Classic Rock (Phil Collins lives, run for the hills)

Just catching up on the last few days of this thread.
Shame to hear about Malcolm ‘Doc Doom’ Dome, rip. Kerrang was such a fun as well as informative read back then.
btw, meant to ask @OB1 what would you say by way of a review for Steve Hackett (apols if posted and I’ve missed it). I saw the tour but chose not to attend Genesis, so I’m hoping you’re gonna agree that Steve walked all over his old band.

I'm going to disappoint you then as I enjoyed Genesis more than Hackett, which is not to say that Hackett and his band were not really good.

Hackett and band played well but I'd still rather listen to a decrepit old Phil singing the songs than the guy SH had. I liked Steve's solo stuff as well as the Seconds Out but I don't hold that live album as dear as some older Genesis fans. I actually like pop Genesis a lot and only really got into them when I bought Genesis (in 1983?) although I had a long standing fondness (and ownership) of And Then Were Three.

The staging of the two shows was on different levels, understandably, and Hackett & Co had a nice light show with obvious nods back to Seconds Out. Genesis had a full blown arena show and Home by the Sea - a song I especially enjoy - blew me away.

But at the end of it all, there was an emotion to the Genesis gig that was quite special because, well it was actually Genesis after all those years and, for many of us, our first gig in awhile.

Two different gigs really, with some music in common but not much else and probably best not compared but enjoyed on their own merits.
 
Yeah, I think they could claim to have had a bit of a late career renaissance in terms of the quality of their output.
Think a few older bands have, I don’t know if its a conscious thing that they think we aren’t going to sell loads whatever we do so get back to what we are good at, instead of chasing sales / sounds. Or because of covid lockdowns bands couldn’t tour or get out doing stuff, so they had time to just sit and write.
 
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Think a few older bands have, I don’t know if its a conscious thing that they think we aren’t going to sell loads whatever we do so get back to what we are good at, instead of chasing sales / sounds. Or because of covid lockdowns bands couldn’t tour or get out doing stuff, so they had time to just sit and write.

I'm guessing some bands have just decided to do what they want because they know sales will be limited, regardless...
 
Sat listening to a couple of Robert Plant solo albums, it got me thinking, has there been anyone that has been as inactive as Jimmy Page the last 40 years. Apart from The Firm, Coverdale / Page and Walking into Clarksville. What has he done really just a few bits and pieces . Compared to Plants output seems a bit of a waste of talent.
 
A to Z of Classic Rock
The Letter M


Easy to nail my colours here and I’m going for the Welsh Prog Rock outfit Magenta.
Unashamedly influenced by Yes, Genesis and Mike Oldfield they have produced Eight studio albums, various remixes and live albums.
I would recommend The 27 Club, Metamorphosis or Seven although We are Legend and Home are largely disappointing. I’m yet to buy their last release Masters of Illusion.

Muse I’ve tried hard and bought the Absolution album. I love the track Hysteria but cannot get into them.

I loved the Fish era Marillion and saw them live a couple of times before they hit the big time. Again I’ve tried to like the Hogarth era but not interested.

I do have soft spot for the Mr Mister self titled debut whilst in my AOR phase and thoroughly enjoyed Motörhead live.
I think I have a couple of Michael Schenker Group vinyl albums somewhere too.
Finally who can forget Nantucket Sleighride by Mountain.
 
I'm going to disappoint you then as I enjoyed Genesis more than Hackett, which is not to say that Hackett and his band were not really good.

Hackett and band played well but I'd still rather listen to a decrepit old Phil singing the songs than the guy SH had. I liked Steve's solo stuff as well as the Seconds Out but I don't hold that live album as dear as some older Genesis fans. I actually like pop Genesis a lot and only really got into them when I bought Genesis (in 1983?) although I had a long standing fondness (and ownership) of And Then Were Three.

The staging of the two shows was on different levels, understandably, and Hackett & Co had a nice light show with obvious nods back to Seconds Out. Genesis had a full blown arena show and Home by the Sea - a song I especially enjoy - blew me away.

But at the end of it all, there was an emotion to the Genesis gig that was quite special because, well it was actually Genesis after all those years and, for many of us, our first gig in awhile.

Two different gigs really, with some music in common but not much else and probably best not compared but enjoyed on their own merits.
I was never a prog fan at the time so have no history with either but as I've mentioned I spent the time in lockdown and since going back over a lot of prog. I really only like 3 Genesis albums as albums though most have songs on I like. I have enjoyed nearly all the Steve Hacket ones though especially some of the more recent ones Edge of Light,Dark Town, Out of the Tunnel mouth,Wolflight. Never seen either but think I'd go and seen Steve Hacket but not really Genesis.
 
Frank Marino & Mahogany Rush – Lesser known Canadia Rush. Hendrix reincarnated?

