Rock Evolution – The History of Rock & Roll - 1998 - (page 271)

Being memorialised in a song is often the preserve of the famous or the heroic. But not always. John Doe Number 24 was the designation the Illinois state gave to a deaf mute teenager found wandering on the streets of Jacksonville in 1945. No family was ever found and he lived his life in the Illinois mental health system until his death in 1993. Upon reading about him in the paper, Mary-Chapin Carpenter paid for a stone on his unmarked grave and wrote a song for him which she included on her 1994 album Stones In The Road. Arguably the musical setting applies a soft-focus lens to the realities of his life in the care system but as the song became better known, some of the people who looked after Lewis (believed to be his real name) in the system contacted Carpenter to share stories about him and how they had cared for and about him.

Mary Chapin-Carpenter - John Doe No. 24
 
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I like The Eagles and Weezer and in my mind I see them both as very melodic guitar music. It might be an insult to some but it wasn't to me :)

The Blue Album is brilliant though, I think it's probably in tune with something Beck might do on a Sunday morning kind of vibe though.

Green Day are another band who made some great, melodic, songs as well.
I like the Eagles - a lot. Not sure how much on an insult The Fog intended but I am sure it was a reference to commercial / mass market corporate rock.

I also like Weezer and some Green Day stuff. Think I saw both bands on the same bill not too long back. GD were headlining at London Stadium (West Ham) and put on a superb show; main reason I went was to take my daughters to see GD.

I prefer my rock to have melody.
 
I don’t recall it, but I’ll give it a listen even though my curmudgeonly hipster period hasn’t yet ended and I’ve been in one for over 40 years.

Speaking of that, I note that thus far I have received zero pushback on my assertion that Weezer are just the alt Eagles and Green Day just the punk Eagles.

I presume such a take either resonated with many here or that many here didn’t realis(z)e that these terms were meant to be insulting.

As you've mentioned them, I can't have been the only person at this time who was confused by the positioning of bands such as Green Day as some sort of new vanguard of punk? I didn't really have a strong opinion on them one way or another but I couldn't quite get what was punk about it or for that matter half the other, mostly American bands, who were also promoted as punk at the time. Of the bigger ones maybe Rancid sounded a bit punky but it was all a very different from the likes of early Discharge or GBH or, even staying in the same locale as Green Day, the likes of Black Flag. Right I've had my old man shouts at clouds moment and tbf they weren't all hopeless; Sick of It All managed to cover a bit of Sham69 but I don't think their version of Borstal Breakout is on Spotify so instead we'll have a different genre but way more DIY than the shiny Green Day type bands.

Pavement - Range Life
 
(Quite an enjoyable match today, I find it goes down even better with music from the albums noted below in listening through one of my earbuds...)

One of my highlight concerts in 1994 was late in the year in seeing a triple bill at a small standing room only venue that over the years I have counted that I have seen at least 15 concerts at. But I have always remembered my first very memorable night of seeing these performances there.

Mrs. B&W and my work friends and I went to see this show, and the build up to the event was quite memorable. It included everyone meeting up at our place for pre-show beverages and playing and singing along to songs off of two albums we had been listening to most of that year. Those were fun times in the late twenty-something years with no kids yet.

The opening band was Irish Alternative band Fatima Mansions, which none of us knew, but I see have a decent following in retrospect. They had just released their final album that year Lost in the Former West. The venue was already packed even for their performance, though I can't see their setlist listed online.

The second act was much anticipated in being a bit unique, and not fitting many genres perfectly at the time. With all due respect to Foggy, they have never once reminded me of Eagles, except in having a one word name for their group. In fact, this band spans genres including geek rock, alternative rock, indie rock, emo, and power/punk pop. I do not get a peaceful easy feeling when listening to their music, but maybe one of these nights I might, though I doubt it.

Weezer had formed two years prior in LA, but was having a hard time in standing out in backing performances with grunge being so popular at the time. Rivers Cuomo and the band considered self-producing their debut album, but were pressured by Geffen Records to instead choose an outsider. They decided on Ric Ocasek, who of course we all know was the front-man for the Cars. Ocasek was selected because of his work on the Cars' song "Just What I Needed" (which Benjamin Orr sang lead vocals on, I will add ;-) ). Cuomo felt that song sounded similar to the way that he wanted Weezer to sound like. Ocasek convinced Weezer to switch their guitar pickups from the neck to the bridge, resulting in a brighter sound.

In reviewing the setlist from that night, most songs were of course from their debut album, Weezer (The Blue Album). While I am also partial to non-hits "The World Has Turned and Left Me Here" and the haunting and impressive build up in the closer, "Only in Dreams", I've chosen the opening song from their setlist and album that night. This song got the mosh pit starting in full force with my co-worker friends that I remember vividly to this day. The fact that 'Paul was making me nervous' in losing his shoe in the pit that night is beside the point. We still talk about that event and night.

