Cool stuff on the radio

The classified ads of the Manchester Mercury on 17 August 1819, the day after the Peterloo Massacre, give their own insight into the post Napoleonic war social stress. Rewards are offered for information on "those who have absconded from their families" with their names and descriptions. Special constables have been recruited in Bowden "to enforce obedience of the laws" and auctions are announced for everything from a house to a horse, and from a clementi piano to the "Scotch edition of Shakespeare".

Front page news is a relatively late addition to the newspaper business. For most of their first couple of centuries, British newspapers carried classified ads rather than news on their front page. They transformed the hustle and bustle of the marketplace into newsprint, so you could take it home or to the inn to pore over at your leisure.

James Naughtie travels the country discovering how these front page ads give us a snapshot of time and place, exploring how they weave national and local life together - the heartbeat of history rolling daily or weekly off the presses.

The ads tell us what people were eating, drinking and wearing, what was on stage and what people were playing at home. They mark the mood of the time through notices for public meetings held to stoke up or damp down public fears of crime and political unrest. They are a record of the notices placed for houses and public buildings to be built, licenses applied for and subscriptions raised for publications and commemorations. They show the latest labour saving gadgets "trending" as technology arrived, and they track jobs and trades on the way up and down as the British Empire waxed and waned. The ever present ads for patent medicines record our most popular ailments.
https://www.bbc.co.uk/programmes/b0b2knmh
 
https://www.bbc.co.uk/programmes/b0b3vv2q

Stuart Maconie celebrates the golden age of the music press interview.

In the heyday of the printed music media between the mid-sixties and the early noughties, the music interview was many things - combative, intimate, confessional, unhinged, flirtatious, sometimes violent - but it was rarely dull. Still, it seems that long-gilded age of rock journalism is now over.

The days of extraordinary access, when a reporter might spend a week with a band on its tour bus or private plane, hanging out in their dressing rooms and hotel suites, are at an end. The music papers are gone. Earlier this year NME - the last inky survivor - went online only.

Stuart Maconie looks back at the lost world - those revealing encounters between journalist and musician. The programme features classic recorded archive interviews with Jimi Hendrix, Kurt Cobain, Bob Marley and Michael Jackson - as well as contributions from journalists Caitlin Moran, Barney Hoskyns, Allan Jones, Dawn Slough and others.
 
Knife crime in England and Wales rose by a fifth last year, with stabbings in London at their highest level for a decade. So far this year, there have been more than 30 fatal stabbings in the capital - with knife injuries amongst young people also on the rise.

What lies behind the rise in violence is complex with cuts in police numbers, use of stop and search, rise in mental health issues and a lack of youth services being cited as contributing factors.

But Britain's most senior police officer, Cressida Dick, also says that social media is also partly to blame, with sites like You Tube, Snapchat and Instagram "allowing young people to go from 'slightly angry with each other' to 'fight' very quickly"

Relatives of victims - and judges in murder trials - also claim a form of hip hop, where rappers make threats to other gangs - and keep scores of killings - is helping fuel the bloodshed. It's called Drill.

When announcing a new strategy to tackle serious violence, the former Home Secretary Amber Rudd asked musicians to have a "positive influence" on young people, and to move away from lyrics which glamorise violence.

File on Four investigates this world of violence playing out online - and on our streets.

https://www.bbc.co.uk/programmes/b0b48gz7
 
listened to a discussion on 5Live earlier on drill - still not sure. I can see where it may be impacting but the response so far does come over like a council banning a Sex Pistols concert in the 70's and the Dangerous Dogs Act - ie not thought through and coming from a place of unintentional ignorance. I'd ask if you banned all drill music would the stabbings stop.......................................?
 
How do the rich and the poor live together, side-by-side every day?

Journalist Cole Moreton walks across the London Borough of Kensington in a revealing series of real-life encounters that build and tell a story like a drama. From a food hall to a food bank, he goes into the homes, shelters and multi-million pound apartments of the men and women who are surviving - or thriving - as inequality grows.

Life expectancy drops dramatically, wages are slashed and property prices fall through the floor in just a few miles, but the encounters with rich and poor along the way are unexpected, moving, heart-breaking and at times inspirational. This surprising, spell-binding programme asks the question so many are asking - how can we live like this?

This documentary was recorded using binaural microphones placed inside the sound recordist's ears. Binaural recording accurately recreates the sound of being in the location itself, with sounds appearing to move in three dimensions around the listener. To experience The Walk in this aural "3D", please listen in headphones.


https://www.bbc.co.uk/programmes/b0b4y99w
 

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