The author must be doing something right when they start with a character on death row, there’s no mystery to solve, and they can’t put “Sensational novel with a shocking twist” in the sub-title on Amazon. Can I just say how I hate that?
But you don’t need a “shocking twist” when the characters are so well written, and the author writes in a way that makes you feel something for most of them – whether it’s the guy on death row or the people that he has interacted without throughout his life.
As somebody who has self-published a trilogy, it can be something of a curse that whenever I read a book now, I am looking at the technical aspects as I read as opposed to simply letting the story flow. In this respect, it’s an interesting choice to present Ansel Packer’s character in the second person (first person is “I went to the shops”, third person is “He went to the shops”, the little-used second person is “You went to the shops”). I don’t think it affected the character one way or the other, but I suppose that it gave him a different voice amongst the others.
Ansel’s story was the most compelling – there’s a small part of you that thinks “did he do those things?”, but part of the fascination in reading this story is finding out what he did, when he did it, why he did it and what is the significance of “the Blue House”. Then of course there’s the question of what will happen to his “theory”?
It’s a compelling read not because the author is building up to a shocking twist or some jaw-dropping revelation, but because Ansel’s thoughts are presented in an utterly realistic way that makes you feel everything he is going through. Whilst it’s impossible to truly sympathise with a cold-blooded killer, the screaming he hears in his head almost makes you feel that way and is far more believable that some of the evil schemes and justifications presented by cardboard cut-out serial killers.
Did anybody else get the impression that the author was building in the – admittedly very slight – possibility that there would be some kind of redemption at the end? The failed rescue attempt happened early but there was always the small possibility of a successful appeal. The fact that it didn’t happen was another strength of the book.
Whilst the other characters are not quite up to the level of Ansel Packer, they are well written and do make for a good supporting cast. The structure of the book works really well, with the significant parts of the story being spread over 40-odd years between multiple characters. The only negative that I could find was that Saffy did overdo the “all men are evil” narrative, but given her job and what she’d seen, it’s an understandable character trait.
All in all, an excellent book that I think most readers would get a lot out of. It feels a lot more rounded than other serial killer books and films, and it has a lot of interesting things to say about justice, vengeance and guilt and there’s more than one character in this book who feels a different type of guilt.