OB1
Well-Known Member
Hejira is the Arabic word for departure. She wrote the songs on a series of road trips apparently.
This one takes Joni in new direction again. The music flows endlessly, driven by the fretless bass of Jaco Pastorius who's a great companion on this record. Her voice sounds more mature and the lyrics are phenomenal.
I've always loved the vibe of this album, even the album cover is sublime.
Of course Joni is a master of lyrics, like Bob Dylan she meanders into otherworldliness and her melodies do seemingly the same.
Lovely poignant songs like "Amelia" ....Mitchell has commented on the origins of the song: "I was thinking of Amelia Earhart and addressing it from one solo pilot to another... sort of reflecting on the cost of being a woman and having something you must do."
Joni Mitchell complained to a friend that she disliked the bass players she’d tried to record with to date, describing them as placing “white picket fences” through her music, leading to her sometimes erasing them from her recordings.
She’s accompanied by Weather Report bass player Jaco Pastorius, who’s a notable new collaborator – his busy lines would be an important part of her output in the second half of the 1970s.
Taking the Jazz feeling further not so long after Hejira she would add that other Jazz virtuoso guitarist Pat Metheny to her band. Pity he wasn't on this album.
Jaco's fretless playing on the title track is sublime. As on "Black Crow" where he adds a funk touch, mixing genre's (nothing wrong with that).
Blue Motel Room is a nice intro to smooth Jazz for anyone who's not familiar. It swings, slowly.
Enough talk, just listen and soak in that wonderful poetic laid back vibe.
As mentioned before I give it 10/10. A true work of art.
Larry Carlton plays guitar on the album; he's no slouch.