Saddleworth2
Well-Known Member
- Joined
- 27 Jan 2014
- Messages
- 21,651
This is all so, so, Bohemian!
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an alternative browser.
You should upgrade or use an alternative browser.
The Album Review Club - Week #145 - (page 1923) - Tellin' Stories - The Charlatans
- Thread starter RobMCFC
- Start date
Onholiday(somemightsay)
Well-Known Member
What a write up that is - outstanding............Had a really tough time choosing which album to review and after much though finally decided on a change of pace and genre and we’re going to be having some classical music. My choice is:
Bedřich Smetana - Má Vlast (My Homeland)
Despite not being as well known internationally as compatriot Dvořák, he is the most revered composer in his homeland and his composition Má Vlast is regarded by many as both his greatest work and the unofficial national anthem of the Czech Republic. What makes it an even more remarkable piece of work is that the majority of it was composed after he was completely deaf.
Má Vlast is a set of 6 symphonic poems composed between 1874 and 1879. These poems were set around the time of the Czech National revival, a cultural movement aiming the bring the Czech language and culture back to life after 200 years of Germanisation under Austro-Hungarian rule. As such it is considered a patriotic and nationalistic work. These 6 poems were originally composed individually and given their own premieres but were always designed to be played together as a series alternating between historical/mythological narrative and musical interpretations of prominent natural features, all the while celebrating his native Bohemia.
The 6 poems are:
Vyšehrad (High Castle) - The place where the Bohemian court flourished in the 8th century. A dreamy piece about the past. Sets the 4-note motif that crops up regularly in the other poems. O The harps of the seers begin; fortune tellers singing of goings on at Vyšehrad - fame, brilliance, tournaments, fights - up until the final decline and ruins. The song ends in an elegant tone of regret at the present ruin.
Vltava - Probably the most popular of the 6 movements and often played on its own in ‘best of’ concerts. It paints a portrait of Bohemia’s mighty river from its source (flutes and clarinets) as it winds its way through the country (strings) passing groves and meadows. Sometimes swift and shallow, sometimes deep and slow with the light of the sun flickering upon it (pizzicato). Along the way we hear hunting horns, wedding dances, merry feasts, and foaming rapids, finally disappearing into the Elbe.
Šárka - After the depiction of history and nature we move on to the legend of wild and passionate Šárka. A tale of love, betrayal, rage and revenge.
Z českých luhu a haju (From Bohemia's woods and fields) - Following the violence of Šárka, Smetana paints a pastoral portrait, celebrating the beauty of nature on a warm Summer’s day. At times cheerful, at times melancholic. The fugato of the strings represents the rustling of the wind in the grass and we hear hints of songs and polkas as they drift over the wide open countryside.
Tábor - A portrait of the Hussite warriors of the 15 century who set up their stronghold at the town of Tábor, which they were prepared to defend to their deaths. It conjures up imagery of their prayers, preparations for battle, glory and praise from their victories and sadness after their ultimate defeat.
Blaník - Blaník takes over from where Tabor left off, The Hussite heroes are now at peace under the mountain of Blaník, deep in sleep, always ready and waiting to come to the rescue of Bohemia in her time of need and led by St Wenceslas. A poem about hope for the future and a fitting way to end the work. Both Tábor and Blaník draw heavily from the Hussite hymn ‘Who are you, God’s warriors’.
The Czech Republic is the place I have always felt most at home and I am very passionate about all aspects of Czech culture, life and language. Consequently, it is a piece of work that is very important to me and I listen to it usually at least once a month. I love to put on my headphones, close my eyes and let the glorious magic of the music conjure up its own images. That’s how I would recommend listening to it if you can.
Classical music has always been my favourite and makes up probably 90% of my collection. I do realise that it isn’t to everybody’s tastes and that it isn’t likely to fare well in the scoring takes but I hope that you will all find it pleasant enough for at least one full listen and that it brings you some of the pleasure that it has given me.
Of course there are many variations with different composers and orchestras. I would personally recommend Václav Talich conducting the Czech Philharmonic but as that is a 1954 recording (I think), the sound might not be as good as a more modern recording. For a more modern rendering, Jakub Hrůša conducting the Bamberg Symphony orchestra is very nice.
Sorry for the ramble!
Onholiday(somemightsay)
Well-Known Member
You may want to sidestep next week's pick......... ;-)Wow, what a great write up.
