The Chameleons / Chameleons Vox

I got the second album "What does anything mean..." on CD recently after never really listening to it at the time and I think it might be my favourite, or at least until I go back to "Strange Times".
 
I got the second album "What does anything mean..." on CD recently after never really listening to it at the time and I think it might be my favourite, or at least until I go back to "Strange Times".
Singing Rule Britannia is a top tune.
 
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I got the second album "What does anything mean..." on CD recently after never really listening to it at the time and I think it might be my favourite, or at least until I go back to "Strange Times".

It's wonderful.. especially On The Beach, Intrigue In Tangiers , Perfume Garden, One Flesh and and and ;-)
 
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It's wonderful.. especially On The Beach, Intrigue In Tangiers , Perfume Garden, One Flesh and and and ;-)
plus In Shreds, Nostalgia. So many great tunes and it works well as an album. After all these years I'd never really listened to it after "Script" and "Strange Times" and a bit of the "Tony Fletcher" EP.
 
Great review.
I really do wonder if the band were held back by the music press’s love of New Order / Factory / The Smiths / The Fall and just didn’t have the time / room for “another Manchester band” at that time?
At the time, the Bunnymen pretty much had Liverpool to themselves once the Teardrop Explodes broke up (talking post punk / new wave bands)
 
I don't understand why Peel lost interest in them, which he seemed to after the second album.
Last session in '84. Final Festive Fifty entry 1983. How can you ignore singles like Tears and Swamp Thing?
Not appearing in the indie charts through being on a pseudo independent that was really a major didn't help. At the end of the day a significant amount of the alternative record buying public just didn't get it. The lack of image is perhaps another factor.
 
I don't understand why Peel lost interest in them, which he seemed to after the second album.
Last session in '84. Final Festive Fifty entry 1983. How can you ignore singles like Tears and Swamp Thing?
Not appearing in the indie charts through being on a pseudo independent that was really a major didn't help. At the end of the day a significant amount of the alternative record buying public just didn't get it. The lack of image is perhaps another factor.
imo that was Peel's thing. Champion an up and coming band and then move on to something else. I was a big Peel fan btw!
 
Anyone else go tonight ?

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Announcement today on the Chameleons Vox Facebook page.

Okay this is important to me. I’m not Mark Burgess anymore. He exists only for the sake of legality and eventually even that may change. While we share some similarities many of the things that defined that person are gone, so he has to go too.
My name is Vox, THAT is who I am and I’m asking everyone who reads this to respect that. For many it’ll be a weird transition I know that, so there’ll be quite a few gentle reminders I imagine. Please don’t take offence if you’re gently reminded and I won’t be offended if, having been told, you forget. From this day forward Vox is the only name I will answer to. If for whatever reason this offends you I apologise for the offence, but not my decision. If I feel you are blatantly ignoring this transition, I will no longer interact with you. If at any point you want a record signing or whatever, I’ll sign as who I am not who I was. If you don’t want that please don’t ask me.
My reasons for this are deeply personal. I spent a long time thinking about it and for me it’s the right thing to do. Thank you.
 
What does this mean, basically? I thought he was called Birdy? I like Chameleons but not really bothered about MB/Vox as a person (or anyone in a band for that matter).
 

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