Rock Evolution – The History of Rock & Roll - 1985 - (page 203)

Surprised no one has yet mentioned one of the great albums of the 80s. Shoot Out the Lights was the final album from Richard and Linda Thompson as their marriage was ending. While much of the album sounds like the soundtrack of a marriage falling apart, most of the songs were originally written and recorded earlier under the direction of Gerry Rafferty. However, Richard was unhappy with the production. The album was later revived and produced by Joe Boyd. The supporting tour was legendary with numerous on stage incidents involving Linda and Richard. I could nominate almost every track, but I will go with two here:

Wall of Death - Richard and Linda Thompson
Walking on a Wire - Richard and Linda Thompson
 
Surprised no one has yet mentioned one of the great albums of the 80s. Shoot Out the Lights was the final album from Richard and Linda Thompson as their marriage was ending. While much of the album sounds like the soundtrack of a marriage falling apart, most of the songs were originally written and recorded earlier under the direction of Gerry Rafferty. However, Richard was unhappy with the production. The album was later revived and produced by Joe Boyd. The supporting tour was legendary with numerous on stage incidents involving Linda and Richard. I could nominate almost every track, but I will go with two here:

Wall of Death - Richard and Linda Thompson
Walking on a Wire - Richard and Linda Thompson
I think we had "Wall of Death" in the playlist thread. A great song that I'd never previously heard.
 
Marc Almond is another divisive singer, what he sometimes lacked in pitch control and range he made up for in dramatic and expressive qualities and the ability to tell a story.

Offering what is imo one of the great lyrics of the 80s or any other decade for that matter, my next choice gave him an early opportunity to showcase the chansonnier approach he'd go on to use across much of his career. Underpinned by a simple but highly effective synth riff, it's starts off with a brilliantly evocative opening line and by the time he gets to...

What about me, well
I'll find someone
That's not going cheap
In the sales
A nice little housewife
Who'll give me a steady life
And won't keep going off the rails


It's more like you're listening to a sort of squalid low rent opera aria than a traditional pop song.

Soft Cell - Say Hello, Wave Goodbye
Scratch another from my original list. A great song.
 
Let me chip in with 4 very different tunes.

Les Concerts en Chine was the first LP I ever bought in my life. In 1982 I was 14. Until today it is one of my all time favourites. Have to nominate one from there, sorry.
Here goes nothing:

Five Miles Out - Mike Oldfield
O Superman - Laurie Anderson
New Gold Dream (81/82/83/84) - Simple Minds
Orient Express - Jean Michel Jarre

If I get one more please include
Telegraph Road - Dire Straits
 
Last edited:
Surprised no one has yet mentioned one of the great albums of the 80s. Shoot Out the Lights was the final album from Richard and Linda Thompson as their marriage was ending. While much of the album sounds like the soundtrack of a marriage falling apart, most of the songs were originally written and recorded earlier under the direction of Gerry Rafferty. However, Richard was unhappy with the production. The album was later revived and produced by Joe Boyd. The supporting tour was legendary with numerous on stage incidents involving Linda and Richard. I could nominate almost every track, but I will go with two here:

Wall of Death - Richard and Linda Thompson
Walking on a Wire - Richard and Linda Thompson

That's because I was saving this till my last pick so I could go on about this album at some length! When I nominated an RT album on the album thread it was at the expensive of this one and part of me still thinks I should have gone with this. I know the timing of the writing of the 6 carried over from the Rafferty sessions suggests it's not explicitly the sound of a marriage disintegrating but despite being pregnant with their third by the time of the redo it had pretty much unravelled I think? Either way it's hard not to view it as one of the most intensely personal set of songs ever committed to tape. As you say both the recording process and subsequent tour are legendary. The original effort resulted in Thompson absenting himself from proceedings and Rafferty took a pretty big financial bath on it I think? Hindsight's a great thing but it was probably not a great mixture, Rafferty was known to be meticulous and Thompson was the guy who wrote the beautiful guitar on Who Knows Where The Time Goes simply by standing there and improvising as Denny sang. It's ironic that the much cheaper recording process that they agreed with Boyd was instrumental not just in the greatness of the album but also left enough money for the tour from hell. Can you imagine singing Walking on a Wire in those circumstances, especially Linda's, the mind boggles. At the risk of sounding voyeuristic they must at one level have been incredible to have witnessed.

