Rock Evolution – The History of Rock ’n’ Roll - The Blues (pg 9)

This is where my lack of knowledge and vocabulary will fail me. So I'd answer that yes and no. If I think about the way I was taught the technique with the clarinet, both fingers and breath, it lacked the "dirtyness" of a blues bend. The archetype glissando in 20th century clarinet is the opening of Rhapsody in Blue and I could never master it in a way that didn't sound a bit 'prim'. Lol, I think the only thing I'm really pointing here is that I wasn't very good on the clarinet, though I would argue it's fundamentally different with a stepped instrument. I think there is a difference though in it's use in classical music until you get to the composers who were writing at the same time as the early blues players anyway. This is probably my ignorance but I'm not aware of earlier string instruments using it in the same way blues players did ?
Its more of a glide/slide than a bend which I also guess in blues returns back to the original note more than a glissando would. I was mainly trying to appear smart in the hope that you would expand and I could ride your coattails. Disappointed

As you're the resident jazz expert and clarinet player I will from this day forward always picture Squidward when reading your posts

Edit: a quick Google search suggest blues players popularised a string bend as they tried to imitate blues singers. However Django was bending strings in jazz and earlier stringed instruments such as a sitar also featured bendy bits. Further complicating matters is Ariel Byrd who describes herself as a professional violinist who describes a string bend as basically a glissando
 
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Its more of a glide/slide than a bend which I also guess in blues returns back to the original note more than a glissando would. I was mainly trying to appear smart in the hope that you would expand and I could ride your coattails. Disappointed

As you're the resident jazz expert and clarinet player I will from this day forward always picture Squidward when reading your posts

Edit: a quick Google search suggest blues players popularised a string bend as they tried to imitate blues singers. However Django was bending strings in jazz and earlier stringed instruments such as a sitar also featured bendy bits

Sadly not the first and won't be the last time I've disappointed someone but life goes on. I've just looked up Squidward he looks like he's quite a bit taller than me.

Edit: those early blues players will predate DR, I think the point is jazz takes it from blues rather than in parallel? Never thought about sitars good point albeit that's not western music and my fundamental point was the blues players were ignoring normal western musical conventions of the time.
 
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Sadly not the first and won't be the last time I've disappointed someone but life goes on. I've just looked up Squidward he looks like he's quite a bit taller than me.

Edit: those early blues players will predate DR, I think the point is jazz takes it from blues rather than in parallel? Never thought about sitars good point albeit that's not western music.
I think it's safe to say blues players popularised the string bend. Apparently jazz guitarists use heavier strings which makes them harder to bend and jazz playing is less about those kinds of embellishments.

Because I love a rabbit hole and making grand assumptions based on less than 1% knowledge of a subject I did read on wiki about an instrument called a diddly bow which could be considered a very very simple slide guitar. Apparently lots of blues players will have graduated from this kind of instrument and the string bend is reflective of that style. Dust My Broom on the playlist is played with a slide and you can hear how that would have influenced plenty of players not playing with a slide throwing in some bends to replicate it
 
Hope you like it mate.
It's a good listen. I don't think I'd heard that version of Crossroads before - I knew the Cream version. It was interesting to see how the big band style blues and piano playing has largely been replaced by the guitar. Many of the techniques like the bends and double stops are really evident from the outset and largely remain unchanged.
 
Rock Evolution - The Blues

Introduction


What would we be without music?
From when the first homo sapiens banged animal bones against stretched deer skin music has inspired, entranced, excited and been a social glue that brings us together. It is the most important art form in my opinion. It punctuates and illustrates all our lives. What better way to spend our time than engaging with the history of music and how ultimately Radiohead were created ;-).

Rob asked me to kick off our preliminary historical blogs which act as background to the meat of the thread with The Blues. In tackling the subject I have focused on the period between 1900 and 1960. Whilst I had a reasonable grounding in the subject it was clear from the research I did that my knowledge was pretty sketchy.

But first, lets summarise how music had developed by the end of the 19th century. The year 1900. American music was a melting pot, drawing from the diverse traditions of its settlers, indigenous communities, and enslaved Africans. These varied influences began to blend, setting the stage for uniquely American genres to emerge.

The 19th century in America saw a rich evolution of music, influenced by diverse cultural backgrounds. The era was marked by the rise of folk traditions, including African American spirituals, which shaped genres like blues and jazz. Minstrel shows, despite their problematic legacy, popularised early American music. The Civil War inspired patriotic songs and marches, with composers like John Philip Sousa gaining prominence. The Romantic movement influenced composers like Antonín Dvořák, who incorporated American themes into classical music. Additionally, the emergence of popular forms like ragtime laid the groundwork for future genres. This period fostered a uniquely American musical identity.

The 19th century was also a transformative period in European music, marked by the Romantic movement. Composers like Beethoven, Chopin, and Wagner explored deep emotions and individual expression, moving away from the classical forms of the previous century. Nationalism emerged, with composers like Dvořák and Sibelius incorporating folk elements into their works. Opera flourished, with Verdi and Puccini creating iconic pieces. Innovations in orchestration and harmony expanded musical possibilities. The century also saw the rise of virtuoso performers and the establishment of public concert halls, making music more accessible to a wider audience, setting the stage for modern musical developments.

