Always loved the story behind “Don’t you forget about me” and how it was turned down by different artists, including Simple Minds, Billy Idol and Bryan Ferry.
"Don't You (Forget About Me)" was written by Steve Schiff and
Keith Forsey for the film
The Breakfast Club (1985). Forsey and Schiff were inspired by a scene in which an introvert and a school bully bond while no one else is watching. Forsey said, "It was: don't forget, when we're back in the classroom, you're not just a bad guy and we've got other things in common."
[9]
Simple Minds initially declined to record "Don't You (Forget About Me)", as they felt they should only record their own material.
[10][11]Their guitarist,
Charlie Burchill, said they felt it did not suit them as "we had delusions of being ultra-hip".
[12] Their manager, Bruce Findlay, believed it would be successful in the United States. He arranged a private screening of
The Breakfast Club in an effort to change their minds, but they still declined.
[11] Their lead vocalist,
Jim Kerr, said later: "We couldn't give a toss about teenage American schoolkids."
[12]
Forsey offered "Don't You (Forget About Me)" to
Bryan Ferry of
Roxy Music, who declined as he was working on his album
Boys and Girls(1985). Ferry said later: "It was just bad timing ... Keith Forsey sent me a
demo of the song and it sounded like a hit to me."
[13] The record label,
A&M, suggested
Corey Hart, who had a hit at the time with "
Sunglasses at Night", but Forsey did not think he was the right singer.
[14]Frequent Forsey collaborator
Billy Idol also declined,
[15] but would later record a version featured on his
Greatest Hits album.
Kerr's wife, the songwriter
Chrissie Hynde of
the Pretenders, liked the song and urged him to record it.
[12] Simple Minds agreed to try it after spending a few days with Forsey and becoming friends.
[12] They were impressed by Forsey's work in German experimental music, such as
Amon Düül II, and his work with
Giorgio Moroder, including "
I Feel Love" by
Donna Summer.
[12]
Kerr added the "hey hey hey" to the introduction and the "la la la" to the ending, intending to write new lyrics, but Forsey insisted on keeping them.
[11][12] Burchill added
power chords, and said later: "It was almost a caricature – I associated powerchords with American
AOR. But it worked."
[12] The
Financial Times wrote that the chords "[helped] turn Forsey's sweet paean to teenage longing into a rousing, stadium-sized anthem".
[11]
Simple Minds did not anticipate the song's success.
[10] In 2016, Burchill said: "When I listen to it now, it’s obviously a brilliant, well-crafted pop song. I’m embarrassed we dissed it so much."
[12]