The Album Review Club - Week #143 - (page 1884) - I Should Coco - Supergrass

[OB1]

bit of a understatement that.

It's cool to hate on U2 like any 'big' group or artist nowadays but i say they're up there with the greatest bands and their live shows are pretty epic. I've only seen them once about 10 years ago at the 02 and it was just superb, hit after hit.

I’ve seen U2 a few times and got most of their albums (all bar the last one I think). They can be brilliant. Joshua Tree their undoubted peak.

 

[OB1]

Strange Times – The Chameleons

Loreto college, 1984. About three months after threespires had left if I remember correctly from previous discussions. I overheard somebody talking about The Chameleons. I didn’t hear enough to know whether it was good or bad, but I suspect the former. The reason I mention this is that this was my only previous reference point for this band.

When this came up for nomination, I feared just another bunch of indie warblers from Manchester, and the first track, whilst perfectly listenable, did nothing to change my opinion.

But then came “Caution”, and “Tears”, and “Soul in Isolation”, and “Swamp Thing” and I wondered when this tremendous run of tracks would come to an end. The second half of the album doesn’t quite live up to the first, but it was enough to give me something to get my teeth into.

“Caution” has the kind of lugubrious vibe that I love, and I could well imagine The Doors producing this track. But no, it’s a band from my hometown. I love the way that a lot of these tracks aren’t three-minute jangle-pop throwaways. They don’t appear hurried and there’s enough time for the instrumentals to play their way into your subconsciousness.

There’s always room for a good acoustic track and “Tears” was a good fit here. “Soul In Isolation” is brilliant. What sounds like half of the riff to the “House of the Rising Sun” gives way to Japanese-sounding synths and then powerful guitars as Mark Burgess’ tortured voice increases in intensity.

Soul in isolation
I can hear you breathing down the hall

And then later

Back to the trees, Back to the trees

Just another song documenting a singer’s internal turmoil, but the music and lyrics work really well together.

With these tracks, it’s clear that Strange Times is an album of drama, and this is played out both in the lyrics and the tempo changes.

Elsewhere, “Time, The End of Time” has a lovely coda, “In Answer” has a nice orchestral start and then gets into a lively guitar groove and “Childhood” is similarly pleasant and upbeat.

The album cover is very good too. It has a bit of Monty Python and Salvador Dali about it.

I must admit that my initial surprise at how pleasantly melodic and listenable this album sounds was worn down a little on subsequent listens by the cookie-cutter indie wails, but I still enjoyed much of my three spins through what is a beloved cult classic. Could have been an 8 but I think 7/10 feels right.

Note that my review is based on the album’s original 10 tracks and not the bonus tracks that follow (although I did listen to the full arrangement of “Tears”).

I only listened to their dreadful version of John I’m Only Dancing on the bonus disc.

 

[mancity2012_eamo]

It is very much of its time and you’ve nailed it.

Might give it another listen but my Rory Gallagher at the BBC box set has just arrived so that is going to take some listening to.

Therefore - I’ll give The Chameleons a nostalgic 6/10.

Always liked you OB1.
You talk such sense.

 

[mrbelfry]

Everytime I listen I hear a bit more flavour in the album. Definitely a grower for me.

 

[PinkFinal]

I only listened to their dreadful version of John I’m Only Dancing on the bonus disc.

Yeah it's a bit throwaway unlike Tomorrow Never Knows
The 'drums' were a flight case I believe

 

[BlueHammer85]

Everytime I listen I hear a bit more flavour in the album. Definitely a grower for me.

It’s amazing the difference an album can make after a few listens, some doing write ups after one listen blows my mind.

 

[FogBlueInSanFran]

I gave it a day, but since no one in the US has mentioned it (hello, MIA Foggy), this album and these songs isn't/aren't available on Spotify in the US.

I will find a way, unless I do not.

Yeah sorry — travel and work. Yes no Spotify again. Sigh.

 

[journolud]

I’m beginning to think I may have underestimated the Chameleons a touch

 

[LGWIO]

Three listens in and I'm am so glad I have them done and can move on to listen to something decent!
As a few have said, this gets better with a couple of listens. I did indeed find that.

First listen I saw absolutely nothing good to say about this. It just washed over me and was instantly forgettable. A few guitars a few jangly bits and some bloke warbling various stuff that I didn't really grasp or care about...or even want to do much research to find out if I should care about.

Second listen I did think that the last minute of "Caution" wasn't too bad and was staring to get interesting...then it ended. The same with the last minute of "Soul In Isolation".

Third listen and it just reinforced my thought that this wasn't for me and I will be quite happy not to bother again. It did pop up that they are playing the Limelight in Belfast in December...I won't be going.

After my flippant comment about the various notes that people were picking up. I did appreciate them a whole lot more. A bit of Neil Hannon on Mad Jack and also the feeling of the vocals making me think a little of Dave Gedge in places. The drum and guitar start of "Caution" also being akin to the start of "Supersonic".

So I'm afraid that this takes my lowest score away from PJ/RH. It's a point for the last minutes of Caution/Soul In Isolation and a point for the obvious influences on other bands. So its a 2 from the Derry jury.

I turned this off and stuck Idles on instead.....
Can I get a hallelujah!

 

[mrbelfry]

Three listens in and I'm am so glad I have them done and can move on to listen to something decent!
As a few have said, this gets better with a couple of listens. I did indeed find that.

First listen I saw absolutely nothing good to say about this. It just washed over me and was instantly forgettable. A few guitars a few jangly bits and some bloke warbling various stuff that I didn't really grasp or care about...or even want to do much research to find out if I should care about.

Second listen I did think that the last minute of "Caution" wasn't too bad and was staring to get interesting...then it ended. The same with the last minute of "Soul In Isolation".

Third listen and it just reinforced my thought that this wasn't for me and I will be quite happy not to bother again. It did pop up that they are playing the Limelight in Belfast in December...I won't be going.

After my flippant comment about the various notes that people were picking up. I did appreciate them a whole lot more. A bit of Neil Hannon on Mad Jack and also the feeling of the vocals making me think a little of Dave Gedge in places. The drum and guitar start of "Caution" also being akin to the start of "Supersonic".

So I'm afraid that this takes my lowest score away from PJ/RH. It's a point for the last minutes of Caution/Soul In Isolation and a point for the obvious influences on other bands. So its a 2 from the Derry jury.

I turned this off and stuck Idles on instead.....
Can I get a hallelujah!

Your fourth and fifth listen would have been transformational