The workers are going home
Yeah!


"My Name Is Jonas" - Weezer

And then there was the headliner...

I already nominated a song from this band's 1991 debut album, but it was their second album that got this York, PA band on the modern rock map as a 90's powerhouse alternative rock band. I can't remember being this excited to see a band's performance given how strong this album was. Throwing Copper was named after the band shooting BB guns in the backyard, and inspired by Quentin Tarantino's 1992 film Reservoir Dogs, of which the album track "Waitress" was referenced from a scene within.

There were so many great songs on this album, and kudos to OB1 for already picking a non-single standout earlier on the playlist. The hits were strong, and I'd recommend anyone listen to "Selling the Drama" or "Lightning Crashes" if you haven't heard it already, though I suppose many of you have.

I'm instead choosing the penultimate song on this release that was such a powerful live performance, and one I had looked forward to hearing performed live, next to "T.B.D.". This track was a rage-filled critique of inaction, complacency, and political correctness. It mocks people who talk extensively about problems rather than taking action, often interpreted as an apocalyptic vision or a complaint against do-nothing activism. I find this track also applies so much today with the current situation in the US with the obvious lies and false promises made and believed by enough 3rd time suckers to cause the "Shit Towne" we currently find ourselves in as a result. We sadly saw all this coming.

I always enjoyed this part in the song where lead singer Ed Kowalczyk noted that the preacher's voice sampled in the song (in [ ]s below) was recorded from a shortwave radio station in Colorado:

I talk of freedom
You talk of the flag...

[I warned you, I prepared you
I instructed you, I told you what to expect
All the time been feeding, what have you got?]

Look where all this talking got us baby....


"White, Discussion" - +Live+
 
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Couple of notables that were up for consideration were Pulps first great album His 'N' Hers and the very highly regarded Illmatic by Nas but I've decided to go down the Electronic route

Aphex Twin released an album this year but I'm going for the 2nd album by this duo from the unlikely town and my birthplace Rochdale.
The previous years debut was more beat driven but the 2nd a more ambient affair.
So from the album Amber

Autechre - Montreal
 
Tough last pick as there was lots of stuff I really like from Pulp, Elastica, Supergrass etc. however I'm going to pick something from an album I had but didn't like much at the time. Vitology was Pearl Jams third album and as a progression from 10 I thought they were getting worse. Pretty much the only song I liked was Spin the Black Circle but I've since rejected the hipster ideal or vinyl so it's hard listening back. I did want to be annoying and pick Bugs which I unironically like but song I'm gonna pick is Better Man. The band had it stashed for ages but considered it to mainstream so I guess I'm an easy sell

Better Man - Pearl Jam
 
Couple of notables that were up for consideration were Pulps first great album His 'N' Hers and the very highly regarded Illmatic by Nas but I've decided to go down the Electronic route

Aphex Twin released an album this year but I'm going for the 2nd album by this duo from the unlikely town and my birthplace Rochdale.
The previous years debut was more beat driven but the 2nd a more ambient affair.
So from the album Amber

Autechre - Montreal
Local lads.
 
Local lads.
Oops, seems you mentioned that already }
Met these two a few times when they were starting out. I lived in a big house in Besses with a few other mates which was pretty much a 12 month long party. A lad called Andy used to pass through and he was doing artwork for Skam. Got them all fried on acid punch regularly..
 
Last 2 from me, and I’m going to Wales for my next picks.
Not sure either Artist has been mentioned before on previous years.
The Manic Street Preachers released their third album this year and the last one before Richey James disappeared , I’ve always liked their distinctive sound although this album can be a hard listen, Still making good music today.

‘SHE IS SUFFERING ‘

Is Lastly an artist whose later work has been much maligned, but I loved his early albums, from his second album ‘Flesh’

‘THE LIGHT’
 
For my last pick I'll go with something that shows the fickle nature of the music industry.

Everything But The Girl released the album Amplified Heart in '94. Despite having built a loyal fanbase the album convinced their record company they were never going to get hits out of them and so they were promptly dropped. It took a few months and a Todd Terry remix to suggest the record company didn't entirely know what they were doing.

Everything But The Girl - Missing
 
I will go for a double Pink Floyd pick from their 1994 Bob Ezrin produced "Division Bell" album, which has a strong association with a water sports holiday my wife and I took in Corsica as they would play tracks from the album on the bar stereo. Also, we went to the Floyd gig at Earl's Court that got abandoned a few minutes into the show when one of the temporary seating stands collapsed; thankfully not the one we were in. The gig was rearranged.

The tracks are:
Take it Back
Coming Back to Life
.

