Blue Moon Playlist Review Club - Season 2 - Episode 28 - Coatigan - Instrumentals (pg 444)

Bluemoon Live.
Right, thanks to @Coatigan for the Dynamic Duos, it’s now time for the Terrific Trios! No. Just kidding. Someone else can go with that at some stage.
Well here’s the proposal for the next fortnight.
I would like you to present a concert.
An opener a middle and a closer of your choice.
You can use any artists, it doesn’t have to be the same one for the whole concert. You can use any live performance, whether it be a television appearance like Jools Holland or a concert excerpt.
Live! So that rules out TOTP.

I would like the three songs presented together, so a little thought is required from yourselves. I’m thinking YouTube is the medium to use, so I can compile a playlist showing each show, one after the other.

There’s a bit of organisation involved and I’m aware this could go tits up, but on advice from Coats and Rob, it was decided, let’s give it a one off try just for something different.

Basically, a couple of the side conversations in here in a couple of the music threads, just got me thinking that this would be a good way for people to show exactly what they get from a live show.
Whether it be Coldplay, Oasis, Genesis, punk, rock, pop etc etc, here’s a way of showcasing your show stoppers.

Convince us, that these are the artists to go and see.

One thing I would like to advise on, is that live versions of things can tend to be longer than recorded versions. I won’t put a definitive time limit on the three song playlist, but…… know your audience.

So send a brief outline of your concert lineup and why you chose these tracks and what they mean to you etc., and I’ll do my best to put them in a YouTube playlist that is manageable.

With that in mind, I had one artist in mind all along. I think most in here would guess where I’m coming from. However I’m conflicted now having thrashed out the theme with Rob and Coats.
I actually have an alternative concert of 5 different artists with a definite start middle and concert end in mind. It really is an attractive proposition for me. But having given my own critiques of other’s opinions on live acts and guitarists over the last couple of weeks, I will stick with my own private obsession and offer it up to be picked apart.
We all have our personal favourite guitarist and with my concert I will try to demonstrate to you why I think so highly of this guy.
The amount of stuff I would love to present far out weighs the actual brief, but I will make this cathartic and try my best not to bother y’all again with my personal obsession.

I know the story but am still amazed and wonder how in the name of all that is sacred did Ireland produce such genius and talent at that time.
There is a story of how he was influenced the way he was but we’ll leave that until after you decide if you like it or not.
I’ll prepare myself for the worst, as with this guy, although I’ve always known him, I only saw him live once and my current obsession started relatively late, I suppose. But I’ve developed an emotional attachment to his live work. It grieves me sometimes the lack of appreciation or pure ignorance there is of his amazing performances.

I’ve always liked Rory.
I first remember my older brother having the Blueprint album and hearing it at home. Myself and my mate in the seventies however were Prog Rock nuts, into Yes in an obsessive way. His younger brother Alan and next door neighbour Dave were obsessed with Rory and Alan learned guitar and could copy much of Rory’s licks. He really was good.
Dave played bass and they had a band for a while.
Myself and my mate though idolised the likes of Steve Howe or even Hackett more when it came to guitar heroes.
To my regret, I never saw Rory during the seventies although Alan and Dave and their slightly younger crowd used to go every year.
It wasn’t until mid eighties that I saw Rory live. It was everything I expected it to be.
In the eighties I got into a much wider range of genres of music. I branched out so to speak. I was in my twenties and sampling life.

I have since returned to roots and myself and Dave in particular shoot the breeze over Rory’s own particular brand of genius, quite regularly.

