I enjoyed this without it feeling particularly memorable. That not might make much sense but that's how it is. First couple of listens I was feeling a bit sorry for myself having got Covid and missed out on several much anticipated outings. It suited the mood.
As Covid passed and my mood lifted this could have sounded a bit too one paced and morose but that wasn't the case. Although it was fairly of a mood there was just enough in the livelier numbers to keep it interesting and not so much that it spoiled the mood.
I like his voice, I mentioned previously there were hints of the vulnerability of Bill Fay, not a bad thing. Also the comparison to Stephen Fretwell is a good one. I listened to his album a lot earlier in the year, nice to be reminded to go back to it. The production is good.
Many years ago this album might have meant more to me but as we get older and hopefully more comfortable with ourselves the soul searching of others can be a bit, well I don't know. Something about this, and I must admit I've not paid too much heed to the lyrics (I don't like the use of the word idiot though, even in a self deprecating way), left me kindly disposed to the singer rather than bored by his troubles in the way that some "confessional" albums can.
I think I'm likely to listen to it again, certain moods, certain evenings. A good pick, not hitting the absolute heights but a comfortable 7.
Just a note, I can't find the comment but I think
@Mancitydoogle mentioned a cover version of the Smiths "Please, please let me get what I want". I deliberately haven't listened to it, I might be missing out but it feels like sacrilege to suggest anyone can improve on the original. I won't dock you points for it though!