I'm going to review these in four batches, starting with what I think are the weakest or least satisfying albums NY has released since 2000.
17. Storytone (Orchestral, 2014). Back in 2014, NY was newly married to Daryl Hannah and felt the need to share his new-found happiness with the world with a bunch of syrupy songs mostly backed with a full blown orchestra or in a few cases with a Big Band. The results are pretty dire, and only really highlighted the reedy and deteriorating qualities of NY's vocals. I think he realised the mistake as a few months later he released the same songs this time as a solo album. (This later album is given a separate ranking somewhere below). The best song on the album is Tumbleweed, but nothing here is recommended listening.
16. Colorado (2019). Neil doesn't saddle up Crazy Horse very often any more, and based on the results of last year's album this is probably a good thing. Poncho Sampedro has apparently retired and his place is taken by another occasional collaborator, Nils Lofgren. TBH it doesn't really feel like a Crazy Horse album, with several of the songs sounding more folky or country. There are a couple of OK tracks (e.g. Help Me Lose My Mind) but the worst is the interminable She Showed Me Love.
15, The Monsanto Years (2015). The first of two studio album collaborations with country rock band The Promise of the Real (there's also a Live album and a Soundtrack album with these guys but they are excluded from consideration here). All the songs focus on the evils of corporate America, with Monsanto and Starbucks in line for most of the flak. Unlike when he wrote Vampire Blues attacking the oil industry back in his heyday there is no subtlety to be found here, and the preachiness is wearisome. The low point is the song People Want to Hear About Love when Neil complains his fans want to listen to songs about relationships not issues. Not at all true Neil, we just want to hear better songs than you've served up here.
14. Are You Passionate (2002). A very strange mish-mash of an album, most filled with syrupy soul tracks that merely shows up Neil's vocal limitations. But there is also Let's Roll, inspired the events of 9/11 and, by far the best track on the album, Goin' Home, an extended rocker the result of a collaboration with Crazy Horse. (Indeed, there was originally going to be another CH song called Gateway of Love, but this was jettisoned for some reason at the last minute - actually after the album artwork had been finished. Live versions of this song are easy to find on You tube and are worth listening to). Some of the soul tracks are actually good songs and might have worked well with a suitably skilled guest vocalist - the sort of thing Paul Weller did with Style Council. But that wasn't to be and the album mostly sucks.