stonerblue
Well-Known Member
Bollox, gonna have to climb into the attic and root through boxes now.
As a huge fan of early Sunny Boys for those outside oz or fans of Jeremy Oxley ( check them out ) and the Saints you cannot come to any other conclusion that listening to this EP along with songs like Ages of You is nothing more than making a fun day that much better. I bought it in 1985 and have battered it to pillar and post and back in an effort to leave it memory but I cannot and it still sounds as good as it did back then along with the desire to keep them as fresh and relevant forty years on and doing so. If I make it to ninety deaf and incoherent I will still want to listen to these high energy, unrelenting tracks that just make one more than forever grateful that the lads from Athens decided to make records. Not scoring but this as close to a ten as I could give 5 tracks.Thanks all and my apologies for having written little so far here though I have been listening to the selections!
For me, I hope you'll forgive me skirting the intended bounds of this thread by choosing five songs that actually comprise my hands-down favo(u)rite EP of all time, R.E.M.’s debut “Chronic Town” from 1982.
Through a decade of a lot of very good things (that presaged some not-so-good things in their later years), this is the best thing R.E.M. ever did in my mind -- five perfect little songs.
I know that roughly 42% of Michael Stipe’s lyrics are utterly unintelligible. But every tune runs at pace with Buck/Mills/Berry driving their instruments along like an outboard motor. Moreover, there are no slow, mournful numbers about the demise of the South, nor character studies about wrinkled old men, nor introspective doleful schmaltz.
Granted, I do love three of R.E.M.’s 14 LPs top to bottom: “Murmur”, “Life’s Rich Pageant” and “Document”. And I have a lot of like for everything else they did up to and including “Out of Time”.
It’s always puzzled me that so many Brits like their later stuff better than their early stuff, which is one reason I chose this. To me the band died with “Automatic For The People”, which was 1992 (I’ve always found that record cloying and irritating).
To me “Chronic Town” has stood the test of time – to me, it will always be evocative of what R.E.M. is SUPPOSED to sound like. Just unpretentious, skittering, jangling, speedy, expeditious fun, and (crucially) unspoiled by the demands of the marketplace too.
Even 40 years later, unspoiled fun still sounds good.
1. Wolves, Lower
2. Gardening At Night
3. Carnival of Sorts (Boxcars)
4. 1,000,000
5. Stumble
Good points Rob , I appreciated the similar tempo with high energy sound that OZ bands such as those mentioned albeit the Saints were originally known as punk so it was logical I would gravitate to REM early on. For me it was just more production and sophistication in the studio as the years passed by with Stipe modifying his arching style IMO.Ah, the "old REM v later REM" debate. I own two REM studio albums and one compilation. More on that later.
I enjoyed listening to this playlist from their early years - it's got a lot of energy and jangle, and whilst the tracks do sound similar to each other, I don't think they sound the same. "Carnival of Sorts" and "1,000,000" were my favourites - they seemed to have more changes than the others.
The two studio albums I own are the ones mentioned by journolud - "Automatic For The People" and "New Adventures in Hi-Fi". I'm not a massive REM fan: I don't dislike their old material and I don't love their new material, but I do prefer their 90s albums. I like the fact that they incorporated different instruments into their sound (although no doubt if I listened closely enough, I'd probably find that they were always there). The melodies on songs like "Find the River", "Try Not To Breathe", "E-Bow The Letter" are really nice while songs like "Ignoreland", "The Wake-up Bomb" and "So fast, So Numb" are really satisfying rockers.Plus I like the production more on these albums.
Foggy said he thought REM evolved but he didn't like their evolution whereas I probably wouldn't have given their early stuff a listen without hearing the newer material. Just goes to show we all hear different things in what we listen to.
Agreed on the repetitive point, and I think you hear them mixing up tempos much more on their studio records. Every one has a few songs where the tempo slows down appreciably. One music critic I love described this really well -- the problem with early REM on slow songs is you actually have to ennunciate the lyrics; you can't garble everything like Stipe does here on the fast ones. If you listen to "Camera" from their second full length record "Reckoning", it is fucking awful because you can't understand a word Stipe is singing. Not too much later, he started actually singing words you could understand, especially on "Document", when suddenly his anger at the state of the world flared up, and he wanted to be sure everyone understood that.Never liked REM. Never really listened to REM, not properly. The hitsnare well enough that you could kmow them wothout ever having made an effort to listen to them. I found this one interesting. For a start, if someone had put it on and asked me to guess who it was probably would have taken me a good 10 guesses.
It Was repetative, as others have said. It is an EP and they can probably get away with it, on an album that would be something to pick at. But it was fine to listen to, didn't mind it at all. Has made me appreciate the band a bit more, probably not enough to look beyond it.
When it comes back around to me I'll be more creative! I just wanted to sneak this one in there based on past conversations, and I'd already written a bit about how much I love this EP, so it was an expedient choice.I have to say Foggy I’m a tad disappointed at your selection, don’t get me wrong I like early REM and I’d only heard ‘Carnival of Sorts’ before.I was just hoping for
something more leftfield like Gangsta Rap or Black Flag from yourself.i have certainly enjoyed your nominations on the other thread, so maybe next time.