Glastonbury 2025

Fontaines will headline the other stage after their next album, or be second billing on pyramid- they were the biggest act at the park stage last year and in the last 6 months of 2024 became one of the biggest bands in the world.
Yeah I saw them on the Park last year and they were incredible. Going to see them this Saturday at Finsbury Park. Can’t wait. I feel they’re better suited to a night time setting, especially with how they do their stage.

You’re probably right, they’ll be The Other Stage headliner.

The more I think about it, the more I reckon 2027 Glastonbury will be Ed Sheeran, one of Chappell Roan or Sabrina Carpenter and then the 3rd is up in the air.
 
having a flick through iPlayer for Glastonbury sets Ive missed and thought I would give self esteem a quick go, not seen her before but quite enjoying it (yes itson now as I type) it's more of a musical show...
 
I’d never seen or heard a thing from Olivia Rodrigo before last night but wow she’s some talent. Brilliant performer and musician, if only I was twenty years younger.

Another one was Gracie Abrams, again I’d never heard of her but can’t fault the talent, her dad should be proud (had to look her up and then found out who he is).

I’m not a fan of this type of music but both have a bright future if they don’t get worked into the ground.

Rod S was about all you could hope for from an 80 year old but bringing that rat Hucknall on was grim, Prodigy stole the weekend but that was always nailed on with what else was on offer.
 
Oh I agree. I can see them going down the road of a Sabrina Carpenter or Chappell Roan in 2027 because they are what is most popular these days. But I think neither will be good enough and both will see smaller than anticipated crowds.

Yeah the likes of Bloc Party, The Vaccines and Two Door Cinema Club are never headline worthy, but they packed out their stages last year, I’d say more went to see each of them than SZA who headlined.

The lack of big enough newer bands to headline at the minute are killing it a bit. I’d say Wunderhorse could do it if they continue to build on their great Midas album. Fontaines DC are probably best placed but I don’t think they’d book them, even though I think they’d fill the Pyramid. Certainly more than the likes of The 1975 and Neil Young did anyway.
Are Fontaines DC that big? I loved their first album and thought their second album was a bit meh. But they were still pretty niche. Have they blown up since then?

I think Glastonbury is basically suffering from the fact that the style of music they're most famous for (i.e. guitar bands) is dying a death. I think I heard that since 2020, a band has only reached number 1 three times. Twice was Little Mix, who aren't really a band in the Glastonbury sense, and one was The Beatles, who they've tried to book, but two of them aren't picking up.

So either Glastonbury has to either lean into what is popular with kids these days, become a greatest hits of old bands that 40 and 50 year olds remember, or accept smaller headline crowds but platform more niche, indie acts that might not be commercially as successful.

I could honestly see them booking one of the big K-Pop bands like BlackPink or BTS as the Sunday headliner. It's also worth mentioning that in the UK's most streamed artists on Spotify for 2024, there wasn't a single UK act (a lot of our biggest hitters didn't have albums out last year, to be fair). If you look at who from the list hasn't done Glastonbury, Taylor Swift, Drake, The Weeknd, Eminem, Rihanna, Sabrina Carpenter and Travis Scott have never performed there. There are clearly a fair few there that would draw a massive crowd, but none of them are bands. Noah Kahan was the 10th most streamed artist and he played the Pyramid Stage this year. I'm not sure what sort of crowd he drew. I can't say I've heard of him myself.

There's also a bit of an issue in the modern era with everyone having their own devices and listening to their own stuff. Everything becomes more polarized. The days of everyone knowing a pretty middling band are gone. You can have someone who's absolutely massive, but anyone who's not on a particular section of TikTok or Youtube has never heard of them. In the 90s, if someone was on Top of the Pops and Radio 1, the chances are everyone will have heard of it. I can honestly say, for example, that I've never knowingly listened to a Drake song, even though I know he's possibly the biggest artist in the world. But anyway, what this means is that there are fewer and fewer acts that can draw that kind of crowd at a festival where most of the crowd aren't going specifically to see them.
 
I can never understand people who slag off singers who are getting on a bit for having a bad sounding voice. When you go see an older act, you go for the atmosphere and the nostalgic like feeling. It will be the same when Oasis start their gigs on Friday and rip into Liams voice. Just go enjoy yourself and sing along to some songs.

