The Album Review Club - Week #191 (page 1286) - Harlequin Dream - Boy & Bear

Uh, over here, Enya was not only not cool to like, you were a literal outcast if you liked her. Unless you played a LOT of Dungeons and Dragons.
Watermark is mostly a great album. The worst track on it is Orinoco flow.
It's one of those albums you try because of a song, but end up liking it despite said song.

It's over produced and syrupy but it's well recorded and her voice shones through.

Oddly enough my fav. Track is the one where she doesn't sing on it (miss clare remembers).

I never caught on to anything else she did. The blue album (can't remember the name) she released afterwards doubled down on the sugar and was utterly forgettable.






Fire away. ;)
 
Despite a couple of well-aimed torpedoes (welcome to the fray, @Mr Grumpy, and a warm welcome back to the fray, @BimboBob), @FogBlueInSanFran sees his nomination of Is This It by The Strokes sail coolly into the top 20. 17 votes at an average of 7.24 gives him his highest scoring album so far.

This week, it's the turn of @journolud. Whenever you are ready. sir.
 
Chet Baker- Autumn Leaves

Counting Crows - autumn and everything after

Nat king cole
 
Live at the witch trials?

Fuck me do these guys release an album a week or something?
 
To my ears it did. Which is the point of this thread surely?

Just because it was apparently a cool album to buy and like when it came out doesn't make it cool. Along with Chapman, Simon and Enya, this was a dinner party album. Background music for the hard of hearing or caring. Nothing jumps out. It all blurs into one. You can eat your fair trade vegan middle class offering whilst tapping your feet listening to Giles bang on about "options" without getting offended.

And I don't have to like it. I tried. I listened to Teen Mortgage's vinyl after it. Short, low on production. Not trying to sound cool. Just an album full of short songs, banged out with aplomb. And a splash of genuine anger.

Something that The Strokes lacks.
Just a quick revisit here. I think Bimbo citing one of your recommendations as a good example, should count as the equivalent of getting an 8/10 from him. Just saying.

Good to have you back pal.
 
It’s not every band that gets their own dedicated thread on Bluemoon but there are a select few. Rush probably. Radiohead have several. And then there’s the Manchester bands. Not Simply Red, they are from Salford, or Trafford or somewhere. But Doves, Oasis, The Smiths. And of course the Fall. You don’t get much more Manchester than the Fall.


To be fair my engagement with that thread sort of mirrored my real life engagement with the band itself. An avid early fan but it became hard to keep up.

Mark E Smith, the irascible and dictatorial leader of the Fall is one of the many reported to be at the Sex Pistols infamous Free Trade Hall gig. This is probably true unlike many of the claims and assertions made in his highly entertaining but largely scurrilous autobiography Renegade.

I wasn’t at the Sex Pistols gig. I was around 13 so a reasonable excuse. It’s by chance that I first got to see the Fall at all, living as I was a fairly sheltered life in foster care but becoming gradually reacquainted with my father who lived shall we say an alternative type of life. So it was on one of our weekends I found myself taking in an afternoon at the Deeply Vale free festival and catching the Fall, as yet with no releases and Durutti Column. If my piecing together of the history is correct they were introduced on the day by Tony Wilson.


The Fall thrilled me with their primal sound. In spirit I’d have liked to have been a punk but I didn’t really have the chops for that and anyway history seems to tell us it was over almost as soon as it started. And double anyway the Pistols and the Clash and all the rest were already “owned”. (a slight disclaimer here in that the timings of any bands mentioned and their contemporaries can probably be taken with the same pinch of salt as the aforementioned Renegade- I’m not paying attention to detail). The Fall, barely discovered felt in some strange way to be mine. At a time I was trying to “find myself” and anything that I could identify with I felt like I was part of a pretty exclusive club.

So it was that I saw them live when I could at such glamorous venues as Bowdon Club near Altrincham, a suburb more synonymous with Premier League footballers but at the time I was at school in hale Barns so it was an easy one to get to. And needless to say I was an avid buyer of their records on the day of release probably up to and including the seminal Hex Induction Hour and possibly beyond, I can’t really remember.

It's those early release that stay with me most though, the Bingo Masters Break Out EP, It’s The New Thing, both their brilliant b-sides and then the debut album Live at The Witch Trials. I don’t think this early incarnation could make any claims about the mastery of their instruments but they knew how to make an appropriate noise to accompany Mark E Smiths barbed, witty and cynical observations.

The LP had the following track listing

Frightened

Crap Rap 2/Like to Blow

Rebellious Jukebox

No Xmas for John Quays

Mother-Sister

Industrial Estate

Underground Medicin

Two Steps Back

Live at the Witch Trials

Futures and Pasts

Music Scene

(The vinyl version I have is an American copy that has Various Times instead of Industrial Estate)

For many of you I suspect that will be more than enough but the expanded version on Spotify also includes those early singles (and a host of live and BBC session versions of various songs) should your appetite not be sated.

