Yes, you may have a few if you collected all that early punk stuff.
I think I did 18 or 19 sleeves over a pretty intense two-year period. A lot of the Rabid Records output, including a John Cooper Clarke album ... The Panik, The Tunes ... quite a few things for Absurd. Looking back, some of the stuff is very clumsy and corny but some of it stands up quite well.
I did Slaughter's "Do It Dog Style" sleeve and the illustration and lettering is still the band's signature look 40-odd years later. The Joy Division sleeve I did for the "An Ideal For Living" 12" later went on display at the Museum of Modern Art in New York, which I always find astonishing. A design done on my Gran's kitchen table in Benchill on display with Matisse, Magritte, Warhol, Basquiat, etc at one of the world's most prestigious art museums? I still find that hard to comprehend. (Although I remember one guy on this forum a few years ago saying it was the equivalent of the employee of the month certificate he got for being a PE teacher or whatever it was he did for a living, which was perhaps the most surreal insult I've ever received.) The Guardian said that the badges I designed for Joy Division were "the punk badges that defined the 1970s music scene." So yes, a lot of the stuff makes me cringe when I see it now but I'm quite proud of a few bits and pieces.
If you are interested, I wrote an in-depth piece about the three record sleeves I designed for Jilted John: two singles sleeves and the EMI album cover. Here's the link:
https://shorturl.at/cnilp ... and on my Substack there's also a lengthy article about how Rob Gretton got me into the music business.
Here's an image of most of the sleeves I designed:
View attachment 145322
Cheers!