This thread never disappoints, can't wait to get stuck into this, although I'm in no position to judge it, given my limited knowledge of classical music.
Just good to see a total change of genre for us all to experience, and for that I applaud you mate.
As I suspect, will many ;-) xYou may want to sidestep next week's pick......... ;-)
Onholiday(somemightsay)
Well-Known Member
Dave Crosby it is then.............. :-)As I suspect, will many ;-) x
Saddleworth2
Well-Known Member
- Joined
- 27 Jan 2014
- Messages
- 21,651
Class write up. I shall devote a few hours to this one. I have never heard of this composer although I know Dvorak quite well and like his work. I feel this is exactly what this thread is for.Had a really tough time choosing which album to review and after much though finally decided on a change of pace and genre and we’re going to be having some classical music. My choice is:
Bedřich Smetana - Má Vlast (My Homeland)
Despite not being as well known internationally as compatriot Dvořák, he is the most revered composer in his homeland and his composition Má Vlast is regarded by many as both his greatest work and the unofficial national anthem of the Czech Republic. What makes it an even more remarkable piece of work is that the majority of it was composed after he was completely deaf.
Má Vlast is a set of 6 symphonic poems composed between 1874 and 1879. These poems were set around the time of the Czech National revival, a cultural movement aiming to bring the Czech language and culture back to life after 200 years of Germanisation under Austro-Hungarian rule. As such it is considered a patriotic and nationalistic work. These 6 poems were originally composed individually and given their own premieres but were always designed to be played together as a series alternating between historical/mythological narrative and musical interpretations of prominent natural features, all the while celebrating his native Bohemia.
The 6 poems are:
Vyšehrad (High Castle) - The place where the Bohemian court flourished in the 8th century. A dreamy piece about the past. Sets the 4-note motif that crops up regularly in the other poems. O The harps of the seers begin; fortune tellers singing of goings on at Vyšehrad - fame, brilliance, tournaments, fights - up until the final decline and ruins. The song ends in an elegant tone of regret at the present ruin.
Vltava - Probably the most popular of the 6 movements and often played on its own in ‘best of’ concerts. It paints a portrait of Bohemia’s mighty river from its source (flutes and clarinets) as it winds its way through the country (strings) passing groves and meadows. Sometimes swift and shallow, sometimes deep and slow with the light of the sun flickering upon it (pizzicato). Along the way we hear hunting horns, wedding dances, merry feasts, and foaming rapids, finally disappearing into the Elbe.
Šárka - After the depiction of history and nature we move on to the legend of wild and passionate Šárka. A tale of love, betrayal, rage and revenge.
Z českých luhu a haju (From Bohemia's woods and fields) - Following the violence of Šárka, Smetana paints a pastoral portrait, celebrating the beauty of nature on a warm Summer’s day. At times cheerful, at times melancholic. The fugato of the strings represents the rustling of the wind in the grass and we hear hints of songs and polkas as they drift over the wide open countryside.
Tábor - A portrait of the Hussite warriors of the 15 century who set up their stronghold at the town of Tábor, which they were prepared to defend to their deaths. It conjures up imagery of their prayers, preparations for battle, glory and praise from their victories and sadness after their ultimate defeat.
Blaník - Blaník takes over from where Tabor left off, The Hussite heroes are now at peace under the mountain of Blaník, deep in sleep, always ready and waiting to come to the rescue of Bohemia in her time of need and led by St Wenceslas. A poem about hope for the future and a fitting way to end the work. Both Tábor and Blaník draw heavily from the Hussite hymn ‘Who are you, God’s warriors’.
The Czech Republic is the place I have always felt most at home and I am very passionate about all aspects of Czech culture, life and language. Consequently, it is a piece of work that is very important to me and I listen to it usually at least once a month. I love to put on my headphones, close my eyes and let the glorious magic of the music conjure up its own images. That’s how I would recommend listening to it if you can.
Classical music has always been my favourite and makes up probably 90% of my collection. I do realise that it isn’t to everybody’s tastes and that it isn’t likely to fare well in the scoring stakes but I hope that you will all find it pleasant enough for at least one full listen and that it brings you some of the pleasure that it has given me.
Of course there are many variations with different composers and orchestras. I would personally recommend Václav Talich conducting the Czech Philharmonic but as that is a 1954 recording (I think), the sound might not be as good as a more modern recording. For a more modern rendering, Jakub Hrůša conducting the Bamberg Symphony orchestra is very nice.