Magnificent, The – Scandi melodic hard rock.

Magnum – I know what you’re thinking: can Brummies play Pomp Rock?

Mahavishnu Orchestra – Fusion pioneers.

Malmsteen, Yngwie – Blackmore wannabe axe hero with classical pretensions.

Manfred Mann's Earth Band – Blinding prog rockers best known for one of the great cover versions.

Manic Street Preachers

Marcus – 70’s hard rock cult heroes.

Marillion – Fish’s backing band.

Marilyn Manson – 90’s Shock Rocker; some would say shocking.

Marshall Tucker Band – Southern Rock pioneers with strong hint of Country.

Marx, Richard – Peaked early with platinum debut (featuring a couple of my playlist perennials) and follow-up.

Mason, Dave – Former Traffic man.

Matchbox 20 – Far from prolific pop rockers who made Kid Rock money with their 12 million selling debut.

Dave Matthews Band – More jam than Robertsons.

Max Webster – Canadian Odd Rockers.

May, Brian – Day job is guitar player with little known regal rockers.

May, Imelda No relation; big voice.

Mayer, John – Housewives' fav.

MC5 – Kick ot the jams mother lovers.

McCartney, Paul – A Beatle whose Band on the Run is one of my favourite albums.

McClean, Don – Good ole boy.

McDonald, Michael – Sweet sounding Doobie Brother.

McLaughlin, John – Mahavishnu guitar maestro.

McVie, Christine – Fleetwood Mac songbird.

Meadows, Punky – Angelic guitarist with famous hair.

Meat Loaf – Heavy rocker. Made a stunning debut with a little help from Todd Rundgren, some E-Steet Band members and the epic words and music of the mighty Jim Steinman.

Megadeath – Major US Thrash band.

Melidian – 80’s melodic hard rock from NY.

Mellencamp, John – The Rural Rocker – simply one of the best.

Men At Work – Aussie Police wannabes.

Metallica – Even more major US Thrash band.

Midnight Oil – Dust rock.

Mike & The Mechanics – Genesis man’s side project.

Miles, John – One hit wonder but it was Music.

Miller, Frankie – Under appreciated blues rocker.

Miller, Steve – No relation; the more successful Miller.

Missing Persons – Bozzios not bozos.

Mitchell, Joni – Canadian singer-songwriter of some reknown.

Molly Hatchet – Great Southern Rock Band from Gator Country.

Money – English AOR from 70’s.

Money, Eddie – Arresting AOR man.

Monroe, Michael – Finnish rocker from Hanoi.

Montrose – Ted Templeman produced two of the greatest hard rock debut albums, the first featured Montrose, Hagar, Carmassi and Church.

Montrose, Ronnie – Played guitar.

Moody Blues – Brummie Prog progenitors.

Moore, Gary – Guitar hero who had the Blues but wasn’t limited to them.

Moraz, Patrick – Prog keyboard whiz and one-time Yes man.

Morissette, Alanis – Jagged Little Pill sold 33 million so, yes, I have a copy.

Morningstar – Kansas City Metal merchants who relased a couple of albums in late 70’s.

Morrison, Van – Mr Grumpy.

Morse / Portnoy / George – Great covers band.

Morse, Neil – Prolific progger.

Mother's Finest – Funk rock’s finest.

Motley Crue – The greatest Hair Metal Band by far.

Motorhead – Everything was louder than everything else.

Mott – Hunterless offshoot.

Mott The Hoople – Magical 70’s Glam Rockers.

Mountain – Cream of US rockers.

Moxy – Classy Eddie Leonetti produced hard rockers.

Mr Big – They were for a time.

Mr Mister – 80’s Pop rock; in the real world they were more than just Broken Wings.

Mudcrutch – Lile Tom Petty and the Heartbreakers but not…

Mullins, Shawn – Grungy pop rocker.

Muse – Popular three-piece.

My Chemical Romance – Not your typical New Jersey rock.
 
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Three big bitters in 'M' for me.

I've already talked about John Mellencamp enough on these forums recently, but also in my top 15 artists list are Midnight Oil and Aimee Mann. I also like Kevin McDermott, and I agree with @OB1 in that Richards Marx's first two albums were excellent. I saw him live at the Apollo in 1989.

Going back to Midnight Oil, I absolutely love some of their albums and they're another band who, apart from hearing some older stuff on their 20,000 Watts Rsl best of, I've never investigated all their back catalogue (pre Diesel and Dust). I listened to their first five albums last week and there's some really good stuff on there. Some of it's a bit too new wave or punk but there's plenty of hard rock in there, their debut album from 1978 was a really nice surprise.

They're back after Peter Garret's political career and have a new single out to coincide with COP26 with a new album due in the new year. Sadly their bass player, Bone Hillman, died last year.
 
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