The Album Review Club - Week #145 - (page 1923) - Tellin' Stories - The Charlatans
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Bill Walker
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The K Fellowship - Kate Bush - Before the Dawn
Background to my choice.
I formed most of my musical allegiances between the ages of 13 and 20. Many of them very obvious for a boy that became a teenager in the early 70’s. Zeppelin, Yes, Genesis and tracking back into the 60s The Doors, Beach Boys, Stones, Beatles, The Who. A number of others have emerged since, but one artist stands out atop all of those obvious picks; Kate Bush. From the first time I saw her on ‘Top of the Pops’ with Wuthering Heights to this, her last recording, her music is the soundtrack to my adult life.
Two albums in the 70s, 4 in the 80’s, one in the 90’s and 3 others since the turn of the century, her output has not been prolific, but what music - eclectic and experimental, unconventional lyrics, and literary themes, she is quite unique. Her compositions ranging from exquisite ballads, driving prog rock, folk, classical and choral genres. As a song writer, musical arranger, producer, pianist and vocalist she is without peer. In the UK I can only think Bowie, Elton John and at a stretch Peter Gabriel have musical output which compares for originality, quality and longevity.
So my choice of album was not difficult but is a little controversial. First, its a live album (I have chosen it because it showcases much of her best work) and secondly, it’s not available to stream for free. Yikes.
Now I am confident that many that inhabit this thread, as connoisseurs of the very best music, may already have the album. Some may be encouraged enough by this review to go and buy it (£11.99 from your favourite outlet). Anyone that doesn't, can find the concert track list on Spotify where it has been pulled together by multiple sources from the parent albums. Simply tap in Before the Dawn in the search function and choose playlists. You will see multiple versions……….Now listening to the album as a track playlist will be a magical, wonderful musical journey but you will miss some of the ‘live experience’. For example, some tracks are 'heavier' as a live version. However you choose to listen, please give it your best shot. :-).
The album was released on 25 November 2016. It was recorded in 2014 during Kate's sell-out 22-date residency, Before the Dawn, at the Hammersmith (Eventim) Apollo in London, which saw her return to the stage following a 35-year absence. Mrs S and I attended on 24th September 2014 (how we managed to get tickets is another story).
The concert was the best, most exciting, most musical, most emotional most absolutely perfect in every way event I have ever been to. (the emotions from 93:20 came close but that was through the medium of TV).
The Album
The Album captures that concert without any overdubs or re-engineering of sound. It is, as was played in the 22 nights of her residency at the Apollo. It eclipses any other live album I own by some distance. The CD/LP versions feature three discs, each covering one of the three ‘acts’ of the concert. The band are a very experienced group of session musicians, many who have worked with Kate in the past and with Peter Gabriel and others. They included Kevin McAlea – keyboards, Uilleann pipes, accordion, Jon Carin – keyboards, guitars, programming, vocals, David Rhodes – guitars, Friðrik Karlsson – guitars, bouzouki, charango, John Giblin – bass, Mino Cinelu – percussion, Omar Hakim - Drums. Like a previous pick, The Lonesome Jubilee, the music is elevated by the use of unusual 'rock' instruments, accordions, strings, bouzouki and even a bull roarer at the climax to 'King of the Mountain'.
Act 1. Runs at around 40 minutes and is Kate’s nod to a ‘best of’ selection at the concert. It has a couple of her best known singles from Hounds of Love that most will be familiar with. It kicks of with ‘Lily’ from her 6th album the Red Shoes which is a cracking start. The song dedicated to Bush’s ‘spiritual healer’ who she met after her mother passed. The extended intro had Bush and her extended band entering the stage to what I can only describe as waves of love rolling down the circle and stalls like dry ice. I have never felt a reception like that at any concert.. You can actually hear Kate’s vocals start to relax as her nerves come under control and you believe her when she spits out the line ‘I feel like life has blown a great big hole through me’. Remember, this is a woman who hasn't sung in public for many many years. The band are wonderful throughout and Kate’s vocals, given she has not performed live in decades simply astonishing, rich, powerful with an enormous dynamic range. The highlight is the last track, ‘King of the Mountain’, a song about Elvis. Crank that one up a few degrees on the hifi and listen to it build. It will literally blow you away.
