At the moment, I am reading Ali Rizvi's
The Atheist Muslim: a Journey from Religion to Reason.
Rizvi aligns himself with New Atheist authors like Richard Dawkins and Christopher Hitchens, and comedians like Bill Maher who is sharply and amusingly critical of faith in general.
My reason for making this post is because some of Rizvi's thinking is at least indirectly relevant to comments made in this thread.
For example, he takes the line that there is a difference between legitimate criticism of the beliefs that go to make up the faith (like any other ideological system they should be subjected to that process) and criticisms of Muslims themselves that amount to nothing more than 'anti-Muslim bigotry' e.g. all Muslims are closet terrorist sympathizers, moderate Muslims are just extremists in disguise.
From page 135 (the original statements are also italicized):
It is more important now than ever to challenge and criticize the doctrine of Islam.
And it is more important now than ever to protect and defend the rights of Muslims.
From page 137:
'Again, it is crucial to emphasize the difference between criticism of Islam and anti-Muslim bigotry. The first targets an ideology. The second targets human beings. This is an obvious, significant distinction, yet both are frequently lumped together under the unfortunate, reductive umbrella term' Islamaphobia'.
Rizvi is also critical of what he calls the 'Regressive Left' 'who have conflated protecting the rights of Muslims to believe what they want with protecting the beliefs themselves. This, in turn, empowers Islamists and despots who wish to perpetuate the beliefs that need to be criticized. They can continue to operate by labelling their critics as Islamaphobes.
One thing that I didn't know is that New Atheist literature is popular in Muslim countries. Unofficial translations of
The God Delusion (and presumably
God is not Great) get circulated under the radar and are appreciated because if their readers spoke out like Dawkins and Hitchens they might end of getting arrested or even murdered.
In the section that I have just started to read, Rizvi is attacking Dustin Hoffman lookalike and former brain munching US celebrity Muslim Reza Aslan's claim that, 'People don't derive their their values from their religion - they bring their values to their religion...Two individuals can look at the exact same text and come away with radically different interpretations. Those interpretations have nothing to do with the text.'
Full interview here:
https://www.thecut.com/2014/10/reza-aslan-on-what-the-new-atheists-get-wrong.html
And this explains the manner in which I introduced him.
https://www.dailymail.co.uk/news/article-4296404/CNN-presenter-Reza-Aslan-eats-HUMAN-BRAIN.html
Rizvi sees Aslan as an 'apologist' and thinks that he is being disingenuous to claim that actions like stoning adulterers, killing apostates, making sex slaves out of Yazidi women, and perpetrating utterly horrendous acts like the Sri Lanka bombings have nothing to do with the text itself.
Even though Rizvi's claim resonated with me right away, I am still mulling this over. My concern is that Rizvi might be too quick to dismiss Muslims who read contentious passages more liberally as apologists, as we saw with Aslan above. I am unhappy with that approach when it comes to well-known academics like Khaled Abou El Fadl, Asma Afsaruddin, and Tariq Ramadan. You guys may not have heard of them but they are - from what I can tell - trying to drag Islam into the 21st Century, and I suspect that this project might be more successful than that of Dawkins and Hitchens' aim of producing a religion-free world.
Of course, maybe what those Muslim academics are doing what the Islamists do: they have decided in advance what their attitudes are and seek to make the text conform to those preconceptions, which is actually what I understand Aslan to be claiming (though I haven't read the full interview yet).
One last thing: to define a faith primarily in terms of its sacred writings as Rizvi wants to is also possibly an error, one that the cover of this book seems to be drawing attention to:
That's two taboos challenged right there (the one about the representation of human figures and the one about drinking alcohol). This is not well-known but alcohol was and still is widely drunk in Islamic societies in spite of the Qur'an prohibiting this practice. The well-known 'wine poetry' of Abu Nuwas (who was a Muslim hellraiser not unlike Shane Macgowan and also famously bisexual) provides some evidence for this.
Anyway, apologies for going on a bit.