The Album Review Club - Week #194 (page 1303) - Ants From Up There - Black Country, New Road

It was a hard album for me to score. I didn't not like it but I didn't like it enough to get past indifference. The muddiness did annoy me at first but clarity did emerge after a couple of listens. Although this and a couple of plays of some of their music videos on YouTube is the only thing I've heard of there's I think I like the band more than the album. They seem to know what they are doing but they didn't make this album for me and that's ok. They didn't do anything to make me hate them or think less of the people that do like them
 
Three listens now, and I like it...not surprising really, considering I liked the band Teen Mortgage that Coats nudged my way a few months ago. I liked that enough to buy their albums on vinyl.

This album didn't hit me as hard but it had me nodding my head. It's maybe a little generic here and there but there's just enough variety to push it through. Nice guitar work though and I love his voice.

Was it enough to buy this album on vinyl? Yes, yes it was. Great choice and it's always good to listen to a band I've never heard of before.

7/10
 
I feel bad shorting Coaty a more thoughtful review, but it's my last week of work before retirement so a lot of loose ends to clean up before I walk away, free at last.

After a couple of listens I did find this similar to Megadeth in its difficulty to parse, but spryer and moderately more interesting. That said, I've never heard of the studio in the bottom of the abandoned Siberian coal mine where they recorded it. Must have been cold and dark. 5/10.
 
I feel bad shorting Coaty a more thoughtful review, but it's my last week of work before retirement so a lot of loose ends to clean up before I walk away, free at last.

After a couple of listens I did find this similar to Megadeth in its difficulty to parse, but spryer and moderately more interesting. That said, I've never heard of the studio in the bottom of the abandoned Siberian coal mine where they recorded it. Must have been cold and dark. 5/10.
Ah if ever I expected longer winded intriguing soliloquys on the sounds and scenes it borrows from, the 'rules' of the genre type it enforces and breaks etc - it was by you, on this particular album. But get it, we may well revisit those anyway down the line, a quirky wee pocket of music to explore. Maybe when retired with more time on your hands ;).
 
I feel bad shorting Coaty a more thoughtful review, but it's my last week of work before retirement so a lot of loose ends to clean up before I walk away, free at last.

After a couple of listens I did find this similar to Megadeth in its difficulty to parse, but spryer and moderately more interesting. That said, I've never heard of the studio in the bottom of the abandoned Siberian coal mine where they recorded it. Must have been cold and dark. 5/10.
Enjoy your last week - if enjoy is the word!


Note to self: Nominate Radiohead this week to fly under Foggy's radar! ;)
 
Hear the Rivers - Greenleaf

I liked this album, not least because it reminds me of a band that I’ve listened to quite a bit in the Spotify era; All Them Witches share that dense drum and bass sound and even the vocalists sound similar.

In some ways, it’s similar to some of @Coatigan’s previous nominations in that it’s a constant, dense sound across the ten tracks with not too much variation. But I wouldn’t go as far as @mrbelfy in saying that it all sounds the same. I see where he is coming from, however, what I liked about Hear the Rivers where I’ve not been so enamoured with some of Coatigan’s previous selections is that in this case, Greenleaf are not too afraid to throw in drum breaks and guitar solos, these instrumental parts giving just enough variation to keep me interested. The break and furious riffing before the slower solo in “A Point of a Secret” is excellent and a great demonstration of the shifts in momentum of this album, and whilst the idea of a middle-8 never seems to occur to them, the idea of a well-constructed bridge does, and Greenleaf pull it off frequently during this album.

There’s a terrific guitar solo in opener, “Let It Out” and the drumming sets a standard that is maintained throughout the ten tracks. “Sweet is the Sound” has an old-time blues theme, except with lots of heavy bass and madcap drumming. I can just imagine some prison chain gang singing down by the river when the guards turn up with some big chuffin’ oil drums and hammers and say “Here, try these, lads.”

It's also worth pointing out that every track has a proper ending – no limp fades outs for these guys, just a final thump on the drum, a humming note on the guitar, a two-second breather and they’re onto the next song.

I’d avoided reading the Wikipedia definition of “desert rock” before giving this a few listens but the “distinctive repetitive drum beats, a propensity for free-form jamming, and ‘trance-like’ or ‘sludgy’ grooves” are a much better way of saying what I was trying to say in the above paragraph. Having said that, whilst drums are not usually something that I pay too much attention to, I thought that they were particularly good and varied on this album and not in the least repetitive. The rest of the description is apt, though.

Although Wikipedia lists Greenleaf as “stoner rock”, I think that the “desert rock” description above fits them well. Also, the album cover is a fantastic piece of art.

Whatever the “desert rock” moniker means, it’s irrelevant because to my ears, Hear the Rivers is an excellent slice of 21st Century hard rock. 8/10.
 
Hear the Rivers - Greenleaf

I liked this album, not least because it reminds me of a band that I’ve listened to quite a bit in the Spotify era; All Them Witches share that dense drum and bass sound and even the vocalists sound similar.