I didn’t remain an avid follower of the Fall, I don’t know why particularly and when the best of thread was posted I made a bit of a commitment to catch up with all their sub sequent releases. I still haven’t done that but I’ll get round to it I’m sure.

For a while I had a correspondence with original member Marc Riley who indulged this fan boy and then recently through the course of work I had reason to call another from that first line up and business out of the way I asked if they were who I thought they were. Having confirmed that we had a nice nostalgic conversation.

The Fall are no more, Mark E Smith died in 2018 with the Fall having released around 30 albums and numerous live ones through multiple line up changes. No doubt there are some classics among them, probably some even better than Witch Trials but I doubt whether I would hold any of them in the same affection.

It’s not deliberate but following the Housemartins and the Strokes it feels like we are making some slightly logical steps backwards through time. You thought the Strokes were lo fi though….
 
It’s not every band that gets their own dedicated thread on Bluemoon but there are a select few. Rush probably. Radiohead have several. And then there’s the Manchester bands. Not Simply Red, they are from Salford, or Trafford or somewhere. But Doves, Oasis, The Smiths. And of course the Fall. You don’t get much more Manchester than the Fall.


To be fair my engagement with that thread sort of mirrored my real life engagement with the band itself. An avid early fan but it became hard to keep up.

Mark E Smith, the irascible and dictatorial leader of the Fall is one of the many reported to be at the Sex Pistols infamous Free Trade Hall gig. This is probably true unlike many of the claims and assertions made in his highly entertaining but largely scurrilous autobiography Renegade.

I wasn’t at the Sex Pistols gig. I was around 13 so a reasonable excuse. It’s by chance that I first got to see the Fall at all, living as I was a fairly sheltered life in foster care but becoming gradually reacquainted with my father who lived shall we say an alternative type of life. So it was on one of our weekends I found myself taking in an afternoon at the Deeply Vale free festival and catching the Fall, as yet with no releases and Durutti Column. If my piecing together of the history is correct they were introduced on the day by Tony Wilson.


The Fall thrilled me with their primal sound. In spirit I’d have liked to have been a punk but I didn’t really have the chops for that and anyway history seems to tell us it was over almost as soon as it started. And double anyway the Pistols and the Clash and all the rest were already “owned”. (a slight disclaimer here in that the timings of any bands mentioned and their contemporaries can probably be taken with the same pinch of salt as the aforementioned Renegade- I’m not paying attention to detail). The Fall, barely discovered felt in some strange way to be mine. At a time I was trying to “find myself” and anything that I could identify with I felt like I was part of a pretty exclusive club.

So it was that I saw them live when I could at such glamorous venues as Bowdon Club near Altrincham, a suburb more synonymous with Premier League footballers but at the time I was at school in hale Barns so it was an easy one to get to. And needless to say I was an avid buyer of their records on the day of release probably up to and including the seminal Hex Induction Hour and possibly beyond, I can’t really remember.

It's those early release that stay with me most though, the Bingo Masters Break Out EP, It’s The New Thing, both their brilliant b-sides and then the debut album Live at The Witch Trials. I don’t think this early incarnation could make any claims about the mastery of their instruments but they knew how to make an appropriate noise to accompany Mark E Smiths barbed, witty and cynical observations.

The LP had the following track listing

Frightened

Crap Rap 2/Like to Blow

Rebellious Jukebox

No Xmas for John Quays

Mother-Sister

Industrial Estate

Underground Medicin

Two Steps Back

Live at the Witch Trials

Futures and Pasts

Music Scene

(The vinyl version I have is an American copy that has Various Times instead of Industrial Estate)

For many of you I suspect that will be more than enough but the expanded version on Spotify also includes those early singles (and a host of live and BBC session versions of various songs) should your appetite not be sated.

I didn’t remain an avid follower of the Fall, I don’t know why particularly and when the best of thread was posted I made a bit of a commitment to catch up with all their sub sequent releases. I still haven’t done that but I’ll get round to it I’m sure.

For a while I had a correspondence with original member Marc Riley who indulged this fan boy and then recently through the course of work I had reason to call another from that first line up and business out of the way I asked if they were who I thought they were. Having confirmed that we had a nice nostalgic conversation.

The Fall are no more, Mark E Smith died in 2018 with the Fall having released around 30 albums and numerous live ones through multiple line up changes. No doubt there are some classics among them, probably some even better than Witch Trials but I doubt whether I would hold any of them in the same affection.

It’s not deliberate but following the Housemartins and the Strokes it feels like we are making some slightly logical steps backwards through time. You thought the Strokes were lo fi though….
One of my all time favourite EPs. Think I still have it on vinyl back in the UK. I shall have a look for it on Spotify as haven't heard it for years. I'll try and give this album a listen too.
 

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