Act 2. Covers the entire side 2 of ‘Hounds of Love album. Kate’s ambition was to bring the listener on a voyage into death and rebirth with fear of drowning a recurring metaphor. It was her first attempt at a ‘concept’ song suite. Entitled “The Ninth Wave,” (after a line in a Tennyson poem) the suite consists of seven songs that tell the story of a young woman adrift at sea, drowning, losing hope, fighting sleep, waiting to be rescued and experiencing 'out of body visions' through hypothermia before finally she is released to celebrate her life.
It is nuanced, layered, complex, and one of the most profound pieces of contemporary popular music I have ever heard.
At the concert, the songs were interspersed with ‘dramatic’ visual scenes to aid the story telling. You can hear them in track 8. ‘Astronomers call’ and track 12. ‘watching them without her’. For those listening on a spotify track play list, you will simply hear the 9th Wave as originally recorded.
It's difficult finding the words to adequately describe the music, it’s complex but simple, beautiful and stark, ethereal and driven. It includes many different genres including progressive rock, folk (an Irish jig in deference to her family roots) and a good old Gregorian chant for good measure. It deserves to be listened to in its entirety, more than once, sat in front of a good hifi with your most favourite beverage. For me, it is the finest ‘concept’ piece in rock music and makes the Hounds of Love a classic album. Here it is performed meticulously live. All of it is exceptional, multi layered, beautifully sung, lyrics are as deep as you want to swim. My particular favourite is ‘Hello Earth’. I am a totally soft sod but I was in tears when she sang that at the concert.
Act 3. A SKY OF HONEY (the second side of the album Ariel) is Kate’s second ‘concept ‘song cycle. It isn’t as complex musically as the Ninth Wave but it is as beautiful. It describes a perfect midsummer day from dawn to the rising of the sun the next day. It was composed as a reflection of the idyllic rural life that Kate lived when bringing up her son Bertie. The visuals and theatrics were toned down a little for this act but the light show was at another level. It is another piece of music that should be consumed in one sitting. Repeated listening will uncover layer upon layer both in the music and the lyrics.
The overriding imagery is that of the sky, the quality of light and nature itself, particularly her garden birds. Manipulated bird song is used as a repeated motif throughout the piece.
The lyrics perfectly capture how she feels ‘in the moment’ at each stage of the day. Her genius is how well she captures the beauty of nature and a perfect english summers day. Listening, you can almost feel the warmth of the sun and hear the gentle lap of the warm sea as the day culminates in a midnight swim.
Tawny Moon is a track inserted to showcase her son. Bertie was seemingly extremely influential in persuading Kate to tour again despite the fact that she suffers from extreme stage fright so I will let him off with this slight ‘bump’ to the original song cycle. Tawny Moon will not be included in the Spotify playlist.
The climax in ‘Nocturn’ and ‘Aerial’ is stunning in its build, use of birdsong and Kate’s euphoric vocals as she greets the new dawn, arms outstretched (and imagines she is reborn as a bird).
Taken together, these two ‘song cycles’ are for me the peak of her career and quite unique which is why I was so keen to review this album for you.
The concert culminates in a couple of encores. ‘Among Angels’ (from 50 Words for Snow) and ‘Cloudbusting’ (from Hounds of Love). Among Angels is exquisite with Kate accompanying herself on piano, Cloudbusting a fitting energetic finale.
Its a long listen, and a rich feast. The album perfectly reflects the concert and takes me back to a very happy moment in time every time I listen to it. I hope it gives you some pleasure and if it encourages even one of you to explore this iconic artists work more closely, then my work here is done.
I look forward to hearing what you think.
Wow Saddleworth mate that quite a write up, you obviously deeply love Kate Bush music and it obviously has a profound effect on you.
I must admit I havent ever really listened to here much, I didnt like her breakthrough single Wuthering Heights, I just didnt want to hear it again after the first two times, it didnt appeal to me.
But..........I promise I will listen to what there is on Spotify with an open mind :)
Saddleworth2
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Thanks mate. That’s all that I can ask.