My return to the basics of blues based rock n roll has been just a natural magnetic pull of what comforts me when I’m sitting down in the evening with shag all to watch on tv. The missus gone to bed, up early for work.
I’m semi-retired, have a lot of spare time, the best of both worlds really, work and leisure.
So when I’m on YouTube surfing sat there with my glass of Teelings, what am I drawn to for ‘ Me Time’.
I find I just never tire of this guy. He was a modest quiet spoken yet quite focussed and single minded man, who had no interest in commerciality. He just knew what he wanted to play and he would get it out there to a live audience of any size. When he took stage behind his little girl ( his battered 1961 Stratocaster) he became a different animal.
Nothing contrived. What you see and hear is sheer honesty. He couldn’t do anything else if he tried.
What you got on any given night from him was what he was feeling at that moment and quite often made up, on the spot, including narrative or lyrics.
It’s not going to be everyone’s cup of tea. I get that, but this guy got me through a pretty bad period over the last year. He is my go to that never lets me down.
We talked last week about basic 4 bar rock n roll and three chords and the truth. Well for me, here’s the standard to strive to achieve.
The guy engages me on two bar blues/hard rock. If you think I’m exaggerating go fish out In Your Town on YouTube. It’s basically two chords jamming, but it holds your attention and mesmerises a captive crowd. He oozes enthusiasm and energy.
You can look at any number of versions of the same song too and you don’t get the same thing twice. It is LIVE and apart from the virtuosity It is exactly what he was feeling in the moment and he first takes the band and then the audience with him. And there are no whammy bars or foot pedals. This is as much as you can get from a guitar.
And a shout out to the whole band who are so tight.
Rory will introduce them, to take their own applause at the end of the show. So here we go;
Ladies and Gentlemen introducing Mr. Rory Gallagher and Band.

1. Cradle Rock - Bang. A slap in the face. Wake up, I’m here. I would go totally with the Irish Tour film for the definitive versions of most of Rory’s live stuff. It is the opener for the show and a powerful one at that. However, my only criticism of that film is that the editing from The ‘74 Irish tour pieces together more than one concert, so it looks disjointed at times. However, the soundtrack is consistent with the live album and is all one take. But I have chosen a different live piece which is a bit shorter and probably more suitable for our playlist.I love Duane Allman, but quite simply, nobody played slide like Rory.
2. Do You Read Me. - fabulous intro again. He just has a way of grabbing your attention. And he makes it all look so effortless.
3. A Million Miles Away - Lets slow things down. It’s long, but here I will take the ‘74 tour version. Gets me every time.
4. Walk On Hot Coals - I could write an essay on this song alone. The truth is the definitive version of this is, again, on the Irish Tour ‘74 album. It’s sublime, but I don’t like the editing of it in the film version which loses half the song and the album version would be too long for our purposes. The solo at the end is deceptive in its technical difficulty. He uses harmonics barely touching the fret board, to produce a choppy stop start rhythm that’s almost percussion which for me imitates the action of actually walking on hot coals. Genius.
5. Bullfrog Blues - An old blues song and a regular show ending for Rory. A real send them off with a buzz. Simple Rock n roll blues but, immaculate slide playing this time on his Telecaster just elevates this to an all around feel, good send off. Even if I had gone with my alternative 5 different artists playlist I was always going to end with this by Rory.

If anyone is still with me at this stage and you’ve gained anything out of this I would thoroughly recommend checking out the Irish Tour 74 album and also the Live in Europe album. Or even the Live in San Diego ‘74 album which was retrospectively released in 2022, I believe.

Right, go compile your own knockout concert.
I look forward to them.


Lovely write up and appreciation of a genius.
 
I had you nailed on to put forward that thea gilmore speaks in colours song.

Maybe one for the side optional listening chat.

You know, having had a quick look and though I've written about it on more than one occasion I don't think I've ever posted the link so optional side listening it is.

For background for anyone unaware, as part of a Radio 2 project to write 5 folks songs celebrating the lives of "ordinary" people in the north east, Thea Gilmore was paired with Delyth Raffell who had set up a charity in response to the death of her 16 year old daughter Ellen to an allergic reaction. Unfortunately the short film about it isn't available online at the moment but the first ever performance of the song to Ellen's Mum, Dad and twin sister is. How any of those involved held it together is a mystery to me.

