1. The Spirit Engineer - A.J.West - 7/10
2. The Lost Man - Jane Harper - 8/10
3. The Fall of Babel – Josiah Bancroft - 5/10
4. The Forest – Michaelbrent Collings – 3/10
5. Black River – Will Dean – 7/10
6. Winter is Coming – Garry Kasparov – 9/10
7. Archangel – Robert Harris – 8/10
8. The Justice of Kings – Richard Swan - 8/10
9. Priest of Bones – Peter McLean – 8/10
10. Watching Skies: Star Wars, Spielberg and us – Mark O’Connell – 7/10
11. Björn Borg and the Super-Swedes – Mats Holm and Ulf Roosvald – 8/10
12. We Men of Ash and Shadow – HL Tinsley 6/10
13. Paul Kelly: The man, the music and the life in between – Stuart Coupe – 7/10
14. Steven Spielberg: A Biography - Joseph McBride – 8/10
15. Scrublands – Chris Hammer – 8/10
16. Thunderstruck – Erik Larson – 9/10
This is the best book that I’ve read this year.
Before I get into the review, I wanted to say a few words about a previous book I read by Erik Larson:
The Devil in the White City. Although written in 2002, I only got around to reading this about 5 or 6 years ago. It tells the story of two men: Daniel Burnham, the architect behind the 1893 World’s Fair in Chicago, and H.H.Holmes, a serial killer who designed the far less pleasant “murder castle.” The blend of the two men’s stories made for a gripping historical fact novel, and I have been eagerly awaiting the film or TV adaptation ever since (Leonardo DiCaprio bought the rights in 2010).
Thunderstruck adopts the same approach, but this time with a much more infamous event. Here, the author blends the tales of Marconi, focusing on his obsessive quest to develop the commercial operation of transatlantic radio communication, and Hawley Harvey Crippen, an infamous murderer.
Whilst the stories of both men make for an absorbing read, it’s Crippen’s tale that is the most interesting. Larson manages to evoke a fair amount of sympathy even though the man was a murderer! Also, I loved the way that the book was structured: it starts off alternating lengthy chapters on both the principal characters and then as the book progresses, it becomes more focused on Marconi, with just little snippets about Crippen’s situation. However, as the book reaches its conclusion, the reverse is true and even though I knew roughly what happened, the conclusion felt breathless, with the chapters shortening as the police close in on Crippen.
The author has also neatly managed the difference in time periods of the two main stories. Most of the Marconi story unfolds in the mid-1890s to early 1900s, whereas the bulk of the Crippen chapters are the years leading up to the 1910 murder. Larson is always very clear with his dates, but it can seem a bit odd when he is mixing Marconi in 1901 with Crippen in 1910. However, this didn’t detract from my enjoyment of what is a really well-researched piece of writing.
I’m sure many reading this will know a bit about the Crippen case and why Marconi is significant, but I don’t want to give anything away in case you don’t know and want to read the book. Suffice it to say that the conclusion is superb and I’m sure those who love historical fiction will love it.