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Some from 1963 when the CIS building was being constructed in Manchester:
And our own version of the New York one:
Some from 1963 when the CIS building was being constructed in Manchester:
I've still got my old T90.I've got a Canon A1 that's been redundant for about 20 years since I bought a digital camera.
You can just imagine, someone falling asleep in the sunshine with the radio in quietly in the background... then, he wakes up as his feet are wet and the tide has come on and he had to make a sharp exit which is why the door is still open!
Three speaker cab's and a power amp for each by the looks of it, and the left & right speaker look slightly toed in. With the speaker positioning and that massive reflective surface in the middle of the room, that really expensive hifi system might as well be a wind-up gramophone.
I'd take Bruce Gilden over Parr any day of the week.Martin Parr is nothing like AL in his work, I only mentioned him because he seems to evoke the same polar opposite responses
School boy error. Everyone knows you should get out of sight when indulging in a bit of street brass.Who can forget when Google Maps caught this down the back of Piccadilly:
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I used to have one of those. Few lenses, Hakuba case. Some c*** stole it. I think it was someone who used to be a friend. Still use Canon.I've got a Canon A1 that's been redundant for about 20 years since I bought a digital camera.
I've got around 40 unexposed rolls of various (Ilford, Kodak, Fuji) in my fridge including 3 rolls of Kodachrome 64, 4 rolls of Kodachrome 25, 8 rolls of Fujicolour Press 800, and various FP4/HP5. They're all out of date, but I'll still worth using (if I ever get round to it). I've also got about 15 rolls of exposed, undeveloped images. IIRC one of them has some shots of me stood next to Kate Adie from about 20 years ago.Ektachrome went back into production a couple of years back, but I think it was kodachrome which was available as an iso 25 film, always preferred fuji for the colour stuff and ilford for black and white, haven't shot film for 20 years though
There are plenty of Lightroom develop presets for film types.I trust your memory over mine re Kodachrome.
Ahh, Fuji. I think there are photoshop plugins that replicate that unique warmth. I resisted digital for a while but whilst I do get a bit nostalgic about film I certainly shall not be going back.
Ive got an exposed roll in my fridge from 12 years ago. I keep wondering what's on it but don't want to develop it now as it may be disappointing :)I've got around 40 unexposed rolls of various (Ilford, Kodak, Fuji) in my fridge including 3 rolls of Kodachrome 64, 4 rolls of Kodachrome 25, 8 rolls of Fujicolour Press 800, and various FP4/HP5. They're all out of date, but I'll still worth using (if I ever get round to it). I've also got about 15 rolls of exposed, undeveloped images. IIRC one of them has some shots of me stood next to Kate Adie from about 20 years ago.
No. It's your image and you just have more control over the editing process these days. Dodging and burning has been around for as long as film.Those were the days. Waiting 2 weeks to get your prints from Boots, only to find every one turned out shit.
The beauty of digital is instant results, no waste plus the facility to edit. Any of you guys feel - like me - just a bit of a cheat every time you edit?
About the most I ever did was cropping, a bit of dodging & burning, and I also occasionally used Ilford VC paper with filters to alter the contrast.No. It's your image and you just have more control over the editing process these days. Dodging and burning has been around for as long as film.
My wife has a photo of her great grandfather and if you look closely you can make out where his pipe has been "airbrushed" out of the picture. If you don't wish to edit or to mimimise the edit it's down to your own preferences. Good editing is a skill in itself but not everyone likes it.
Makes sense. Cheers.There are plenty of Lightroom develop presets for film types.
Never really thought about it before but, yes, digital editing is a sort of new wine in old bottles. It does bring technology to the masses though.No. It's your image and you just have more control over the editing process these days. Dodging and burning has been around for as long as film.
My wife has a photo of her great grandfather and if you look closely you can make out where his pipe has been "airbrushed" out of the picture. If you don't wish to edit or to mimimise the edit it's down to your own preferences. Good editing is a skill in itself but not everyone likes it.
I used to develop my own b & w photos back in the day and was chuffed just to get a passable image much less edit like that. Nowadays I like to tweak a shot to bring out the image to what I perceive to be how it looks best. Hugely subjective and no one size fits all.About the most I ever did was cropping, a bit of dodging & burning, and I also occasionally used Ilford VC paper with filters to alter the contrast.
I agree but some people have a different view. Often time I may not like a finished image but I can appreciate the artitic / technical skill involved.Never really thought about it before but, yes, digital editing is a sort of new wine in old bottles. It does bring technology to the masses though.
Personally I’m happy to do minor editing to cut, enhance, erase blemishes, etc. Where it radically alters the original, in effect re-creating a shot, I’m much less comfortable with the idea.
I'd take Bruce Gilden over Parr any day of the week.