Rock Evolution – The History of Rock & Roll - 1985 - (page 203)

I thought Gordon Lightfoot had frozen the bar when it came to the Songbook with Canadian Railroad Trilogy until it was trumped by The Wreck of the Edmund Fitzgerald by none other than the man himself in C major.

The story is captivating enough to ensure you want to dig deeper into life on the Great Lakes despite its tale of despair and helplessness.

Add some drum fill so well crafted that you realize too late there is no transition and the combination of moog and pedal that is simply spell bounding.

No one I have heard tells a story quite like Gordon Lightfoot does to music and if I had to pick one song from 1976 amongst the many that should be on the playlist some of which already are it is this one.

The Wreck of the Edmund Fitzgerald - Gordon Lightfoot
 
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Normally when that phrase is bandied about people are referring to one of Cohen, Dylan or Mitchell. Hejira is from '76 I think?

Edit: but Doogle has mentioned Warren Zevon and it's the kind of thing someone must have said about him?
As always your first point of call is on the money and if you dug deeper you would have hit pay dirt TS.
 
As always your first point of call is on the money and if you dug deeper you would have hit pay dirt TS.

Who said it about him someone like Dylan or Robertson I assume? Whoever, they're not wrong. Not sure but this might be only his second appearance on the thread, which is a bit outrageous really. I don't remember anything from Sundown making the cut in '74?
 
Who said it about him someone like Dylan or Robertson I assume? Whoever, they're not wrong. Not sure but this might be only his second appearance on the thread, which is a bit outrageous really. I don't remember anything from Sundown making the cut in '74?
Can you do me a favour mate and put Y&T's Earthshaker on the Spotify list and not whatever you stuck on there?
 
Can you do me a favour mate and put Y&T's Earthshaker on the Spotify list and not whatever you stuck on there?

oh yeah it's japanese metal ! - sorry not sure how I did that!

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@BimboBob as far as I can see their debut album isn't on Spotify, thought it might be to do with the name change but maybe it's to do with the change of label rather than name? Unless you know it's defo on there, in which case ping me a link so I can add plse.
 
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oh yeah it's japanese metal ! - sorry not sure how I did that!

edit:

@BimboBob as far as I can see their debut album isn't on Spotify, thought it might be to do with the name change but maybe it's to do with the change of label rather than name? Unless you know it's defo on there, in which case ping me a link so I can add plse.
No idea. I don't use Spotify! Y&T might work?
 
There is an obvious quality to that first Boston album that I would have to be daft to discount irrespective of how much I instinctively like that type of music. Some albums have bland origin stories and others have interesting ones, if you like music technology then Boston's debut album is really really interesting, there's enough there for an entertainingly geeky book. The layering of the guitars and the overdubbing in general was at the level of obsession, before you even get into the whole inventing his own equipment malarkey. Though I have no musical talent whatsoever I get the concept of chasing the perfect sound and he really went for it. I think he made more money from the albums than he did the gear but he did sell the gear company to Dunlop I think so he probably did alright with it!

I was really relying on you to get something in from Rainbow Rising but I'll await your choices with interest !
Might depend on whether you let me add some at the end after most picks are done.

There’s so much music I love from 1976. I’m not sure why I didn’t put my name down for 1976 unless you had beaten me to it. I could easily list a 100 tracks, with very few tracks being by the same artist.

I know what my first pick will be. Need some words to go with it.
 
No idea. I don't use Spotify! Y&T might work?

Think you're out of luck mate, don't reckon either of their London Records albums are on the streaming platforms, admittedly haven't looked at Tidal.

Best give us another nomination.
 
Might depend on whether you let me add some at the end after most picks are done.

There’s so much music I love from 1976. I’m not sure why I didn’t put my name down for 1976 unless you had beaten me to it. I could easily list a 100 tracks, with very few tracks being by the same artist.

I know what my first pick will be. Need some words to go with it.
4. That's it!
 
I know there were ups and owns in my life in 1976 but most of what sticks in my memory is the good stuff (first successful visit to Wembley, the summer weather), oh and that it was my O-Levels year. The soundtrack to my revision was Alive! by Kiss, who I saw for the first time in May.

My first song pick is not Kiss though. We need to go to the end of a rather good year to find the inspiration for this pick, Christmas Day to be precise. As he has done for the last 50 years, Santa deposited a generous helping of albums by his part eaten mince pie next to the hearth place. 1976’s delivery provided me with quite simply the greatest listening experience I can recall. Prior to being called for Christmas lunch, which was well past lunchtime of course, I put my headphones on and played three albums back-to-back, two of them double lives. All of them records that I put on my Xmas list without having heard a note by any of the bands, trusting in favoured Sounds jounos’ reviews.

One of these albums was Lynyrd Skynyrd’s “One More From the Road”, one of the great live albums and my first listen to tracks like Sweet Home Alabama and the monster that is Freebird. But I am not picking a track from that wonderful record. I am not selecting one from the other double live; at least not the live version, although I was tempted but that would deny listeners the pleasure of a full five minutes of tremendous music. To say I was left in stunned disbelief at what I was hearing on the second album would be an understatement. The album was an import because the band in question had never had a record released in the UK – how could that be case when the band were so good!?