In some ways, it’s similar to some of @Coatigan’s previous nominations in that it’s a constant, dense sound across the ten tracks with not too much variation. But I wouldn’t go as far as @mrbelfy in saying that it all sounds the same. I see where he is coming from, however, what I liked about Hear the Rivers where I’ve not been so enamoured with some of Coatigan’s previous selections is that in this case, Greenleaf are not too afraid to throw in drum breaks and guitar solos, these instrumental parts giving just enough variation to keep me interested. The break and furious riffing before the slower solo in “A Point of a Secret” is excellent and a great demonstration of the shifts in momentum of this album, and whilst the idea of a middle-8 never seems to occur to them, the idea of a well-constructed bridge does, and Greenleaf pull it off frequently during this album.

There’s a terrific guitar solo in opener, “Let It Out” and the drumming sets a standard that is maintained throughout the ten tracks. “Sweet is the Sound” has an old-time blues theme, except with lots of heavy bass and madcap drumming. I can just imagine some prison chain gang singing down by the river when the guards turn up with some big chuffin’ oil drums and hammers and say “Here, try these, lads.”

It's also worth pointing out that every track has a proper ending – no limp fades outs for these guys, just a final thump on the drum, a humming note on the guitar, a two-second breather and they’re onto the next song.

I’d avoided reading the Wikipedia definition of “desert rock” before giving this a few listens but the “distinctive repetitive drum beats, a propensity for free-form jamming, and ‘trance-like’ or ‘sludgy’ grooves” are a much better way of saying what I was trying to say in the above paragraph. Having said that, whilst drums are not usually something that I pay too much attention to, I thought that they were particularly good and varied on this album and not in the least repetitive. The rest of the description is apt, though.

Although Wikipedia lists Greenleaf as “stoner rock”, I think that the “desert rock” description above fits them well. Also, the album cover is a fantastic piece of art.

Whatever the “desert rock” moniker means, it’s irrelevant because to my ears, Hear the Rivers is an excellent slice of 21st Century hard rock. 8/10.

Sleeping Through The War was in my long list for next Weds, albeit it was one of the earlier fallers.

I don't want to say too much about this week's pick because I'm going to (sort of) come back to it shortly on my next nomination. Suffice to say I agree with a quite a lot of what you've said. The things that made Mr B feel it was kind of meh are in some ways the thing I actually like about it.

This would be a strong 7.5/10 for me but because this has a resonance and provides a jumping off point for my own next pick I'm bumping it to an 8/10.
 
Sleeping Through The War was in my long list for next Weds, albeit it was one of the earlier fallers.

I don't want to say too much about this week's pick because I'm going to (sort of) come back to it shortly on my next nomination. Suffice to say I agree with a quite a lot of what you've said. The things that made Mr B feel it was kind of meh are in some ways the thing I actually like about it.

This would be a strong 7.5/10 for me but because this has a resonance and provides a jumping off point for my own next pick I'm bumping it to an 8/10.
Sounds interesting - and with @GornikDaze between this and your pick, we could have a rocktastic 3 weeks!
 
On initially seeing the title of this weeks pick I was thinking this was going to be some sort of dance/trance offering, Giving me ideas of Galliano, Skunk funk/let the river flow etc. I then read the write up and was thinking all the different genres/niches was a little off putting and pretentious, but then thats down to the media for creating that rather than the band.
I had give this a first listen over the weekend when on night shifts and whilst good enough I'm not sure I was in the frame of mind to appreciate it. Driving over to Belfast today though proved to be a quicker, perhaps due to the constant drive of the bass/drums on this and thoroughly enjoyable.
As Rob has said there wasn't a huge amount of variety on this but there was just enough to save it.
“Sweet is the Sound” has an old-time blues theme, except with lots of heavy bass and madcap drumming. I can just imagine some prison chain gang singing down by the river when the guards turn up with some big chuffin’ oil drums and hammers and say “Here, try these, lads.”
My thoughts exactly and this was my favourite off the album, giving me thoughts of "O Brother Where Art Thou".

Going to give this a listen again on the way home this afternoon but another good offering from @Coatigan
 
Sleeping Through The War was in my long list for next Weds, albeit it was one of the earlier fallers.

I don't want to say too much about this week's pick because I'm going to (sort of) come back to it shortly on my next nomination. Suffice to say I agree with a quite a lot of what you've said. The things that made Mr B feel it was kind of meh are in some ways the thing I actually like about it.

This would be a strong 7.5/10 for me but because this has a resonance and provides a jumping off point for my own next pick I'm bumping it to an 8/10.
Like I said I wouldn't feel badly of people that like it because my feeling was it just didn't connect with me rather than I think it's bad.
 
I think now that a few people have gone and said a few relevant things, I may well continue with what I would have said more on in the write-up, but held off at the time till people had a chance to take it in.