The issue for me is that these 'older' 'notalgic' acts are massively overrated and tickets invariably hugely overpriced.

Rod Stewart just can't sing any more. Anyone who thinks otherwise must be tone deaf. Rod knows it and Michael Eavis knows it. It was just a cash cow for an old bloke who doesn't need the money, no more no less.... Exactly the same as Oasis; trawling out 30-odd year old songs for thousands of pissheads clinging on to some vestige of the 1990s.

That's what nostalgia is all about. That's why future Glastonbury 'legends' slots will include geriatric crap from the likes of Oasis, Suede, Stone Roses etc
 
Are Fontaines DC that big? I loved their first album and thought their second album was a bit meh. But they were still pretty niche. Have they blown up since then?

I think Glastonbury is basically suffering from the fact that the style of music they're most famous for (i.e. guitar bands) is dying a death. I think I heard that since 2020, a band has only reached number 1 three times. Twice was Little Mix, who aren't really a band in the Glastonbury sense, and one was The Beatles, who they've tried to book, but two of them aren't picking up.

So either Glastonbury has to either lean into what is popular with kids these days, become a greatest hits of old bands that 40 and 50 year olds remember, or accept smaller headline crowds but platform more niche, indie acts that might not be commercially as successful.

I could honestly see them booking one of the big K-Pop bands like BlackPink or BTS as the Sunday headliner. It's also worth mentioning that in the UK's most streamed artists on Spotify for 2024, there wasn't a single UK act (a lot of our biggest hitters didn't have albums out last year, to be fair). If you look at who from the list hasn't done Glastonbury, Taylor Swift, Drake, The Weeknd, Eminem, Rihanna, Sabrina Carpenter and Travis Scott have never performed there. There are clearly a fair few there that would draw a massive crowd, but none of them are bands. Noah Kahan was the 10th most streamed artist and he played the Pyramid Stage this year. I'm not sure what sort of crowd he drew. I can't say I've heard of him myself.

There's also a bit of an issue in the modern era with everyone having their own devices and listening to their own stuff. Everything becomes more polarized. The days of everyone knowing a pretty middling band are gone. You can have someone who's absolutely massive, but anyone who's not on a particular section of TikTok or Youtube has never heard of them. In the 90s, if someone was on Top of the Pops and Radio 1, the chances are everyone will have heard of it. I can honestly say, for example, that I've never knowingly listened to a Drake song, even though I know he's possibly the biggest artist in the world. But anyway, what this means is that there are fewer and fewer acts that can draw that kind of crowd at a festival where most of the crowd aren't going specifically to see them.

Their 4th album, Romance, was pretty much the album of the year last year.
 
having a flick through iPlayer for Glastonbury sets Ive missed and thought I would give self esteem a quick go, not seen her before but quite enjoying it (yes itson now as I type) it's more of a musical show...
Self Esteem is brilliant. If you ever get a chance, watch an interview with her or listen to her on a podcast. Absolute top lass in addition to being very talented.

She was on Taskmaster and her episode of Off Menu was great too.
 
And he's older than me

Has to be said that I wasn't expecting Olivia Rodrigo to be the standout headliner. was expecting "just another teeny bopper girl singer" but she was actually very good. bringing Robert Smith out for a team up was a massive statement move for her I think.
Agree, a real coup for both of them.

And while I knew Rodrigo had the songs and the presence (praising English lunchtime pub culture always a winner) I wasn't expecting her band to be so astonishingly good.
 
Are Fontaines DC that big? I loved their first album and thought their second album was a bit meh. But they were still pretty niche. Have they blown up since then?

I think Glastonbury is basically suffering from the fact that the style of music they're most famous for (i.e. guitar bands) is dying a death. I think I heard that since 2020, a band has only reached number 1 three times. Twice was Little Mix, who aren't really a band in the Glastonbury sense, and one was The Beatles, who they've tried to book, but two of them aren't picking up.

So either Glastonbury has to either lean into what is popular with kids these days, become a greatest hits of old bands that 40 and 50 year olds remember, or accept smaller headline crowds but platform more niche, indie acts that might not be commercially as successful.