The band of course was the musical equivalent of a Marmite sandwich Rush, who were about to become the biggest cult act in the UK. The album “All the World’s A Stage”, which remains my favourite Rush album. Earlier in ’76, Rush had released their fourth and most pivotal album: 2112 and it is the 20 minute title track that I am making my first pick.

The track is divided into seven parts and tells a dystopian tale set in 2112, where people are under the rule of the Priests of the Temples of Syrinx, who suppress individuality. The protagonist discovers an ancient guitar, learns how to play it, and experiences the joy of music. He presents it to the Priests, hoping to enrich society, but they reject and destroy it, viewing it as a relic. His resulting despair leads him to end his life.

It’s a simple story inspired by Libertarian Ayn Rand, a Russian-American writer, and her novella Anthem, which emphasises individualism against collectivism. Drummer and lyricist Neil Peart was heavily influenced by Rand.
Rand's Objectivism has been polarising, with some viewing it as promoting selfishness, while others see it as a defence of personal freedom. This led to debates, such as Barry Miles in NME accusing Rush of fascism, which Geddy Lee, whose parents were Holocaust survivors, defended as an "anti-totalitarian, anti-fascist story".

Many critics praised its musicianship and innovative storytelling, with Rolling Stone calling it "their most extreme, grandiose and Rush-like record, and thus their greatest.

The studio album that was part of the trio that knocked my sox off will be the source of my next pick.
 
The band of course was the musical equivalent of a Marmite sandwich Rush, who were about to become the biggest cult act in the UK. The album “All the World’s A Stage”, which remains my favourite Rush album. Earlier in ’76, Rush had released their fourth and most pivotal album: 2112 and it is the 20 minute title track that I am making my first pick.

The track is divided into seven parts and tells a dystopian tale set in 2112, where people are under the rule of the Priests of the Temples of Syrinx, who suppress individuality. The protagonist discovers an ancient guitar, learns how to play it, and experiences the joy of music. He presents it to the Priests, hoping to enrich society, but they reject and destroy it, viewing it as a relic. His resulting despair leads him to end his life.

It’s a simple story inspired by Libertarian Ayn Rand, a Russian-American writer, and her novella Anthem, which emphasises individualism against collectivism. Drummer and lyricist Neil Peart was heavily influenced by Rand.
Rand's Objectivism has been polarising, with some viewing it as promoting selfishness, while others see it as a defence of personal freedom. This led to debates, such as Barry Miles in NME accusing Rush of fascism, which Geddy Lee, whose parents were Holocaust survivors, defended as an "anti-totalitarian, anti-fascist story".

Many critics praised its musicianship and innovative storytelling, with Rolling Stone calling it "their most extreme, grandiose and Rush-like record, and thus their greatest.

The studio album that was part of the trio that knocked my sox off will be the source of my next pick.
I was about to send a shout out to @Blue2112 that he might want to soon jump in, but you've covered this track well. I held out yesterday and now I have a clear path with at least the album for tonight narrowed down.
 
And finally, for now, a song that needs no introduction, because it’s got one of the best in music history, and deserves a place on the playlist. It’s also got a classic outro as well.

“Hotel California” - Eagles

“They stab it with their steely knives, but they just can't kill the beast”

Hmm, what or who were the Eagles referencing in this lyric in that song? Perhaps another band with the same manager?

Like the Neil Young and Lynyrd Skynyrd back and forth song jabs over albums, this one was a little more veiled.

Steel Dan had gone first in the song "Everything You Did" where the line "Turn up the Eagles, the neighbors are listening" was referencing a real-life argument between Walter Becker and his girlfriend, who was an Eagles fan. Eagles had replied back with this playful jab in "Hotel California".

And speaking of Steely Dan, in 1976 they released their guitar masterpiece and my favourite "all killer, no filler" album that to this day is my top choice of all they've produced over the years.

It was very hard to pick just one here, as the album really is a start-to-finish listening experience. The jazz and rock fusion album is on full display on this release. "Kid Charlemagne" was the big hit, and "Haitian Divorce" had the distinct talk box guitar played by Dean Parks. Two amazing songs in their own right. Add in that opening scorching guitar in "Don't Take Me Alive" and the highly underrated jazzy "The Caves Of Altamira" with its lyrical genius historical context. "Green Earrings" too, another jazz/rock blend masterpiece.

But to top them for me is the album title song, so I'll again for my 2nd straight nomination go with that. Not a single or a hit, but an FM rock staple, this might be my favourite song of theirs, but even that changes over time. But however it might change, this album remains tops for me. Those horn arrangements in this song are so distinct, especially the trombone that really compliments the guitar riffs.

The song tells the story of a group of immigrants who travel to NYC seeking opportunity, but instead encounter exploitation and hardship. The song critiques the harsh realities of the American Dream, particularly for those facing poverty and discrimination.

Now the tale is told by the old man back home he reads the letter
How they paid in gold just to babble in the back room all night and waste their time


The album cover features an image of a man in a suit sleeping on a bus stop bench dreaming of skyscrapers with monstrous animal heads at the top. Larry Zox originally created the painting of the skyscraper/beast hybrids for an unreleased Van Morrison album, and designer Ed Caraeff suggested superimposing a photograph of a sleeping vagrant taken by Charlie Ganse to make the cover.

And oh, for one last Eagles reference, then Poco member and future Eagle Timothy B Schmit sings background vocals on this song. From the theme of "Flight"...

"The Royal Scam" - Steely Dan

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