A few more things I like about this album, and band.
-They do not slave to 'the genre'. While they obviously do borrow the Brant Bjork/Josh Homme sound and thick heavy plain guitar riffs, they are not afraid to throw in progressions, solos, beginnings and ends. While I do like that whole scene, it can indeed get monotonous and one-dimensional, and hard to sustain over the length of an album. As has partly been pointed out by belf, even with all that on this one.
- the singer has a very good voice, and can sing. Which can't be said for many similar bands. With the more obvious palm desert bands, you would simply have to live with the likes of John Garcia's voice, or other such guitarists trying to be vocalists to maintain a set number of band members, that don't particularly sound bad at all, but imo don't do the overall weight of sound justice.
- it is a good rock album in its own right. As mentioned at the start, I did not pick this to 'represent' a niche scene or genre. I picked it because I like it. I also didn't pick it as a more palatable 'watered down' or polished version of something else for the sake of the thread, although it inadvertently seems to have luckily gone down that way. I picked it because I like it, similarties to other stuff and differences and all.
- it is a very good album to work to. I have mentioned this before with one or two nominations here (by others as well as mine) and could write a whole belf meets fog piece on that probably. But for the sake of brevity, while that may sound like my version of 'dinner party music', it is very much the opposite, and a compliment rather than a dig. It takes a good certain kind of album imo to create a 'zone' with.
- There is plenty more where it came from. The band have a number of albums, most are strong, which is good both for me and as a nomination, where it falls in place for someone.
 
Hear the Rivers - Greenleaf

I liked this album, not least because it reminds me of a band that I’ve listened to quite a bit in the Spotify era; All Them Witches share that dense drum and bass sound and even the vocalists sound similar.

In some ways, it’s similar to some of @Coatigan’s previous nominations in that it’s a constant, dense sound across the ten tracks with not too much variation. But I wouldn’t go as far as @mrbelfy in saying that it all sounds the same. I see where he is coming from, however, what I liked about Hear the Rivers where I’ve not been so enamoured with some of Coatigan’s previous selections is that in this case, Greenleaf are not too afraid to throw in drum breaks and guitar solos, these instrumental parts giving just enough variation to keep me interested. The break and furious riffing before the slower solo in “A Point of a Secret” is excellent and a great demonstration of the shifts in momentum of this album, and whilst the idea of a middle-8 never seems to occur to them, the idea of a well-constructed bridge does, and Greenleaf pull it off frequently during this album.

There’s a terrific guitar solo in opener, “Let It Out” and the drumming sets a standard that is maintained throughout the ten tracks. “Sweet is the Sound” has an old-time blues theme, except with lots of heavy bass and madcap drumming. I can just imagine some prison chain gang singing down by the river when the guards turn up with some big chuffin’ oil drums and hammers and say “Here, try these, lads.”

It's also worth pointing out that every track has a proper ending – no limp fades outs for these guys, just a final thump on the drum, a humming note on the guitar, a two-second breather and they’re onto the next song.

I’d avoided reading the Wikipedia definition of “desert rock” before giving this a few listens but the “distinctive repetitive drum beats, a propensity for free-form jamming, and ‘trance-like’ or ‘sludgy’ grooves” are a much better way of saying what I was trying to say in the above paragraph. Having said that, whilst drums are not usually something that I pay too much attention to, I thought that they were particularly good and varied on this album and not in the least repetitive. The rest of the description is apt, though.

Although Wikipedia lists Greenleaf as “stoner rock”, I think that the “desert rock” description above fits them well. Also, the album cover is a fantastic piece of art.

Whatever the “desert rock” moniker means, it’s irrelevant because to my ears, Hear the Rivers is an excellent slice of 21st Century hard rock. 8/10.
Love a bit of All Them Witches. Shares a lot with this album imo, plus with a little bit of extra psych-emo thrown in to really vary up the mood. A bit more indulgent too.

Agree witg so much of that, score or no score, the album has been 'got', which is always my main hope.
 
I’m a simple chap. Give me some decent gained up guitar and someone with a good voice and I’m happy. Add in a solid driving bass and that just about tops it off.

Right from the outset I really enjoyed this pick. Maybe it’s a driving kind of vibe, but it really passed a few hours on the motorway when necessary.

I’ll have a listen to their other stuff as time permits. Solid 8/10 - good choice.

Ps. - decided to change my pick this week for something a bit more controversial ;)
 
I’m a simple chap. Give me some decent gained up guitar and someone with a good voice and I’m happy. Add in a solid driving bass and that just about tops it off.

Right from the outset I really enjoyed this pick. Maybe it’s a driving kind of vibe, but it really passed a few hours on the motorway when necessary.

I’ll have a listen to their other stuff as time permits. Solid 8/10 - good choice.

Ps. - decided to change my pick this week for something a bit more controversial ;)
Bjork? ;)
 
Boooo, from the sounds of it I thought we might end up with an interesting continuum across three weeks. I might revert back to big girls blouse music now.
Okay - I’ll stick with my original plan. Controversial next time, boring similar stuff this time ;)
 
Okay - I’ll stick with my original plan. Controversial next time, boring similar stuff this time ;)

Nooo, I was only joking, controversial is good!

If it was to the heavier side of Greenleaf it probably wouldn't be as much a continuum as an oscillation anyway!
 

Don't have an account? Register now and see fewer ads!

SIGN UP
Back
Top