We are featuring the Blues as a genre first.

It’s a genre that has profoundly shaped modern music, influencing jazz, R&B, rock, country, and hip-hop. I have explored the origins, development, and impact of the Blues up to 1960, hopefully it will provide an overview and discussion piece for understanding the genres wider influence, significance and evolution. Feel free to comment, add to or generally rip apart where you feel I have missed stuff.


What Are The Blues?
The Blues is a deeply emotive genre that emerged in the American South during the late 19th and early 20th centuries. It blends African musical traditions, European folk music, and the lived experiences of African Americans. Characterised by its expressive use of blue notes—slightly flattened pitches that convey melancholy—the Blues reflects themes of struggle, love, and personal hardship. It has left a lasting imprint on almost every genre of American popular music over the past century.


Origins of the Blues
The blues emerged from the oppressed, economically disadvantaged African-American communities in the rural southern states of America in the years following the American Civil War (1861–1865). Blues singers were descendants of slaves and elements of their music reach back to African origins. Specifically, music historians believe that the similarity between African string-playing and the techniques of many blues guitarists are remarkably similar and that the blues were rooted in the savanna hinterland of West Africa.

The first appearance of the blues is often dated to after the ending of slavery, and the development of Juke Joints (a term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans associated with the newly aquired freedom of the former slaves).

Early Development of the Blues (1920s)
Blues music began to crystallize as a distinct form in the early 20th century. The genre gained prominence in the 1920s, transitioning from oral tradition to recorded music. W.C. Handy, often referred to as the "Father of the Blues," played a key role in popularizing the genre. His compositions, such as "St. Louis Blues," blended blues with popular and classical elements, reaching a wider audience.

The 1920s also saw the first commercial recordings of blues, with artists like Mamie Smith and Bessie Smith gaining recognition. Their recordings introduced blues to a broader audience and established its importance in American music. The blues also helped forge a cultural identity for African Americans, preserving their traditions and experiences.

Blues Genres and Influences
Several distinct styles of Blues emerged, each contributing to the genre's rich tapestry. So much could have been written here as there are many genres and sub genres and very many more influential artists. I have tried to keep the descriptions brief and featured the primary artists from each:

Delta Blues: Originating in the Mississippi Delta, Delta Blues is characterized by its raw, emotional sound and use of slide guitar techniques. Key figures include Robert Johnson, whose "Cross Road Blues" remains iconic. Johnson's haunting lyrics and complex guitar work have left a lasting legacy. Johnson, is often cited as one of the most influential blues musicians of all time.

His "Cross Road Blues" is often hailed as the quintessential blues recording.
The song's mythic quality—enhanced by its association with the legend of Johnson selling his soul to the devil at a crossroads (in return for his prodigious musical ability)—only adds to its allure. The crossroads myth also serves as a metaphor for Johnson's own life and career. Despite his prodigious talent, Johnson's career was short-lived and fraught with personal and professional struggles. He died under mysterious circumstances at the age of 27, joining the ranks of other legendary figures who met untimely death at the same age.


images


Robert Johnson


Classic Blues: Developed in the 1920s and 1930s, Classic Blues features a structured format with jazz influences. Bessie Smith, known as the "Empress of the Blues," was a leading figure in this style. Her 1923 recording of "Downhearted Blues" showcases her powerful voice and emotional depth.


Bessie Smith


Bessie Smith


Piedmont Blues Emerging in the Southeastern U.S., Piedmont Blues is known for its fingerpicking guitar technique and upbeat sound. Blind Boy Fuller, with his intricate guitar work and energetic songs like “Step It Up and Go,” is a prominent figure in this genre.


Blind Boy Fuller - Wikipedia


Blind Boy Fuller


Texas Blues This style blends Delta Blues with jazzy influences, characterised by a polished sound and expressive guitar solos. Blind Lemon Jefferson, with tracks like "Matchbox Blues," is a key figure in Texas Blues.

King Of The Country Blues - Album by Blind Lemon Jefferson | Spotify




Jump Blues Developing in the late 1940s and early 1950s, Jump Blues is a swing-oriented style that combines blues with jazz and big band elements. Louis Jordan's energetic performances and hits like “Choo Choo Ch’Boogie” were instrumental in popularising this genre.

Choo Choo Ch' Boogie - Album by Louis Jordan & His Tympany Five | Spotify' Boogie - Album by Louis Jordan & His Tympany Five | Spotify



Country Blues Encompassing various regional styles of rural blues, Country Blues is distinguished by its acoustic instrumentation and storytelling lyrics. Lead Belly, known for songs like “Goodnight Irene,” exemplifies this broad category.

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Lead Belly


The Great Migration and Urban Blues
The Great Migration, involving African Americans moving from the rural South to urban centers in the North and West, significantly influenced the development of Urban Blues, also known as Chicago Blues. This migration, driven by racial segregation and economic opportunities, helped shape American culture and music.