Bill Walker
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Btw I used to go to a youth club as a teenager in Uppermill called The Satellite.
And I sort of know John Lees singer/songwriter of Barclay James Harvest fame, he lives at The Heights, Delph.
My contacts with Saddleworth :)
Saddleworth2
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What year would that be mate? I left when still in primary school (uppermill). It’s where I first fell in love with City. Delph, Diggle and Dobcross (could have been a midfield trio) :-)
Bill Walker
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Around 1970.
Saddleworth2
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A bit later than me. I left in 67 to live in Barrow :-(
Bill Walker
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Shame, Saddleworth is a lovely place.
RobMCFC
Well-Known Member
Before The Dawn – Kate Bush - 2014
I have a feeling this review may get me crossed off Saddleworth2’s Christmas list, but this only works if we are all honest, right? Contrasting his passionate review and introduction to this album with my feelings whilst listening to it serves to underline that we all hear things differently and all look for different things in our music. Just like our food or films or TV programmes, I suppose.
For clarification purposes, I’m listening to the Spotify playlist, which contains the original album versions.
The Before The Dawn playlist, and I’m guessing a lot of Kate Bush’s work, includes a lot of elements that I don’t like in music, and too few of the elements that I do like. I like to hear the different instruments in the mix – that ring of an acoustic guitar chord, the wheeze of the accordion or the chords on the piano. There is some of that scattered amongst these songs, but the overriding feeling is of “bitty” snatches of instruments that get lost in the soundscape.
I also like singers who sound more relaxed and are not reaching and overextending notes. And this is where most of the problems lie for me. Take “Jig of Life” – it starts with a great fiddle, which appears throughout the track. But as soon as Kate Bush starts singing, it feels less important, and I find her voice too atonal. “Joanni” is not a bad track for the most part, but it is completely ruined by the backing vocals that come in about a minute from the end – it sounds like Fozzie Bear has suddenly joined the band!
A lot of this sounds like the soundtrack to some musical, which is fine, but not for me. Again, I apologise for not feeling the enthusiasm for the music, but I really do struggle with her voice, which is by far the main focus of so many of these songs. And what is all that vocal nonsense and voices in “Waking The Witch”? I just don’t like that in a piece of music - although one of my favourite albums has a minute or so of that at the end of one of the tracks, that’s an isolated case that I can deal with, but it happens far too often here.
So, how to score this album? I was interested to read that the sound snippet at the start of “Hounds of Love” was from one of my favourite old horror movies, Night of the Demon, so I’ll give her a bonus point for having good taste in old movies. But this in itself should show you how much I struggled with this. Across these two threads, I’ve scored every album between 3 and 8, but even I accept that it’s not as bad as that Madonna debacle (although I prefer Madonna’s voice to Kate Bush’s). The best I can do is 5/10. I did try and I listened to the whole lot, but I just didn’t like it.
I have a feeling this review may get me crossed off Saddleworth2’s Christmas list, but this only works if we are all honest, right? Contrasting his passionate review and introduction to this album with my feelings whilst listening to it serves to underline that we all hear things differently and all look for different things in our music. Just like our food or films or TV programmes, I suppose.
For clarification purposes, I’m listening to the Spotify playlist, which contains the original album versions.
The Before The Dawn playlist, and I’m guessing a lot of Kate Bush’s work, includes a lot of elements that I don’t like in music, and too few of the elements that I do like. I like to hear the different instruments in the mix – that ring of an acoustic guitar chord, the wheeze of the accordion or the chords on the piano. There is some of that scattered amongst these songs, but the overriding feeling is of “bitty” snatches of instruments that get lost in the soundscape.
I also like singers who sound more relaxed and are not reaching and overextending notes. And this is where most of the problems lie for me. Take “Jig of Life” – it starts with a great fiddle, which appears throughout the track. But as soon as Kate Bush starts singing, it feels less important, and I find her voice too atonal. “Joanni” is not a bad track for the most part, but it is completely ruined by the backing vocals that come in about a minute from the end – it sounds like Fozzie Bear has suddenly joined the band!