Sorry for the ramble!
Bill Walker
Well-Known Member
I welcome some classical, Im a fan of it, but not familiar with this. Looking forward to it.
Marklr
Well-Known Member
Actually... I love some classical music. Got many of the more famous ones on my playlist. Grieg is the one that I often go back to.
It's not a medley with disco hand claps all the way through, is it? ;)
It's not a medley with disco hand claps all the way through, is it? ;)
Onholiday(somemightsay)
Well-Known Member
Listened to the first poem this morning, I feel completely out of my depth judging this........... :-)Had a really tough time choosing which album to review and after much though finally decided on a change of pace and genre and we’re going to be having some classical music. My choice is:
Bedřich Smetana - Má Vlast (My Homeland)
Despite not being as well known internationally as compatriot Dvořák, he is the most revered composer in his homeland and his composition Má Vlast is regarded by many as both his greatest work and the unofficial national anthem of the Czech Republic. What makes it an even more remarkable piece of work is that the majority of it was composed after he was completely deaf.
Má Vlast is a set of 6 symphonic poems composed between 1874 and 1879. These poems were set around the time of the Czech National revival, a cultural movement aiming to bring the Czech language and culture back to life after 200 years of Germanisation under Austro-Hungarian rule. As such it is considered a patriotic and nationalistic work. These 6 poems were originally composed individually and given their own premieres but were always designed to be played together as a series alternating between historical/mythological narrative and musical interpretations of prominent natural features, all the while celebrating his native Bohemia.
The 6 poems are:
Vyšehrad (High Castle) - The place where the Bohemian court flourished in the 8th century. A dreamy piece about the past. Sets the 4-note motif that crops up regularly in the other poems. O The harps of the seers begin; fortune tellers singing of goings on at Vyšehrad - fame, brilliance, tournaments, fights - up until the final decline and ruins. The song ends in an elegant tone of regret at the present ruin.
Vltava - Probably the most popular of the 6 movements and often played on its own in ‘best of’ concerts. It paints a portrait of Bohemia’s mighty river from its source (flutes and clarinets) as it winds its way through the country (strings) passing groves and meadows. Sometimes swift and shallow, sometimes deep and slow with the light of the sun flickering upon it (pizzicato). Along the way we hear hunting horns, wedding dances, merry feasts, and foaming rapids, finally disappearing into the Elbe.
Šárka - After the depiction of history and nature we move on to the legend of wild and passionate Šárka. A tale of love, betrayal, rage and revenge.
Z českých luhu a haju (From Bohemia's woods and fields) - Following the violence of Šárka, Smetana paints a pastoral portrait, celebrating the beauty of nature on a warm Summer’s day. At times cheerful, at times melancholic. The fugato of the strings represents the rustling of the wind in the grass and we hear hints of songs and polkas as they drift over the wide open countryside.
Tábor - A portrait of the Hussite warriors of the 15 century who set up their stronghold at the town of Tábor, which they were prepared to defend to their deaths. It conjures up imagery of their prayers, preparations for battle, glory and praise from their victories and sadness after their ultimate defeat.
Blaník - Blaník takes over from where Tabor left off, The Hussite heroes are now at peace under the mountain of Blaník, deep in sleep, always ready and waiting to come to the rescue of Bohemia in her time of need and led by St Wenceslas. A poem about hope for the future and a fitting way to end the work. Both Tábor and Blaník draw heavily from the Hussite hymn ‘Who are you, God’s warriors’.
The Czech Republic is the place I have always felt most at home and I am very passionate about all aspects of Czech culture, life and language. Consequently, it is a piece of work that is very important to me and I listen to it usually at least once a month. I love to put on my headphones, close my eyes and let the glorious magic of the music conjure up its own images. That’s how I would recommend listening to it if you can.
Classical music has always been my favourite and makes up probably 90% of my collection. I do realise that it isn’t to everybody’s tastes and that it isn’t likely to fare well in the scoring stakes but I hope that you will all find it pleasant enough for at least one full listen and that it brings you some of the pleasure that it has given me.
Of course there are many variations with different composers and orchestras. I would personally recommend Václav Talich conducting the Czech Philharmonic but as that is a 1954 recording (I think), the sound might not be as good as a more modern recording. For a more modern rendering, Jakub Hrůša conducting the Bamberg Symphony orchestra is very nice.
Sorry for the ramble!