Chicago became a hub for Urban Blues in the 1940s and 1950s. The transition from acoustic to electric instruments marked this evolution, with musicians like Muddy Waters, Howlin' Wolf, and Willie Dixon playing key roles. Muddy Waters, for example, is known for his electric guitar and amplified harmonica, with recordings such as "Hoochie Coochie Man" highlighting this shift.

Muddy Waters Hoochie Coochie Man Vinyl LP VG+ | eBay


B.B. King, born Riley B. King, is another pivotal figure in blues history. His expressive guitar style and distinctive vibrato, exemplified in songs like "Every Day I Have the Blues," helped shape the modern blues sound. King’s unique approach combined jazz phrasing with blues intensity, influencing genres like rock and R&B. I vividly remember driving down Vancouver island from Tofino listening to the great man on the car radio being interviewed about his long and amazing career. He remembered his audience change in the 60's from 100% black audiences to a mixed audience with 'hippy kids'. One concert the Stones turned up to listen to him play.

He frequently turned up in NME polls when I was a kid for the worlds greatest guitarist. In amongst Clapton,Page, Beck, Blackmore...thats how I found his music.

images


John Lee Hooker, known for his distinctive style and deep, resonant voice have made him a major influence in blues music. The classic Boogie Chillen was first recorded in 1948 and remains one of his classic tracks. Boom, Boom Boom another classic of his is a personal favourite of mine. Although he played it for much of his career he recorded it in the 60's hence its exclusion from this playlist.

I love this photo.


John Lee Hooker | Spotify



Impact and Legacy

By 1960, the Blues had made a profound impact on modern music. It influenced the development of rock and roll, soul, jazz and country, with many artists including Elvis Presley and Chuck Berry integrating its elements into their music. The careers of Cream, Zeppelin, Hendrix, Free, The Rolling Stones, The Animals and all their successors wouldn't have been the same without The Blues.

The Blues also played a role in the civil rights movement, with its themes of struggle and resilience reflecting the fight for racial equality.

The legacy of blues musicians continues to inspire new generations, maintaining the genre's significance in contemporary music. The Blues' enduring influence is evident in its profound effect on various musical styles and its role in shaping the cultural landscape of America.

In conclusion, the Blues, from its origins to 1960, represents a rich and transformative genre that has left an indelible mark on modern music and culture.

I hope you enjoy the playlist:




I hope that you enjoyed this breakneck run through of what forms the foundation to much of the music we have enjoyed over the last 50 years. Let me know what you think about both the content and the format so we can learn from what you like (and what you don't like)


Christ! How am I meant to top this when I have 1996 , the year of Mr Blobby and the Spice Girls!
Wonderfully written and interesting insight - The Blues paved the way in so much Pop Music that’s it’s hard to put into words its influence, have added the playlist and hopefully get time to listen.
 
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There goes my Hounds of Love write up. Sob. :-)
Now that I see how all of this works and we can add in songs after the fact, I'll instead opt for 1986 to give you 1985 and your time with Kate.

Who am I to stand in the way of THAT? So it appears that things can only get better as not everybody wants to rule the world.

BTW, tremendous high bar for the Blues write up and introduction. I didn't have time to read or listen yet earlier today with work, but wow, a fantastic start. Kudos.
 
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Christ! How am I meant to top this when I have 1996 , the year of Mr Blobby and the Spice Girls!
Wonderfully written and interesting insight - The Blues paved the way in so much Pop Music that’s it’s hard to put into words its influence, have added the playlist and hopefully get time to listen.
Blobby, blobby, blobby...
 
Absolutely brilliant write up that @Saddleworth2 and it's set a really good bar for what will be another of @RobMCFC 's brilliant music threads.

I love the blues - my Dad was a brilliant blues/jazz guitarist and I've heard him play a fair few of these. He can't play any more but hearing these songs really brought some great memories back of hearing him playing to crowds. At the time I took it for granted that my Dad could do it incredibly well and it was only last week he said he could no longer play the guitar and could only play his slide guitar a bit. It's really sad.

It really does astonish me how complex/interesting the blues can get considering it's 'simple' music, especially when it starts to mix in with jazz as well!

Can you imagine how it must have felt for those people who first wandered into the bars of Chicago and heard 'electrified blues' for the first time? You would literally be hearing the birth of modern music.

I loved the playlist and the ones which stood out for me were 'Cross Road Blues' - how could it not! 'Hoochie Coochie Man' is just one of those songs that I wish I'd wrote. It's simple, sexy yet the way it's sung is just something else. You could ask 7777 people to record this and they'd all sing the same song differently and yet none would come close to the great man.

'Dust my broom' is an absolute class and I honestly think it's one of the best starts to any songs I've ever heard. It's raw, stripped back and just fucking brilliant. I have a playlist on Spotify called 'Drinking Music' and this song is the opener :) if it's warm outside and I fancy a beer this song goes on ha ha!

Any track by Howling Wolf always hits the spot - the guy just has one of them voices. Anything he sings just sounds amazing.

What a great start to the thread!
 

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