Not only have you nominated two tracks they are the ones along with Don't Renege on Our Love that I was mulling over which to go with. I'd probably have gone with Wall of Death but now I don't have to worry. Brilliant!

Edit: This album is a bit similar to my next nomination in the album thread in that when I first heard it I was simply too young to appreciate it. Great songs as they are, imo you really need to have experienced a certain amount of life to get the most out of them.
 
You’re going to hate my third pick

Somewhere between the breakup of ABBA and the dominance of MTV, Anni-Frid Lyngstad — Frida, to you and me — decided she’d had enough of polite pop and wanted to make a record that hit like a Tsunami. The result was the title track of her 1982 solo album (which I only have on vinyl but I do have this track on cd):

Frida: I Know There’s Something Going On

Produced by none other than Phil Collins, and engineered by Hugh Padgham, it’s as much his record as hers: a Swedish torch song wrapped in a wall of thunderous British studio trickery.

The drums that open the Russ Ballard penned track are the sound of Collins’s post-Face Value empire in full swing. The gated reverb snare hit is so huge it could topple Stonehenge. It’s less percussion and more meteorology: thunderclaps in 4/4. The groove alone whips your TARDIS back to the early ’80s. However, this is not your typical pop beat; it’s moody, cinematic, and portentously heavy, providing a perfect counterweight to Frida’s vocals, which are chillier than a Swedish winter morning.

The magnificent guitar work is supplied by none other than Collins' long-time associate Daryl Stuermer, who brings the angular, biting tone familiar from Genesis tours and Phil’s solo outings. His clipped riff cuts through the dense, echoing mix like headlights in Scandinavian fog, giving the song a hard rock edge that ABBA never dared.

Frida herself rises magnificently to the occasion. Gone is the glossy, smiling Eurovision sweetheart. This is a voice full of suspicion, sensuality, and resignation. “I know there’s something going on,” she sings, in that slightly accented English that somehow makes the line even more haunting. It’s the sound of heartbreak filtered through a cold Nordic night, human warmth struggling against the encroaching synths and drums. This is the kind of moody atmospheric track that could have gone on an 80's Genesis album.
Another Russ Ballard belter !
 
  • Like
Reactions: OB1
Let me chip in with 4 very different tunes.

Les Concerts en Chine was the first LP I ever bought in my life. In 1982 I was 14. Until today it is one of my all time favourites. Have to nominate one from there, sorry.
Here goes nothing:

Five Miles Out - Mike Oldfield
O Superman - Laurie Anderson
New Gold Dream (81/82/83/84) - Simple Minds
Orient Express - Jean Michel Jarre

If I get one more please include
Telegraph Road - Dire Straits

I'm glad someone has nominated O Superman - Laurie Anderson gets treated as a bit of a novelty one hit wonder in this country but that's bang out of order, she's an artist in the true sense of the word.

Really glad we've had a few JMJ songs through the various years too.

Honourable mention to the complete album All The Best Cowboys Have Chinese Eyes by Pete Townsend. I think it is great and like every single tune!

I'd never heard this album till yesterday when it was mentioned on the Album review thread and I gave it a whirl. It's a bit out there :-)
 
In 1982 I fell in love twice in one evening.

The bar at Portsmouth Guildhall where myself and a few friends had gone to see Depeche Mode was packed. We had just watched the support act, Blancmange, and I had been blown away. It was all I could talk about as I pushed my way through the throng desperate for the barman's attention. I had seen them before in the previous year as support for Japan but where once there was simplicity and nervousness there was now layers and confidence. They were mesmerising. We got our drinks and milled around, trying to look cool whilst arguing about the music we had just witness. It was at this moment that I glanced around and fell in love again.

