The Album Review Club - Week #147 - (page 1942) - Blonde On Blonde - Bob Dylan

I have a friend who is always in a constant state of significance. Whatever happens to them is always important and life changing. When you're so alert to significance then every experience you have is magnified and your body becomes saturated by adrenaline, anxiety and meaning. This is probably caused by some past trauma but when you're in this state everything that subsequently happens to you becomes traumatic. I spend a good proportion of every week telling them to calm down and reminding them not everything is about something. She met Tito Jackson weeks before his death and now I have to look at pictures of the fried chicken he didn't eat and listen to why that means she's wasted her life.

Obviously I don't know Elliot Smith but it does appear he maybe suffered from the same condition. Some people see the iceberg above the water, some see the terrifying cold mass below. You should really avoid the iceberg but when everything means something you instead turn up the engines and crash your ship as hard as you can and then spend the rest of your life chipping bits of ice off for shots and enjoying the cold numb. Like his school district let's be thankful that Elliot Smith picked up a guitar instead of an assault rifle.

XO has a collection of songs that are about something significant. They come heavily wrapped in some sweet Beatlesque melodies that sound great and hint at some deeper understanding of music than I can explain. The descending guitar line and pedal point of Sweet Adeline is the perfect example and it even has a nice Pixiesque quiet loud dynamic. It's probably my album highlight but i did also enjoy the horns in A Question Mark and the nasal harmony of I Didn't Understand.

It is normal for me to force some significance in what is seemingly insignificant and then spend days annoying everyone (hello Gary Clarke Jr). However XO makes me feel like a poseur. It's already significant in ways that I am much too insignificant and insincere to express. These short paragraphs have already taken me 2 hours to write as I write and scribble out ideas and thoughts inbetween wikipedia and subreddit expeditions. I find I have nothing to say that is worth saying. I normally start writing and a conclusion appears. Not today. Maybe even never again. Icebergs ahead

I like this but i feel guilty that it probably cost Elliot Smith a lot and I don't love it. It has all the right stuff in all the right places but I'd rather watch hours of youtube videos explaining it than listening to it. It's a conflicted 7 with a 9 reserved for the hypothetical documentary explaining how to play it hosted by the people it's written about.

Last paragraph, very yes.
 
But he didn't mention the pedal point and it's tonal effect as an example of what this album is like; admittedly he also refrained from going off on one about icebergs - so it's probably a score draw at the moment :-)
My wife is grateful that it is icebergs I'm going off on for a change instead of Nazis like normal
 
I'd rather watch hours of youtube videos explaining it than listening to it.
I'm afraid, that was my view after a first listen today in the car.
I did get the image of another contributor from a few albums back. the idea of sitting down with a whisky at night to truly appreciate this.
Another image being that this would be put on in the background of some "oh so cool" high end boutique.
But maybe I am just missing something as it seems so many others did on first hearign this.
 
I'm afraid, that was my view after a first listen today in the car.
I did get the image of another contributor from a few albums back. the idea of sitting down with a whisky at night to truly appreciate this.
Another image being that this would be put on in the background of some "oh so cool" high end boutique.
But maybe I am just missing something as it seems so many others did on first hearign this.
It was much poppier than I was expecting so was a pleasant surprise. I guess it could be a bit disconcerting if you were expecting something a bit harder or folkier
 
It was much poppier than I was expecting so was a pleasant surprise. I guess it could be a bit disconcerting if you were expecting something a bit harder or folkier
I don't mind the odd bit of "folkier" as I do have a couple of Michelle Shocked/Martin Stephenson albums and been to see both a few times. So I'm not totally averse to something a little slower and paired back.
It was just a first listen though so I have time to let it wash over me more to see if I get anything out of this.
 
I'm amazed I've never heard of him or this album as it should be one that would've come across in that late 90s era. The only thing I can think of was that I was probably more into Beck, Air and the like than this.

Either way, I had not idea on what to expect. I sometimes like to listen to the album before the write up (sometimes it's the other way round) but work was crazy again this week and I've just popped it on today but I couldn't remember the full review as my mind has been elsewhere.

I really, really liked this album. Maybe it's been a quiet Sunday evening and it fits the vibe perfectly but I think that might do it a disservice. It's a clever little album this with plenty of melody and the songs tend to develop in ways I wasn't necessarily expecting. He has a great voice, very calming and easy to listen to.

Overall a great little find this and one I will definitely come back to.

8/10.
 
It was much poppier than I was expecting so was a pleasant surprise. I guess it could be a bit disconcerting if you were expecting something a bit harder or folkier
His earlier albums could be described as folkier, and I agonised over whether to share this album or Either/Or. In the end I went for XO as I felt there’s more variety within the songs, which might appeal to a wider audience. Though after reading the comments, Either/Or should have got the nod.
 

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