RobMCFC
Well-Known Member
??Are Salvation Army bands allowed to have a go at Klemzer or is that haram?
No it wasn't, it just wasn't to my taste.Was that a long way of saying ‘It’s shite’ ;-)
??Are Salvation Army bands allowed to have a go at Klemzer or is that haram?
No it wasn't, it just wasn't to my taste.Was that a long way of saying ‘It’s shite’ ;-)
Sorry, mindlessly amusing myself on a Friday afternoon by seeing if I could offend all three Abrahamic religions (including my own) in one sentence.
If you substitute the saxophones with clarinets (which they should have :-)) then at times BCNR sound a bit like the worlds strangest Klemzer band (from the Ashkenazi Jewish tradition, you'll know the type of thing - think of the wedding bands playing Hava Nagila). Then in my head I saw your Salvation Army Lieutenant berating the band for playing none Christian songs and it was a short hop to him telling them it was haram.
Tbh - it was better in my head than on paper.
listening to it took me back to 1971 or 1972 when I bought an album featuring a bass player called Colin Hodgkinson. The NME were raving about him and his band Back Door and their first album which was labelled as jazz/rock/fusion. Black Country New Road reminds me a little of them in terms of very proficient musicians trying to do something different and push genre boundaries.
Whilst I loved the first Back Door album, at the moment I'm not loving BCNR. I think they are using their proficiency to illustrate how clever they are rather than concentrating on music quality. Take the track 'Snow Globes' which starts with a chord sequence that sounds like a child practicing their scales. That simple sequence is then simply embellished with layers of different instruments a bit like a very simple bolero. I will listen more but......
Here is a bit of Back Door for anyone that fancies a bit of a rest.
which ones do you like?You kinda hit the nail on the head for me there. These types of albums imho work best when they genuinely feel like they are the work of any one or more of these.
A tortured genius, unrestraining themselves. A group of talented guys just wanting to have fun, with no real ambition at stardom. Someone wanting to experiment or express themselves without any real aspirational purpose. Guys that totally missed their calling. Etc
But once they deviate from that and it starts to sound like an attempt at a professional record, it quickly risks sounding too either too clever or too pretentious, or overdone, and loses its charm. The trick to it is in the nonchalance.
That said this does have some excellent individual songs.