Watched Season 1 on Amazon then it disappeared. So pissed off3 episodes left of Justified. What a ride
I watched every episode as they came out and within the last week I`ve started from scratch, as it must be at least 10 years since I watched series 1.I must admit there was an awful lot I had forgotten about, so its like watching a new programme.Can't stop watching HOMELAND on Disney channel. Upto season five already.
Think it's on ch4 streaming.Watched Season 1 on Amazon then it disappeared. So pissed off
Watched ep 7 of Alien Earth, some divisive choices but the two playing the young kids were excellent dealing with Arthur's predicament.
The last 2 minutes, just felt it went a bit melodramatic. Let's hope the series gets the finale it deserves. Seems season 2 is more or less confirmed too.
i only watched the first episode and thought it was a comedy. Jonathan Watson as a serious actor? Ewen Bremner as a God botherer? I turned it off and watched a Danish series on Netflix called the secrets that we keep. it was very well made, acted and told an engaging story. Why the fuck can the Scandinavians make superior intelligent dramas and we can only turn out shite like Coldwater?Coldwater ITV started off okay ish...now a bit daft
Yep Kirch and Morrow are the two big beasts of the series and a big set piece battle must be on the cards.I have to agree with you. I thought the episode lost its way in places, myself.
I think the issue is the 'Nibs' character for me. I feel like the trauma involved hasn't been explored properly, so the following result doesn't sit right. Maybe it's the result of not knowing if the series would be renewed, but that scenario and the 'Marcie' development has sped up some, when it didn't need to.
As you say the 'Smee' and 'Slightly' combo is pretty great in how they interact and I think it's been one of the highlights of the show. But topping that combo HAS to be the 'Kirsch' and 'Morrow' dynamic. The direct rivalry and respect for each other's intellect is brilliant to watch.
I just want to know what they do with 'The Eye', then I'll be happy!
Finished the main series couple of nights ago, weighing up weither to go down the spin off route or just leave them alone.'Dexter: Resurrection'.
What can I say? I really enjoyed the attempt to get it back to where it, once, was. Valiant effort, but it will never reach the heyday it was before.
No matter, there's clearly another couple of series left in this and I'm glad for Michael C. Hall.
'Dexter' is, certainly, his calling.
This series might have depicted hard times in a comical at times way but I remember that era with fondness. A great title track too. Pure nostalgia.
Watched most of the first series and the mrs couldn't get into it.3 episodes left of Justified. What a ride
This series might have depicted hard times in a comical at times way but I remember that era with fondness. A great title track too. Pure nostalgia.
Because we have a successful formula that they keep banging out again and again:i only watched the first episode and thought it was a comedy. Jonathan Watson as a serious actor? Ewen Bremner as a God botherer? I turned it off and watched a Danish series on Netflix called the secrets that we keep. it was very well made, acted and told an engaging story. Why the fuck can the Scandinavians make superior intelligent dramas and we can only turn out shite like Coldwater?
Justified S1 uses the formulaic "villain of the week" format whilst slowly developing the Justified universe and side-characters in the background.Watched most of the first series and the mrs couldn't get into it.
Is it worth sticking with?
Thing is the Danish series I mentioned had all of the above plus it managed to weave in some social commentary about the role of Filipino immigrants supporting the Danish privileged classes (vibes of the film Parasite that won some Oscars a few years ago). So the story for starters was a great deal more sophisticated, interesting and poignant than Coldwater. Then add in superior production values, realistic acting, well written dialogue and you have something that was in a different league. When you compare many of the Scandi noir stuff like The Bridge and The Killing it really shames our efforts. It seems it is only the real pinnacle of productions like Wolf Hall that we make a fine job of. The rest is middling to low brow simplistic pap.Because we have a successful formula that they keep banging out again and again:
But of action for the guys.
Bit of romance and intrigue for the ladies.
Bit of sex for both.
Twisty plot line with unexpected cliffhangers.
Leave the possibility of a 2nd series of successful.
Then write the story to fit it.
I find it difficult to find anything different but they are out there.
I'm not sure what Coldwater is trying to be, comedy, dark comedy, serious drama, relationships drama... I think it's got mixed up.
Anyway it's been a bit silly, with characters doing stupid uncharacteristic things that seem to be done for the benefit of an exciting plot line, a plot line that has so many holes in it.
And the weather in Scotland is always that sunny? Never seems to rain there.
Disappointed... that I have to watch all of it because my Mrs says I never watch her stuff. And I have to enjoy it. At least its not full of virtue signaling lesbian action hero's fighting against the tyranny of rapist men, again. Or the long drawn out suffering of someone dying dramas and books she sometimes read.
Hmm I'm in a mood today.
Wolf Hall is my standard. I always have that in mind when I am looking for English good drama. I've done the Bridge and The Killing. Done a few of the Walter Presents series too. If you have any other recommendations I am all ears.Thing is the Danish series I mentioned had all of the above plus it managed to weave in some social commentary about the role of Filipino immigrants supporting the Danish privileged classes (vibes of the film Parasite that won some Oscars a few years ago). So the story for starters was a great deal more sophisticated, interesting and poignant than Coldwater. Then add in superior production values, realistic acting, well written dialogue and you have something that was in a different league. When you compare many of the Scandi noir stuff like The Bridge and The Killing it really shames our efforts. It seems it is only the real pinnacle of productions like Wolf Hall that we make a fine job of. The rest is middling to low brow simplistic pap.