She wasn't looking at me but oh did I stare. And then she looked up. It seemed that we held the gaze for hours but it was only a few seconds before she coloured slightly and carried on her conversation. My friends saw it straight away. Glancing about to see who had caught my eye. This was a usual occurrence for them but seeing as I hadn't charged over full of bravado, front and what I thought was cheeky charm they knew something was up. I remember going to the toilet, fag in hand and staring into the mirror above the hand basin. Wow. All thoughts about Blancmange had flown out of my head. I had to find her. I also had to compose myself. My hands were shaking.

Blancmange - Feel Me 12"

This was my band and they still have a place right at the very top. I've seen them, interviewed them, drank with them and made them laugh. I've sat in pubs in London next to them discussing all manner of subjects. I've learnt to be normal around them. Now it's just one of them and I think back with a smile. Their first album came out in 1982, Happy Families. I thought, and still do, that's it's a work of genius. Keeping the simple synths but adding so much more. They were different. I've picked the 12" version because of the lovely keyboard bit in the middle but it could have been any of this album.

Obviously I'd gone to the Guildhall to see Depeche Mode. They were very good as well. Excellent in fact. Dave Gahan was a fantastic front man, modelled on Bowie apparently, and the whole set was accomplished. From the previous concerts I'd seem of them they also had improved. More professional. I don't remember much about it if I'm honest as I spent most of the concert looking around. My useless mates hadn't kept an eye on where my new love had gone when I was otherwise engaged. They did for a while mill about a bit joining in the search but to no avail. I was despondent.

Depeche Mode - The Sun And The Rainfall

The last song from their first album without Vince Clarke. Going against the tide here but I still love this album. They have gone on record as saying it's their worst, but what do they know!

Was it meant to be? I once again found myself staring into a bathroom mirror. This time it was at a friends party. It was her. I have no doubt. Different hair colour, similar dress sense and two months older. The friend in question had no idea who she was, why she was at his party or why I had what seemed like a pathological interest in her. He too was a bit bemused by my weirdness. "Go and say hi", he told me like it was the easiest thing in the world. He had a big tent in the garden with his stereo system in it. This next part is burned into my brain. Someone had put on Haircut 100. This was a little weird as we were cool. We liked synths. We dressed exactly like we liked synths. I'd been to and got in to some of London's coolest clubs dressed this way. What were they thinking? As I went into the tent to sort out the music, all thoughts of the mystery girl had gone. This was far more important. But there she was. Standing next to a speaker. With one of my mates attempting to chat her up. She glanced up as I entered, obviously looking for salvation from Pete and his dull conversation.

Haircut 100 - Nobody's Fool

A non album single that came out later in the year. It's just a fun song with a fun video especially as it stars Patsy Kensit before she went down the inject everything route. The last single I think from them before dear old Nick went solo.

It turned out that she lived two miles from my house, had been at my junior school, was my age, was an artist and her name was Becka. Rebecca to her parents. She was also single and had wondered why I had legged it to the toilet at the Depeche Mode gig. We swapped numbers, home landline numbers of course, and I promised to ring sometime on the Sunday to set up a date. She left the party with friends and I danced around like a loon until the sun came up. I was in love.

During this party I was introduced to the music of Thomas Dolby. He had gone completely under my radar but I do remember buying the album, The Golden Age Of The Wireless, later on in the year. Fresh from his work on Foreigners 4 album, mainly the synths on 'Waiting For A Girl Like You', weirdly prophetic, Wireless is a stunning album.

Thomas Dolby - Windpower

Love is a weird word. We use it in so many ways that it seems to have lost a lot of it's clout in recent times. But back in 1982 I was definitely 100% in love. I rang her house that Sunday, a bit later than I had meant to but in my defence I didn't get home until around 7am and hardly slept due to thoughts about her. A gruff voice answered, politely I asked for Rebecca and then patiently waited. Yes she remembered me, yes she would meet up at a local pub on the Wednesday evening and yes I could walk her home after. And that was that. I was now in a relationship. I introduced her to my parents, my younger brother and my record collection. She did like wise. We spent many a happy hour lying on my bed listening to music. We spent many a happy hour down the pub listening to music. My friends all liked her as did my family. The summer of '82 was a blur of parties, pubs, concerts and music. All accompanied by Becka. Or Becks as she now called herself.

