C'mon OB, that's rubbish. He left at the height of their success, after making Close To The Edge, 1, because of clashing personalities between band members (a hallmark of Yes) and 2 he loved King Crimson and he wanted to play more Jazz influenced music, he loved King Crimson's music and R Fripp offered him a job as their drummer.
He's retired now btw.
For me BB was one one of Rocks most outstanding drummers, (Fog mentioned Copeland, and I agree).
He introduced intricate rhythms into Yes's complicated brand of music. He listened to a lot of Jazz and eventually created his own band playing Jazz/Rock fusion. Earthworks,,,,Brilliant stuff.
Alan White was a good competent drummer with Yes up to his death but they were denuded without Brufford. You could hear the difference when they played the older stuff with Alan. I really don't understand how Bill has zero drumming personality.
I'm not saying Bill is the easiest guy in the world (most genius's aren't) but to accuse him of thinking himself "too good" for Yes is unfair.
Ten years into his post-drumming life, the percussion legend reflects on playing with British prog's holy trinity, making the jump to jazz with Earthworks, and more
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