A lot of this sounds like the soundtrack to some musical, which is fine, but not for me. Again, I apologise for not feeling the enthusiasm for the music, but I really do struggle with her voice, which is by far the main focus of so many of these songs. And what is all that vocal nonsense and voices in “Waking The Witch”? I just don’t like that in a piece of music - although one of my favourite albums has a minute or so of that at the end of one of the tracks, that’s an isolated case that I can deal with, but it happens far too often here.
So, how to score this album? I was interested to read that the sound snippet at the start of “Hounds of Love” was from one of my favourite old horror movies, Night of the Demon, so I’ll give her a bonus point for having good taste in old movies. But this in itself should show you how much I struggled with this. Across these two threads, I’ve scored every album between 3 and 8, but even I accept that it’s not as bad as that Madonna debacle (although I prefer Madonna’s voice to Kate Bush’s). The best I can do is 5/10. I did try and I listened to the whole lot, but I just didn’t like it.
GoatersLeftShin
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Well, I'll start by saying I love every single I've heard by Kate Bush but for some reason I've not really listened to her albums. I do remember my Dad playing the "Hounds of Love" album LOADS of times in the 80s though and when I heard some of the tracks, it took me back in time to hearing it again!
I am a big fan of Bjork and you can tell how much Bjork was influenced by Kate Bush. I think it's fair to say that Bjork "pushes it" more than Kate Bush though. I always like to hear the artists who have influenced the ones I like.
So onto the album. I don't know if I've listened to the full album as I can only go from my Spotify, but overall I enjoyed it. I don't think all the songs are on my Spotify playlist though. I do think it adds to the charm though that if you want to listen to the full album, you have to buy it.
Again, a common theme, it's an album I'd never have found without these threads. What I liked about the songs is that there was a bit of everything in there - Hounds of Love, Cloudbusting, Running up that Hill are just brilliant pop songs. I really like her newer songs too like Joanni and Top of the City. You can tell she is a superb songwriter and I can't honestly think of anyone she sounds like! If someone asked me who her influences are, I'd genuinely have no idea and I like to think I've a reasonable knowledge of music.
One thing which really struck me is just how well produced this album is. It sounds superb - balanced. The quiet songs sound like you're sat next to her, but the "bigger" sounds are great too. Listening to the songs, I also found it hard to know when a song was made - Joanni could've been recorded this year, or even in 1985. Her voice doesn't give any clues at all which is pretty remarkable. I love Joni Mitchell, but you can hear with every passing year how her voice changes.
So, how to score this? It's a hard one as I think I need - and will - listen to this a few times to really get into it. So, I'll do what I did with Spirit of Eden and mark it now and as if I've listened to it 10 times!
8/10 - and thanks for suggesting it!
I am a big fan of Bjork and you can tell how much Bjork was influenced by Kate Bush. I think it's fair to say that Bjork "pushes it" more than Kate Bush though. I always like to hear the artists who have influenced the ones I like.
So onto the album. I don't know if I've listened to the full album as I can only go from my Spotify, but overall I enjoyed it. I don't think all the songs are on my Spotify playlist though. I do think it adds to the charm though that if you want to listen to the full album, you have to buy it.
Again, a common theme, it's an album I'd never have found without these threads. What I liked about the songs is that there was a bit of everything in there - Hounds of Love, Cloudbusting, Running up that Hill are just brilliant pop songs. I really like her newer songs too like Joanni and Top of the City. You can tell she is a superb songwriter and I can't honestly think of anyone she sounds like! If someone asked me who her influences are, I'd genuinely have no idea and I like to think I've a reasonable knowledge of music.
One thing which really struck me is just how well produced this album is. It sounds superb - balanced. The quiet songs sound like you're sat next to her, but the "bigger" sounds are great too. Listening to the songs, I also found it hard to know when a song was made - Joanni could've been recorded this year, or even in 1985. Her voice doesn't give any clues at all which is pretty remarkable. I love Joni Mitchell, but you can hear with every passing year how her voice changes.
So, how to score this? It's a hard one as I think I need - and will - listen to this a few times to really get into it. So, I'll do what I did with Spirit of Eden and mark it now and as if I've listened to it 10 times!
8/10 - and thanks for suggesting it!