The next song on the list is because of my younger Brother and his tastes. B-Movie were another band that had passed me by. He loved them. I thought they sounded a little too raw for my tastes but in 1982 they re-released this song and the 12" is a doozy.

B-Movie - Nowhere Girl 12"

I had started to call her Becky. She didn't mind I don't think. She had also started to stay over. Bliss. We decided to decorate my bedroom and over the course of a weekend the Happy Families album cover appeared on my wall. It was a work of beauty. It was still love. And then...

I fucked it up. I won't go into too much detail but let's just say a toga party, lots of alcohol and a very willing young blonde girl meant it had all gone to pot. She had come round when I wasn't at home to remove her stuff and my family called me all sorts of names. My Brother sniggered. Her Dad wouldn't pass on my messages. I was distraught. The next few songs on the list are probably due to this time and the way my brain was thinking but if I'm honest I moved on pretty quickly. The nature of youth I suppose.

When Vince Clarke left Depeche Mode after one album citing musical differences no one could predict the fantastic album he produced with another old school friend, Allison Moyet. the marriage of his synth skills and her stunning voice worked. Beautifully. Recorded in the same building as Depeche Mode's album, but in an extension, hence 'Upstairs At Erics'. Eric being the producer.

Yazoo - Don't Go

We've touched on the next band in the previous year but in 1982 they released a fantastic album called 'The Luxury Gap'. Heaven 17, named after a band on a list in the bar scene in A Clockwork Orange, had moved on from their angry and political first offering into something a lot more polished. It's a great album from the paving slab sample in 'Crushed By The Wheels' to the massive hit 'Temptation', but I'm going for Martyn Ware's favourite song. A great live band now, they never really toured in the 80's after having their fingers burnt with The Human League.

Heaven 17 - Let Me Go

This next song and the album it comes from was one of mine and Rebecca's favourites. The album, 'The Lexicon Of Love' is still a favourite today. Trevor Horn's finest work as a producer is full of stunningly arranged tunes with Martin Fry's lovely voice draped over the top. To be honest I could pick any song from this album but I'm going with...

ABC - All Of My Heart

A few years ago, Ultravox reformed and started to play a few gigs. After a chat with some old mates, Uni, College and home village a few of us decided to re-visit Portsmouth Guildhall for one of their concerts. Obviously I've moved on since those heady early 80's days including geographically but it was the first time I'd returned to the venue since Rebecca. It, like my mates, had changed. The venue for the better but the rest of us? It still held a lot of memories and although completely remodelled I could almost picture my younger self and where we first almost met. A lot of ghosts in there that's for sure. Ultravox were excellent though and we all had a lovely time. The next song is from their 1982 album, Quartet, another offering that had more polish than previous efforts.

Ultravox - Visions In Blue

And now I'm chucking in a "Becky Wildcard". The next band I always though of as posers, reliant on videos, MTV was around the corner in Britain but starting to pick up pace in America, and style over substance. A band who took their name from the film Barbarella. She loved them, said they were proper musicians and would abuse my record player with them regularly. I didn't want to tell her that I'd seen them in a pub in London in '81 but was too pissed to remember much of it. I can't say that I've grown to love them over the subsequent years but I do admit that they were ok...! For some reason I do like the last song on my list. It's sort of dreamy and has a nice bass line.

Duran Duran - Save A Prayer

And what of Rebecca now? We've spoken, even met up when I was in her area a few years ago. She's still beautiful, I'm still an idiot but we chatted, had a few laughs about how young we were and how 1982 will always be 'our year'. And yes, also about what a twat I was. I found out I did break her heart which wasn't nice to hear.

Still...young love eh?

What a brilliant write up that is mate, it does go without saying but these songs are generally the soundtrack to your teen years when you really get into music. As ever, music and love are normally very intertwined!