I nearly added a third "Keep Talking" but I have to include something from Page & Plant's "No Quarter" album and there can only be one choice: Kashmir.
 
I will go for a double Pink Floyd pick from their 1994 Bob Ezrin produced "Division Bell" album, which has a strong association with a water sports holiday my wife and I took in Corsica as they would play tracks from the album on the bar stereo. Also, we went to the Floyd gig at Earl's Court that got abandoned a few minutes into the show when one of the temporary seating stands collapsed; thankfully not the one we were in. The gig was rearranged.

The tracks are:
Take it Back
Coming Back to Life
.

I nearly added a third "Keep Talking" but I have to include something from Page & Plant's "No Quarter" album and there can only be one choice: Kashmir.
Pink Floyd – High Hopes was one of my original four picks
 
(Quite an enjoyable match today, I find it goes down even better with music from the albums noted below in listening through one of my earbuds...)

One of my highlight concerts in 1994 was late in the year in seeing a triple bill at a small standing room only venue that over the years I have counted that I have seen at least 15 concerts at. But I have always remembered my first very memorable night of seeing these performances there.

Mrs. B&W and my work friends and I went to see this show, and the build up to the event was quite memorable. It included everyone meeting up at our place for pre-show beverages and playing and singing along to songs off of two albums we had been listening to most of that year. Those were fun times in the late twenty-something years with no kids yet.

The opening band was Irish Alternative band Fatima Mansions, which none of us knew, but I see have a decent following in retrospect. They had just released their final album that year Lost in the Former West. The venue was already packed even for their performance, though I can't see their setlist listed online.

The second act was much anticipated in being a bit unique, and not fitting many genres perfectly at the time. With all due respect to Foggy, they have never once reminded me of Eagles, except in having a one word name for their group. In fact, this band spans genres including geek rock, alternative rock, indie rock, emo, and power/punk pop. I do not get a peaceful easy feeling when listening to their music, but maybe one of these nights I might, though I doubt it.

Weezer had formed two years prior in LA, but was having a hard time in standing out in backing performances with grunge being so popular at the time. Rivers Cuomo and the band considered self-producing their debut album, but were pressured by Geffen Records to instead choose an outsider. They decided on Ric Ocasek, who of course we all know was the front-man for the Cars. Ocasek was selected because of his work on the Cars' song "Just What I Needed" (which Benjamin Orr sang lead vocals on, I will add ;-) ). Cuomo felt that song sounded similar to the way that he wanted Weezer to sound like. Ocasek convinced Weezer to switch their guitar pickups from the neck to the bridge, resulting in a brighter sound.

In reviewing the setlist from that night, most songs were of course from their debut album, Weezer (The Blue Album). While I am also partial to non-hits "The World Has Turned and Left Me Here" and the haunting and impressive build up in the closer, "Only in Dreams", I've chosen the opening song from their setlist and album that night. This song got the mosh pit starting in full force with my co-worker friends that I remember vividly to this day. The fact that 'Paul was making me nervous' in losing his shoe in the pit that night is beside the point. We still talk about that event and night.

The workers are going home
Yeah!


"My Name Is Jonas" - Weezer

And then there was the headliner...

I already nominated a song from this band's 1991 debut album, but it was their second album that got this York, PA band on the modern rock map as a 90's powerhouse alternative rock band. I can't remember being this excited to see a band's performance given how strong this album was. Throwing Copper was named after the band shooting BB guns in the backyard, and inspired by Quentin Tarantino's 1992 film Reservoir Dogs, of which the album track "Waitress" was referenced from a scene within.

There were so many great songs on this album, and kudos to OB1 for already picking a non-single standout earlier on the playlist. The hits were strong, and I'd recommend anyone listen to "Selling the Drama" or "Lightning Crashes" if you haven't heard it already, though I suppose many of you have.

I'm instead choosing the penultimate song on this release that was such a powerful live performance, and one I had looked forward to hearing performed live, next to "T.B.D.". This track was a rage-filled critique of inaction, complacency, and political correctness. It mocks people who talk extensively about problems rather than taking action, often interpreted as an apocalyptic vision or a complaint against do-nothing activism. I find this track also applies so much today with the current situation in the US with the obvious lies and false promises made and believed by enough 3rd time suckers to cause the "Shit Towne" we currently find ourselves in as a result. We sadly saw all this coming.

I always enjoyed this part in the song where lead singer Ed Kowalczyk noted that the preacher's voice sampled in the song (in [ ]s below) was recorded from a shortwave radio station in Colorado:

I talk of freedom
You talk of the flag...

[I warned you, I prepared you
I instructed you, I told you what to expect
All the time been feeding, what have you got?]

Look where all this talking got us baby....