 
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You know, having had a quick look and though I've written about it on more than one occasion I don't think I've ever posted the link so optional side listening it is.

For background for anyone unaware, as part of a Radio 2 project to write 5 folks songs celebrating the lives of "ordinary" people in the north east, Thea Gilmore was paired with Delyth Raffell who had set up a charity in response to the death of her 16 year old daughter Ellen to an allergic reaction. Unfortunately the short film about it isn't available online at the moment but the first ever performance of the song to Ellen's Mum, Dad and twin sister is. How any of those involved held it together is a mystery to me.



Yeah it is a proper throat throb song.

This version has the same thing all 3 of mine do. Which is, it is that little bit slower than the studio recording. Generally, I find most live performances tend to be a couple beats faster than their album counterparts. Whether it is the mood of the night, subcinscious nerves, trying to keep a crowd active or fit a set in, generally itnisnfar more common that songs are 'sped up' live. It is rare.tp see nerve and confidence to slow them down. Which I was conscious when picking those. And this one does it too, as far as I can tell.
 
You know, having had a quick look and though I've written about it on more than one occasion I don't think I've ever posted the link so optional side listening it is.

For background for anyone unaware, as part of a Radio 2 project to write 5 folks songs celebrating the lives of "ordinary" people in the north east, Thea Gilmore was paired with Delyth Raffell who had set up a charity in response to the death of her 16 year old daughter Ellen to an allergic reaction. Unfortunately the short film about it isn't available online at the moment but the first ever performance of the song to Ellen's Mum, Dad and twin sister is. How any of those involved held it together is a mystery to me.


I added it anyway.

Edit: It can be your encore.
 
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I'm going to go down the opposite route of Eamo here. Instead of high energy, showmanship, and uplifting bombast, I'm going to go for low key, slow pace, intimacy, and subtle emotion tugging.

I am deliberately also putting forward songs I have previously put up for other playlists, in their original album versions. And bands/songs I have seen live, albeit the recordings are not specifically ones I was at (that would be an extra layer of hard).

Partly because I think unfamiliarity and live songs don't always go hand in hand, and partly because they are songs I love and the live versions enhance that.

It might put bimbo to sleep, might not be what eams expected from this, might bore one or two, but it suits my mood and what I love and look for in live gigs.

Local Natives (feat. Riyad Mahrez) - Ceilings


Frightened Rabbit - things


Spell Songs - lost words blessing


Goes without saying, takes patience, and worth sticking with till the end.

Quite enjoyed those three.
Took comfort from them.
Ceilings in particular, I can relate to.
 
I suppose because I'd sort of posted it before I thought probably not but I think your approach is as ever well thought through.

Personally I like when bands play around with other people's songs live, so I was always going to put a cover on and I did think about putting her version of the gin blossoms song hey jealousy in but but a folk stage without Richard Thompson is not a proper folk stage so.

There's too many theme within a theme options here. I considered...

3 Last performances e.g the Jam on The Tube

3 First performances like that one of RATM's first gig where they are literally playing to no one and then a small crowd starts to grow

3 songs that you don't like hearing live because you have to pretend there's something in your eye (She speaks in colours would have worked for that)

3 synth monsters I mentioned earlier

3 of the same artist at different ages

There's just loads of routes to go down. In the end I just reverted to festival type which for me would be to bugger off somewhere quieter for a while.
Maybe a sign of more YouTube ideas to come if this has any success.
 
I was going to try and replicate the best gigs I have ever seen but footage from the 70's is not wonderful although there is some it's not exactly HD. I may try that anyway despite the dodgy footage there is some wonderful music.
My favourite concert was Kate Bush at the Hammersmith Odeon in 2014 but there is very little coverage of that as she banned cameras and by and large folk respected her wishes (although there are one or two tracks on YouTube the quality again is not great).

Or maybe Coldplay, Radiohead and then Take That (the elephant tour) as they all put on a smashing show. Plenty choice for them. Bloody hell. Decisions, decisions.
 

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