I'll be honest, I was really hoping the last line was going to be something like '... and after all these years, me and Becky are still together and went to see Depeche Mode last week...'
 
My picks are related, Michael McDonald who transformed the Doobie Brothers sound
was also in Steely Dan for a while and in the Super Group The Dukes Of September.His debut solo album is the best of his output in my opinion and I love a break up record.
‘I KEEP FORGETTIN’

Michael McDonald has a voice to die for doesn't he? And he can play as well - soul, funk, whatever. Seen him at the Apollo with his own band just before lockdown and a couple of months ago at the Coop with the rest of the Doobies. What a band they are and what a muscian he is.

I Keep Forgettin is an absolute classic.

My next pick is of course Donald Fagan from his debut solo album ‘The Nightfly’
which I consider as good as anything SD released.
I could have picked any track but this was the first one I heard.
‘International Geophysical Year’ or I.G.Y to the rest of us.

Funnily enough, I was going to nominate this on the Album Review Club thread next ha ha! I love this album and I'd agree with you that it's as good as anything SD did. It's a great album.
 
My first nomination is a bit of a cheat one, but this song absolutely transfixed me at the time. As I said in 1981, I'd just got a telescope and Joan Of Arc by OMD just sounded so futuristic - to a young boy it was 'moon music' as me and my Dad would spend ages trying to get this cheap telescope trained on the moon when it wasn't cloudy in winter! :)

Above Joan Of Arc, this song sounded like Mars music. It sounded like nothing else I'd heard, so modern, sleek and futuristic. It was written in the 70s but got into the UK charts in 1982. Everytime I hear it, I can still picture that 'scope and trying to record this song when it was (rarely) played on the radio on the Boots tape recorder that we got for the ZX Spectrum that year! Incidentally, for many people this was the first introduction to home computers. I can still hear my Dad trying to get it to play something crap like the national anthem with BEEP commands :D

Kraftwerk - The Model

The next song I think is probably the best this band did. Considering English isn't their first language, they do an incredible job on this song and it goes without saying it's brilliant:

ABBA - The Day Before You Came

Whilst I do love the write ups, I do think we're tending to focus on particular genres - nothing wrong with that at all - but in the context of the history of rock n roll, rap has barely featured really. It's a growing musical form and in the early days I love the positive messages and, again, it just sounded completely different to anything else.

Grandmaster Flash - The Message

My last one is an album nomination. This album is absolutely superb and features a musician who can play several styles, write brilliant songs and this album is just superb. Every track on it is great and as a whole it works really well. The album is about his experience of moving to New York in the early 80s and somehow manages to blend a touch of punk, latino, electronic, ballad, funk and make it sound like it's absolutely normal. One of my favourite moments on the album is the way it goes from Target to Steppin' Out to Breaking Us In Two.

I honestly would love to have put Joe Jackson and Donald Fagen on stage this year to do a 'play off' for the best album! :)

Joe Jackson - Night And Day (Steppin' Out)

As you probably know, I do like to look back and I generally look at the music from 10-15 years ago. In 1982 the music is starting to sound alien to the music of 1968. Synths are coming in, rap is coming in but - still - I am hearing melodic songs. Even in rap songs like The Message, it's got hooks, riffs and it's melodic. It goes without saying that Abba are masters of melody but even the electronic sounds of Kraftwerk are melodic and still have a very human/organic sound to them.

So much has happened since 1968 - the birth of Heavy Metal, Glam Rock, Prog Rock, Disco, Punk and now we've arrived at the dawn of the synthesizer and in the hands of the masters it's going to transform how music sounds and how songs are created and recorded.

One thing I do think though is that the era of the Great Albums is drying up maybe. The singles are brilliant and I love the variety of brilliant singles, but it's harder to start picking out albums which are going to change how music sounds. Even in 1982, I can't think of any album in the last 10 years that would challenge Sgt Pepper, Pet Sounds, Revolver etc. Back then it seemed every year there was an album that would rip up the norm and change things!
 
