In any event, in the book that made his name Shindler showed a willingness to compromise in terms of the theme to ensure his narrative met the demands of a media in thrall to United.
@Gary James has posted on here before that, back in the mid-1990s, he was looking for a publisher for what was effectively a proposed City version of Fever Pitch, and received an offer conditional on him focusing the text on the hapless Blues forever flailing in the shadow of their mighty red neighbours. He refused but Shindler didn't, the resulting book being published the following year.