I could honestly see them booking one of the big K-Pop bands like BlackPink or BTS as the Sunday headliner. It's also worth mentioning that in the UK's most streamed artists on Spotify for 2024, there wasn't a single UK act (a lot of our biggest hitters didn't have albums out last year, to be fair). If you look at who from the list hasn't done Glastonbury, Taylor Swift, Drake, The Weeknd, Eminem, Rihanna, Sabrina Carpenter and Travis Scott have never performed there. There are clearly a fair few there that would draw a massive crowd, but none of them are bands. Noah Kahan was the 10th most streamed artist and he played the Pyramid Stage this year. I'm not sure what sort of crowd he drew. I can't say I've heard of him myself.

There's also a bit of an issue in the modern era with everyone having their own devices and listening to their own stuff. Everything becomes more polarized. The days of everyone knowing a pretty middling band are gone. You can have someone who's absolutely massive, but anyone who's not on a particular section of TikTok or Youtube has never heard of them. In the 90s, if someone was on Top of the Pops and Radio 1, the chances are everyone will have heard of it. I can honestly say, for example, that I've never knowingly listened to a Drake song, even though I know he's possibly the biggest artist in the world. But anyway, what this means is that there are fewer and fewer acts that can draw that kind of crowd at a festival where most of the crowd aren't going specifically to see them.
Yeah I know what you mean. It’s what led to the booking of The 1975. There’s not much out there, especially from this country, that they can book in terms of bands.

The one glaringly obvious band they’ve never booked, albeit not from this country, is Green Day. But I just don’t see it happening for some reason.

The fallow year is probably coming at the right time in terms of headliners.
 
Agree, a real coup for both of them.

And while I knew Rodrigo had the songs and the presence (praising English lunchtime pub culture always a winner) I wasn't expecting her band to be so astonishingly good.
I'm glad others on here liked her, never seen her perform before or heard any of her music but I really enjoyed her set. Was loathe to say anything last night as it seemed to be a Prodigy love-in on here (who I've seen live a couple of times so nothing really new for me there). Okay so a lot of it was fairly generic punk-lite material in the vein of an Avril Lavigne but she has quite a distinctive vocal, real stage presence and seems a good kid. And she is also fully aware of our musical heritage, evidenced by her wheeling on Robert Smith. The Cure being one of my favourite bands I really enjoyed that section.
 
I'm glad others on here liked her, never seen her perform before or heard any of her music but I really enjoyed her set. Was loathe to say anything last night as it seemed to be a Prodigy love-in on here (who I've seen live a couple of times so nothing really new for me there). Okay so a lot of it was fairly generic punk-lite material in the vein of an Avril Lavigne but she has quite a distinctive vocal, real stage presence and seems a good kid. And she is also fully aware of our musical heritage, evidenced by her wheeling on Robert Smith. The Cure being one of my favourite bands I really enjoyed that section.
She was out in the crowd on her boyfriend’s shoulders for Pulp, looking like she was loving it. She seems happy to embrace other countries and cultures unlike a lot of other yanks. Fair play to her.
 
Self Esteem is brilliant. If you ever get a chance, watch an interview with her or listen to her on a podcast. Absolute top lass in addition to being very talented.

She was on Taskmaster and her episode of Off Menu was great too.
Yes, saw her on taskmaster and other shows too.
My take is, if I can put this diplomatically, she’s a topper lass than her music is.
I think she’ll end up with her own talk show or expanded podcast, or radio show.
 
having a flick through iPlayer for Glastonbury sets Ive missed and thought I would give self esteem a quick go, not seen her before but quite enjoying it (yes itson now as I type) it's more of a musical show...

Agree, it was a great show, felt quite west end… I also enjoyed Raye although she talked a bit much but I think this might have been due to nerves (which she said repeatedly!)
 
Yes, saw her on taskmaster and other shows too.
My take is, if I can put this diplomatically, she’s a topper lass than her music is.
I think she’ll end up with her own talk show or expanded podcast, or radio show.
Really? I've only listened to the one album from her, Prioritise Pleasure, but I thought it was great.
 

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