If I get one more please include
Telegraph Road - Dire Straits
Given I'm adding them and this was on my shortlist, we'll count it as 4.5 as it goes in.
One of my favourite moments on the album is the way it goes from Target to Steppin' Out to Breaking Us In Two.

I honestly would love to have put Joe Jackson and Donald Fagen on stage this year to do a 'play off' for the best album! :)

Joe Jackson - Night And Day (Steppin' Out)
This selection is really just tough to beat, and I concur on the song transitions you mention. Just some great iconic music from that year, and a like on both without mentioning them wasn't enough. In fact, I like the transition into my next pick...
 
1982 was the year of my first concert.

October 20 at the Spectrum in Philly PA. It wasn't row 7 like what @OB1 described from his 1981 experience in seeing this band, but I do remember it to this day. It was up in the cheap seats in the second level, and I didn't care, I was in and seeing a great live show for the first time, with my best friend who I would see many shows with during our high school years, and because of transportation needs, my father.

I can't say he liked it much, but I think that is one of the important musical memories I have that he was involved with, so I'm appreciative of that and it would still be a few months until I had my drivers' license that opened up all kinds of concerts to see.

The opening band? Can't say I remember them, at all, but I did do some research about that night and came across this to "read more about it" from Joe Whiting and the Bandit Band, which OB1 might like:


This would be the only time I ever saw this band and their classic lineup, and I'm in a way glad they're a "single show" memory for me. While I was very much into them at the time, my musical tastes have changed, and I don't think some of their material has stood the test of time in my go-to-listening from this period like other bands I still enjoy today. But, when I think back on that fall night in 1982, I still remember how they rocked, drank, danced, and commanded the stage and put on a show unlike many bands I've seen since. Those backing vocals are distinct on this track, and while the guitars may be "little", I'll always remember it as big:

Little Guitars (including the intro) - Van Halen
 
Last edited:
My first nomination is a bit of a cheat one, but this song absolutely transfixed me at the time. As I said in 1981, I'd just got a telescope and Joan Of Arc by OMD just sounded so futuristic - to a young boy it was 'moon music' as me and my Dad would spend ages trying to get this cheap telescope trained on the moon when it wasn't cloudy in winter! :)

Above Joan Of Arc, this song sounded like Mars music. It sounded like nothing else I'd heard, so modern, sleek and futuristic. It was written in the 70s but got into the UK charts in 1982. Everytime I hear it, I can still picture that 'scope and trying to record this song when it was (rarely) played on the radio on the Boots tape recorder that we got for the ZX Spectrum that year! Incidentally, for many people this was the first introduction to home computers. I can still hear my Dad trying to get it to play something crap like the national anthem with BEEP commands :D

Kraftwerk - The Model

The next song I think is probably the best this band did. Considering English isn't their first language, they do an incredible job on this song and it goes without saying it's brilliant:

ABBA - The Day Before You Came

Whilst I do love the write ups, I do think we're tending to focus on particular genres - nothing wrong with that at all - but in the context of the history of rock n roll, rap has barely featured really. It's a growing musical form and in the early days I love the positive messages and, again, it just sounded completely different to anything else.

Grandmaster Flash - The Message

My last one is an album nomination. This album is absolutely superb and features a musician who can play several styles, write brilliant songs and this album is just superb. Every track on it is great and as a whole it works really well. The album is about his experience of moving to New York in the early 80s and somehow manages to blend a touch of punk, latino, electronic, ballad, funk and make it sound like it's absolutely normal. One of my favourite moments on the album is the way it goes from Target to Steppin' Out to Breaking Us In Two.

I honestly would love to have put Joe Jackson and Donald Fagen on stage this year to do a 'play off' for the best album! :)

Joe Jackson - Night And Day (Steppin' Out)

As you probably know, I do like to look back and I generally look at the music from 10-15 years ago. In 1982 the music is starting to sound alien to the music of 1968. Synths are coming in, rap is coming in but - still - I am hearing melodic songs. Even in rap songs like The Message, it's got hooks, riffs and it's melodic. It goes without saying that Abba are masters of melody but even the electronic sounds of Kraftwerk are melodic and still have a very human/organic sound to them.

