southamptonblue
Well-Known Member
Off to work, so very quickly, decent ish, but thought and hoped I would like it more than I did, I thought I was trying to like it more than i was at times.....6.5.
Googles chutzpah……. agrees :)Turns out I don’t remember the Tubes as much as I thought I did. Or is it that certain songs like White Punks on Dope stuck in my mind and this turning out to be one of the more conventional songs on the album.
I found this a hard listen at first, probably not helped by the fact that I first put it on once I’d finally hit the motorway after a lot of fannying about following my trip to Newcastle last week and I wasn’t in the mood. Those jaundiced first impressions almost led to me dismissing it altogether but duty called and repeated better context listening has reaped some reward. It’s clever, no doubt but like others I think have alluded to and I’ve previously noted myself like 10cc it’s almost too clever for it’s own good. Or for mine to be fair.
I found myself appreciative and turned off in equal measure but rarely for an album that doesn’t really grab me a couple of tracks will go on my random playlist, namely the aforementioned White Punks and the marvellous What do you want… dated the references may be but that doesn’t really matter as it’s delivered with some chutzpah
Overall I can appreciate it without, you know appreciating it but for the high spots it gets a 6
The Tubes – The Tubes
When @FogBlueInSanFran says “If you dislike a tune, skip to the next, because it will be different”, he’s underselling this one. He could have said if you dislike the song, just give a few seconds because the song will be different in a couple of bars.
And now I’ve read one line further into his review, he pretty much said that as well!
That’s in a good way because he’s right, this album is never boring. And he's bang-on about the diverse instruments - is that a sitar in once “Up from the Deep” gets going?
In some ways, all of those changes make this a very difficult album to review. I like the way that it’s short on obvious choruses or middle-8s and bridges – in fact it’s closer to say that most of the album is a whole series of middle-8s strung together with a bit of guitar soloing here and there, and I don’t think there’s a song that outstays its welcome. Except perhaps for “White Punks on Dope”, which despite being the most well- known song from the album, felt a bit too ordinary, with it’s 1970s plinky-plonky piano, after everything that had preceded it.
Whilst saying that I loves all of those changes, it’s one of the songs with the most ordinary structure that I like best: “What Do You Want From Life?” is a catchy little number and the increasingly outlandish offerings from the guy doing the advertising voice at the end are in step with the playfulness of the album as a whole.
I enjoyed “Haloes”, “Mondo Bondage” and latin-style guitar on "Malagueña Salerosa". The voiceover on this track remined me of a Mexican/Spanish version of Swiss Tony from the Fast Show – I don’t know whether Foggy will get that reference, but it made me chuckle. I felt like the album ran out of steam for the last two tracks.
I don’t think that there’s anything that I’d call a classic song on here, but I think that with an album like this, that’s missing the point. It’s cohesive whilst existing in its own little world, and I was happy to just sit back and let all the madness flow through the speakers. 7/10.
Most people on here agree with you. Obviously I'm hearing it for the first time, all these years later, but that 70s sound isn't really for me. I like the piano, but whenever I hear it going like that on a song, it really puts me off.I think WPOD is a classic.