The E Street's Roy Bittan on piano, that's what!

Tunnel of Love - Dire Straits

The line from 'Cullercoats to Whitley Bay' reminds me of happy younger days riding the metro out to the coast.

Really one for a few years from now, but I'm reasonably reliably informed that I saw them do a low key gig down the Newcastle quayside around the time Brother in Arms. I have literally no recollection of this at all which is about right for some of my student days but it bugs that I'm not even sure it's the case.
 
As it's change over day I'll stick a few more up. Include them if you wish but I thought they deserved a mention.

At the forefront of the New Romantic scene, mainly for the clothes they wore, are Spandau Ballet. Who knew you could have a band that had a singer who could actually...erm...sing.

To Cut A Long Story Short - Spandau Ballet

An actor by trade, this next song helped throw her into the limelight as a singer.

Will You - Hazel O'Connor

Who would have thought that a song about a UFO landing by a smooth soul band would reach the heady heights of the charts?

No Doubt About It - Hot Chocolate

And lastly, a Northern Irish band that had two hits in 1980, both as good as each other, but I'm going to pick the one I think has the better writing.

Wednesday Week - The Undertones

You'll be pleased to know OB1 Jnr that at least two of those are going in irrespective of how long the list gets. This reminds me, no one responded to my very trivial 1980 related trivia question...

As we've had a track from Roxy's Flesh and Blood and a mention of Adam and The Ants, who is the common link between them and also Dodi Fayed?
 

It's done that weird thing where every now and then it shows the wrong name on a quote (indexing probably I assume).

I was quoting an OB1 message.

Though this is yet further evidence that the two of your are morphing together :-))
 
1980
The year began with me still discovering punk from 77 / 78 as well as unknowingly drifting into electric pop too.
With Generation X ending 1979 in pieces, I was looking for a band and then I found a band......
My friend Loz (a Blue naturally) had been championing Siouxsie & The Banshees, who themselves had gone through a messy split in 1979 when Kenny Morris and John McKay left during a tour of Scotland, with Robert Smith from the support band The Cure playing a double set each night to finish the tour off.
The Banshees returned with Budgie from The Slits on drums and John McGeogh from Magazine on guitar. Now at this point I have to admit (and only being 17 is my excuse) I never knew that band members swapped bands! I knew footballers changed clubs and signed for a new club, but it never occurred to me that band members would do the same thing!
The Banshees released the singles Happy House and Christine from the album Kaleidoscope and I jumped in with both feet first. The beginning of a love affair with the Banshees / Creatures / Siouxsie solo that remains today. The album had moved away from the fast and loud first two albums, a slower, more thoughtful album that remains a favourite of mine to this day - but not my favourite.... that's 1981!

Other highlights of the year, my first gig!---------- Stiff Little Fingers at the Coventry Locarno (a venue immortilised in The Specials Friday Night / Saturday Morning.) SLF's single 'At The Edge' had just come out and I had bought it.
I went to other gigs but not sure of the year. UK Subs at The General Wolfe for sure as it was promoting the single "Teenage" (7 inch pink vinyl) There was Pere Ubu and The Au Pairs at Coventry Poly but could have been 80 or 81.

Billy Idol & Tony James came back with the brilliant "Dancing With Myself" under the Gen X moniker but their ship had sailed and it failed to dent the top 50 despite me buying it on both 7 and 12 inch vinyl......

However, electronic pop was coming to the surface in 1980 that for me would explode further in 81.
Visage with their single "Fade To Gray". Looking back my intro into this genre was obvious. I left school and the careers advisor thought retail was my chosen career based on it being my dad's career.... I fucking hated it. I ended up working in a Ford Main Dealer garage in the parts department surrounded by blokes who fucking loved cars. I fucking hated every aspect about cars. Even now, I love driving cars, but absolutely no interest in knowing anything about them or getting my hands dirty. I stuck it out for four years. Every fucking day subjected to Radio Fucking One. Four years of Chicago / REO Wankwagon / Foreigner / Journey / Survivor / Styxx / Air Supply and other shite American soft rock (and yes, Air Supply are Aussies). The job was bad enough, but Radio 1 made it even worse...... Simon Bates and his Our Fucking Tune, Steve Fucking Wright and his "Get The Geese Off", it was half funny the first time but every fucking day?

And then out of nowhere, they would play something that stopped me in my tracks and I thought "this is different" and Visage was one such track. Someone a few pages back mentioned The Korgis "Everyone's Got to Learn Sometime" and that was another electronic song - nowhere near punk / post punk / new wave that I loved as it was just not soft fucking rock that Radio 1 were playing.

David Bowie and me had a strange affair. Not physically.... of course. I much prefered Bolan, but my eldest brother had bought me Hunky Dory for my birthday (maybe 14th in 1977) and I loved it but didn't go beyond it. My brother passed away in 1980. Never been ill in his life, goes to bed one night a month after his 21st birthday and has a brain hemorrhage. Three days later he's on a life support machine and after his kidneys and eyes are donated, it was switched off........... The weird thing is, my brother influenced me greatly musically, I said this in the 1979 year, I listened to what he was playing though the bedroom wall. Bowie / Bolan / Slade / early punk. But then he got into Springsteen / Hall & Oats / Tom Petty / Nils Lofgren. No idea how or where he was even hearing this stuff. But a few months after he died, I heard a song on the radio. Must have been Radio 1 as there was no other station around. But this song came on and immediately I liked it. Never heard it before. But I said to myself "This sounds like Bruce Springsteen". I swear to you all reading this I had never heard a Springsteen song before. And the song finished and the DJ said "that was Bruce Springsteen and his new single 'Hungry heart'" To this day I can't explain that..... but it happened 100%. A turning point in my life in so many ways..... My brother had the NME delivered every Thursday when he was alive, I'd scan it but without any conviction. My parents continued to have it delivered after he had died because to cancel it, was like cancelling their son..... I now picked it up and read it religiously from front page to back page.......

Bowie releases Ashes To Ashes (with Visage's Steve Strange in the video) and again, wonderful Radio 1 has to play something fucking decent other than American soft shite rock.
Other belting 1980 songs to make my job in the garage more bearable.......
Echo Beach - Martha & The Muffins
Car Trouble - Adam & The Ants
Once In A Lifetime - Talking Heads
A Forest - The Cure

That was my 1980.
That is such a fine write up. So sorry for your loss. That is beyond sad. Losing someone you love so young is life changing.

I thought I was the only one that detests American AOR rock and those bands you mention and many more.
I seriously have never listened to a Siouxsie album. I really do need to rectify that. Which would you recommend?

I look forward to your reflections on the coming years.
 
I would probably just go with I Die You Die over We Are Glass but it’s close.

Was Ultravox’s Passing Strangers 1980 or 1981? Ditto Foxx’s Burning Car?

Atomic by Blondie.

I knew a lad who would argue (incorrectly) that the Atomic video rather than Heart of Glass was the zenith of Debbie Harryness but he was more punk than I was and the marigolds didn't do it for me.
 
That is such a fine write up. So sorry for your loss. That is beyond sad. Losing someone you love so young is life changing.

I thought I was the only one that detests American AOR rock and those bands you mention and many more.
I seriously have never listened to a Siouxsie album. I really do need to rectify that. Which would you recommend?

I look forward to your reflections on the coming years.
I'd start with 'Once upon a Time'. Early singles compilation. You may be surprised just how many tracks you've heard before.
 

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