So much has happened since 1968 - the birth of Heavy Metal, Glam Rock, Prog Rock, Disco, Punk and now we've arrived at the dawn of the synthesizer and in the hands of the masters it's going to transform how music sounds and how songs are created and recorded.

One thing I do think though is that the era of the Great Albums is drying up maybe. The singles are brilliant and I love the variety of brilliant singles, but it's harder to start picking out albums which are going to change how music sounds. Even in 1982, I can't think of any album in the last 10 years that would challenge Sgt Pepper, Pet Sounds, Revolver etc. Back then it seemed every year there was an album that would rip up the norm and change things!
Great choices! If you read up a bit we sort of chat about ABBA and The Day Before You Came. The Joe Jackson song is a doozy and was on my...add it on later list!

Also nice that someone added The Message. Grandmaster Flash was sort of helped along the way by Debbie Harry.
 
The Message had to go on. One of the pivotal records in Hip Hop history.
Much more successful in the UK than the US.

I put Falling and Laughing by this band on a different music thread so will go for a much bigger hit and still a good song if slightly over familiar.

Orange Juice - Rip It Up
 
The Message had to go on. One of the pivotal records in Hip Hop history.
Much more successful in the UK than the US.

I put Falling and Laughing by this band on a different music thread so will go for a much bigger hit and still a good song if slightly over familiar.

Orange Juice - Rip It Up

This year is working out very well for my longlist getting into the playlist without having to beg for coda additions. The first big song to use the Roland 303 bass synth. Unsurprisingly it never displaced the bass guitar as some (strange) people thought it would; in fact I think it died on its arse commercially. But it did leave us with some iconic tracks using that big fat bubbling sound and House music wouldn't have sounded the same without it.

I know the accessibility of music technology these days has some drawbacks, you probably need a super computer to calculate the amount of low quality Trap that Ableton has enabled on streaming services, but on the upside you can buy a very plausible Behringer clone of the 303 for £90 ! The price of a round of drinks in London to make those kinds of sounds in the comfort of your own home is frankly amazing. As long as you don't then inflict your noodling on the outside world of course!

Agree The Message is essential to this playlist too.
 
This year is working out very well for my longlist getting into the playlist without having to beg for coda additions. The first big song to use the Roland 303 bass synth. Unsurprisingly it never displaced the bass guitar as some (strange) people thought it would; in fact I think it died on its arse commercially. But it did leave us with some iconic tracks using that big fat bubbling sound and House music wouldn't have sounded the same without it.

I know the accessibility of music technology these days has some drawbacks, you probably need a super computer to calculate the amount of low quality Trap that Ableton has enabled on streaming services, but on the upside you can buy a very plausible Behringer clone of the 303 for £90 ! The price of a round of drinks in London to make those kinds of sounds in the comfort of your own home is frankly amazing. As long as you don't then inflict your noodling on the outside world of course!

Agree The Message is essential to this playlist too.
The question is is there any other out and out genres of music left to cover after Hip Hop or are they just sub genres?
You could talk about electronics but we are talking about mid 70s there.
 
The question is is there any other out and out genres of music left to cover after Hip Hop or are they just sub genres?
You could talk about electronics but we are talking about mid 70s there.

I think 'out and out' is the key here. Pretty much now EDM is beginning to split into all sorts of, what aficionados would call, genres. But most of us on here, myself included, would struggle to recognise some of the differences or would at least call them sub-genres at max. Don't think we've picked up on 'important' tracks like Riot in Lagos so far so suspect it's a bit of a blind spot for most of us.

I'm looking forward to the Hip Hop discussion because it's going to be quite robust I suspect.

On the electronics side, though the Synclavier and Fairlight had both been around for a while we're about to move into the rise of the mainstream digital synth but celebrating that would be like celebrating the rise of Barry Manilow.

Actually scratch that, I'd rather be locked in a room with Mandy on repeat than a continuous feed of E.Piano 1 :-)
 
Last edited:

Don't have an account? Register now and see fewer ads!

SIGN UP
Back
Top