"White, Discussion" - +Live+
Wow, that’s some triple bill !
All bands I really like.
 
I will go for a double Pink Floyd pick from their 1994 Bob Ezrin produced "Division Bell" album, which has a strong association with a water sports holiday my wife and I took in Corsica as they would play tracks from the album on the bar stereo. Also, we went to the Floyd gig at Earl's Court that got abandoned a few minutes into the show when one of the temporary seating stands collapsed; thankfully not the one we were in. The gig was rearranged.
I saw Pink Floyd during that same tour in May of 1994, and it was something to behold. My first time seeing the band live, and with 3 of the 4 crucial band members present, it was something else outside in a stadium venue. It was fantastic with 6 tracks off of DSotM and 4 off The Wall to compliment the 5 The Division Bell tracks, all great in their own right.

My one regret that night is that they didn't play the Richard Wright lead vocals from "Wearing the Inside Out", which I was really into at that time as a standout 'diamond in the rough'.

Like @Keith Moon, I would have chosen "High Hopes" too as that was my favourite track on that monumental release. Maybe someone else has a free pick to do so.

Also worth mentioning was "Poles Apart", written to former bandmates Syd Barrett (verse 1) and Roger Waters (verse 2) being pretty direct to two of the founding members of the band in a song about loss, the decay of friendship, and the vast emotional distance between people (hence the title).
 
I'm not nominating them just yet because I have some other choices I'm mulling over but if you'd asked me what my favourite genre of music was in this period I'd have said 'b sides'. Oasis had Do You Want To Be A Spaceman? and Half the World Away. Blur took a different tack with Supa Shoppa but I think I played that song more than the Park Life album. We are about to see lad culture emerge but there was some great stuff coming out in the next few years
I too was a big fan of 'b sides' from that era too, including the one you nominated earlier.

I originally was going to select a track off of the same album that @Mancitydoogle nominated the opening track from, but then your note about the 'b sides' had me thinking about the same.

Probably one of my top songs from that release was "Fall Down" with that iconic guitar riff opening and the great vocal backing harmonies from Todd Nichols to Glen Phillips on that track. In fact, Glen as the lead vocalist and lyricist of the band, Todd's vocals were mostly in the background or on an occasional non-single underrated track.

As the B-side to the 1994 single "Fall Down", Todd really took center stage with the haunting guitar and lead vocals on this track, which became one of my favourite of any songs they did when released on the B-side collections In Light Syrup in album format the year after.

While the lyrics to this song explore overcoming inner turmoil and finding a sense of calm amidst life's pressures, it is Todd's soft, melodic, and unassuming vocal performance that only he could deliver that makes this B-side song what it is.

If I hear them cry
That it's killing time
No I will not fight
It's all right this time


"All Right" - Toad The Wet Spocket
 
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1994
Morrissey's finest solo year.....
The album "Vauxhall & I" is released and it never got as good as this.... 2004's "You Are The Quarry" pushed it close but this was the pinnacle of the solo career.
From the opening lines of the opening song "Now My Heart Is Full" ("There's going to be some trouble....") to the closing lines of the closing track "Speedway" ("In my own strange way, I've always been true to you....") it is tune after tune ("The more you ignore me, the closer I get", "The Lazy Sunbathers", "Why don't you find out for yourself", "Used to be a sweet boy", "Hold on to your friends") from start to finish.
To think it is 32 years old is frightening!
Also, my hero and heroine got together to produce a single. My wet dream of Morrissey & Siouxsie Sioux together this year, on vinyl to produce a cover of Timi Yuro's 1968 song "Interlude".
The duo fell out when (according to Siouxsie) Morrissey wanted a video to include bull dogs.... Siouxsie, aware of her brushes with the far right when wearing a swastika in the 70's (as a fashion item rather than a political statement) stayed clear and Morrissey's door was shut tight.....

Locally, the Inspiral Carpets released their fourth album including singles "Saturn 5", "Uniform" and "Bitches Brew", along with collaborating with Mark E Smith on "I Want You". The band were dropped by Label "Mute" shortly after and the band broke up.....

Primal Scream produced one of the years greatest rock songs in the New York Dolls / Jaggeresque "Rocks".

Other notible songs - Supergrass "Caught by the fuzz", Oasis "Supersonic", Pulp "Do you remember the first time?", REM "What's the frequency Kenneth?", Dodgy "Staying out for the summer"
The Stone Roses first release in four years was the single "Love Spreads", but the party was over..... the world had moved on and 1995 was the year when the new kids on the Manc block took over......

Playlist
Morrissey - Speedway. - what a belter of a tune, back then and still today performed live.
Morrissey & Siouxsie - Interlude
Inspiral Carpets - Saturn 5
Primal Scream - Rocks
 

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